The Auteur

Pantyhose Cams


The Auteur

>> ARTURO DOMINGO’S AMAZING
>> ARTURO DOMINGO’S AMAZING
IN THAT HE’S A PORNOGRAPHER,
>> ARTURO DOMINGO’S AMAZING
IN THAT HE’S A PORNOGRAPHER,
BUT HE’S AN EXTREMELY
IN THAT HE’S A PORNOGRAPHER,
BUT HE’S AN EXTREMELY
IN THAT HE’S A PORNOGRAPHER,
BUT HE’S AN EXTREMELY
ACCOMPLISHED FILMMAKER.
BUT HE’S AN EXTREMELY
ACCOMPLISHED FILMMAKER.
BUT HE’S AN EXTREMELY
ACCOMPLISHED FILMMAKER.
>> THIS BUSINESS HAS NOT SEEN
ACCOMPLISHED FILMMAKER.
>> THIS BUSINESS HAS NOT SEEN
ACCOMPLISHED FILMMAKER.
>> THIS BUSINESS HAS NOT SEEN
A FILMMAKER OF HIS CALIBER
>> THIS BUSINESS HAS NOT SEEN
A FILMMAKER OF HIS CALIBER
>> THIS BUSINESS HAS NOT SEEN
A FILMMAKER OF HIS CALIBER
SINCE THE HEYDAY OF DON MIYANO
A FILMMAKER OF HIS CALIBER
SINCE THE HEYDAY OF DON MIYANO
A FILMMAKER OF HIS CALIBER
SINCE THE HEYDAY OF DON MIYANO
AND THE MITCHELL BROTHERS.
SINCE THE HEYDAY OF DON MIYANO
AND THE MITCHELL BROTHERS.
SINCE THE HEYDAY OF DON MIYANO
AND THE MITCHELL BROTHERS.
>> HE BROKE DOWN THE WALL
AND THE MITCHELL BROTHERS.
>> HE BROKE DOWN THE WALL
AND THE MITCHELL BROTHERS.
>> HE BROKE DOWN THE WALL
BETWEEN MAINSTREAM AND HARD-CORE
>> HE BROKE DOWN THE WALL
BETWEEN MAINSTREAM AND HARD-CORE
>> HE BROKE DOWN THE WALL
BETWEEN MAINSTREAM AND HARD-CORE
CINEMA LIKE NOBODY ELSE HAS
BETWEEN MAINSTREAM AND HARD-CORE
CINEMA LIKE NOBODY ELSE HAS
BETWEEN MAINSTREAM AND HARD-CORE
CINEMA LIKE NOBODY ELSE HAS
DONE.
CINEMA LIKE NOBODY ELSE HAS
DONE.
CINEMA LIKE NOBODY ELSE HAS
DONE.
>> HE IS BRILLIANT, HE IS
DONE.
>> HE IS BRILLIANT, HE IS
DONE.
>> HE IS BRILLIANT, HE IS
GENIUS, HE IS, UM…
>> HE IS BRILLIANT, HE IS
GENIUS, HE IS, UM…
>> HE IS BRILLIANT, HE IS
GENIUS, HE IS, UM…
>> ARTURO’S MAKING STRICTLY
GENIUS, HE IS, UM…
>> ARTURO’S MAKING STRICTLY
GENIUS, HE IS, UM…
>> ARTURO’S MAKING STRICTLY
NARRATIVE FILMS — HIGH-QUALITY
>> ARTURO’S MAKING STRICTLY
NARRATIVE FILMS — HIGH-QUALITY
>> ARTURO’S MAKING STRICTLY
NARRATIVE FILMS — HIGH-QUALITY
NARRATIVE FILMS THAT ARE
NARRATIVE FILMS — HIGH-QUALITY
NARRATIVE FILMS THAT ARE
NARRATIVE FILMS — HIGH-QUALITY
NARRATIVE FILMS THAT ARE
VISIONARY, THAT HAVE DEPTH.
NARRATIVE FILMS THAT ARE
VISIONARY, THAT HAVE DEPTH.
NARRATIVE FILMS THAT ARE
VISIONARY, THAT HAVE DEPTH.
>> [ Italian accent ] AND IN
VISIONARY, THAT HAVE DEPTH.
>> [ Italian accent ] AND IN
VISIONARY, THAT HAVE DEPTH.
>> [ Italian accent ] AND IN
THE STORY, IT IS WHEN YOU
>> [ Italian accent ] AND IN
THE STORY, IT IS WHEN YOU
>> [ Italian accent ] AND IN
THE STORY, IT IS WHEN YOU
REALIZE WHO YOU REALLY ARE,
THE STORY, IT IS WHEN YOU
REALIZE WHO YOU REALLY ARE,
THE STORY, IT IS WHEN YOU
REALIZE WHO YOU REALLY ARE,
YOU WILL REALIZE WHY YOU ARE
REALIZE WHO YOU REALLY ARE,
YOU WILL REALIZE WHY YOU ARE
REALIZE WHO YOU REALLY ARE,
YOU WILL REALIZE WHY YOU ARE
HERE, AND THAT’S WHEN YOU WILL
YOU WILL REALIZE WHY YOU ARE
HERE, AND THAT’S WHEN YOU WILL
YOU WILL REALIZE WHY YOU ARE
HERE, AND THAT’S WHEN YOU WILL
PULL OUT AND COME ON HER FACE.
HERE, AND THAT’S WHEN YOU WILL
PULL OUT AND COME ON HER FACE.
HERE, AND THAT’S WHEN YOU WILL
PULL OUT AND COME ON HER FACE.
>> HE HAS THE UNDERDEVELOPED
PULL OUT AND COME ON HER FACE.
>> HE HAS THE UNDERDEVELOPED
PULL OUT AND COME ON HER FACE.
>> HE HAS THE UNDERDEVELOPED
MIND-SET OF A HORNY 14-YEAR-OLD
>> HE HAS THE UNDERDEVELOPED
MIND-SET OF A HORNY 14-YEAR-OLD
>> HE HAS THE UNDERDEVELOPED
MIND-SET OF A HORNY 14-YEAR-OLD
BOY.
MIND-SET OF A HORNY 14-YEAR-OLD
BOY.
MIND-SET OF A HORNY 14-YEAR-OLD
BOY.
>> IN A WORLD OF SCHLOCKY VIDEO,
BOY.
>> IN A WORLD OF SCHLOCKY VIDEO,
BOY.
>> IN A WORLD OF SCHLOCKY VIDEO,
GONZO BULLSHIT, ARTURO IS OUT
>> IN A WORLD OF SCHLOCKY VIDEO,
GONZO BULLSHIT, ARTURO IS OUT
>> IN A WORLD OF SCHLOCKY VIDEO,
GONZO BULLSHIT, ARTURO IS OUT
THERE SHOOTING ON FILM.
GONZO BULLSHIT, ARTURO IS OUT
THERE SHOOTING ON FILM.
GONZO BULLSHIT, ARTURO IS OUT
THERE SHOOTING ON FILM.
>> HE KNOWS EVERYTHING ABOUT
THERE SHOOTING ON FILM.
>> HE KNOWS EVERYTHING ABOUT
THERE SHOOTING ON FILM.
>> HE KNOWS EVERYTHING ABOUT
LIGHTING, ABOUT LENSES.
>> HE KNOWS EVERYTHING ABOUT
LIGHTING, ABOUT LENSES.
>> HE KNOWS EVERYTHING ABOUT
LIGHTING, ABOUT LENSES.
HE’S THE KUBRICK OF PORNO.
LIGHTING, ABOUT LENSES.
HE’S THE KUBRICK OF PORNO.
LIGHTING, ABOUT LENSES.
HE’S THE KUBRICK OF PORNO.
>> HE’S BRILLIANT.
HE’S THE KUBRICK OF PORNO.
>> HE’S BRILLIANT.
HE’S THE KUBRICK OF PORNO.
>> HE’S BRILLIANT.
>> THE MAN IS A FUCKING GENIUS.
>> HE’S BRILLIANT.
>> THE MAN IS A FUCKING GENIUS.
>> THE MAN IS A FUCKING GENIUS.
>> IF A MOVIE DOES NOT HAVE
>> IF A MOVIE DOES NOT HAVE
A STORY, IT IS NOT INTERESTING
>> IF A MOVIE DOES NOT HAVE
A STORY, IT IS NOT INTERESTING
TO ME, AND, SURE, MY FILMS HAVE
A STORY, IT IS NOT INTERESTING
TO ME, AND, SURE, MY FILMS HAVE
A STORY, IT IS NOT INTERESTING
TO ME, AND, SURE, MY FILMS HAVE
FUCKING, SUCKING, FACIALS,
TO ME, AND, SURE, MY FILMS HAVE
FUCKING, SUCKING, FACIALS,
TO ME, AND, SURE, MY FILMS HAVE
FUCKING, SUCKING, FACIALS,
SNOWBALLING, CREAM PIES,
FUCKING, SUCKING, FACIALS,
SNOWBALLING, CREAM PIES,
FUCKING, SUCKING, FACIALS,
SNOWBALLING, CREAM PIES,
AND ALL OF THAT, BUT ONLY WHEN
SNOWBALLING, CREAM PIES,
AND ALL OF THAT, BUT ONLY WHEN
SNOWBALLING, CREAM PIES,
AND ALL OF THAT, BUT ONLY WHEN
IT MAKES SENSE WITHIN
AND ALL OF THAT, BUT ONLY WHEN
IT MAKES SENSE WITHIN
AND ALL OF THAT, BUT ONLY WHEN
IT MAKES SENSE WITHIN
THE CONTEXT OF THE STORY.
IT MAKES SENSE WITHIN
THE CONTEXT OF THE STORY.
IT MAKES SENSE WITHIN
THE CONTEXT OF THE STORY.
ROLL IT. LET’S GO.
THE CONTEXT OF THE STORY.
ROLL IT. LET’S GO.
THE CONTEXT OF THE STORY.
ROLL IT. LET’S GO.
>> ARTURO MAKES PORN LOOK
ROLL IT. LET’S GO.
>> ARTURO MAKES PORN LOOK
ROLL IT. LET’S GO.
>> ARTURO MAKES PORN LOOK
THE WAY IT’S SUPPOSED TO LOOK —
>> ARTURO MAKES PORN LOOK
THE WAY IT’S SUPPOSED TO LOOK —
>> ARTURO MAKES PORN LOOK
THE WAY IT’S SUPPOSED TO LOOK —
BEAUTIFUL.
THE WAY IT’S SUPPOSED TO LOOK —
BEAUTIFUL.
THE WAY IT’S SUPPOSED TO LOOK —
BEAUTIFUL.
>> ACTION.
BEAUTIFUL.
>> ACTION.
>> ACTION.
[ MID-TEMPO POP MUSIC PLAYS ]
[ MID-TEMPO POP MUSIC PLAYS ]
>> WHY HERE, DORIS?
[ MID-TEMPO POP MUSIC PLAYS ]
>> WHY HERE, DORIS?
OF ALL THE PLACES,
>> WHY HERE, DORIS?
OF ALL THE PLACES,
>> WHY HERE, DORIS?
OF ALL THE PLACES,
WHY PORTLAND, OREGON?
OF ALL THE PLACES,
WHY PORTLAND, OREGON?
OF ALL THE PLACES,
WHY PORTLAND, OREGON?
>> Life sometimes deals US
WHY PORTLAND, OREGON?
>> Life sometimes deals US
WHY PORTLAND, OREGON?
>> Life sometimes deals US
A nasty hand, Mr. Domingo.
>> Life sometimes deals US
A nasty hand, Mr. Domingo.
A nasty hand, Mr. Domingo.
>> ♪ SOME OF US WILL HEAR
>> ♪ SOME OF US WILL HEAR
YOUR VOICE ♪
>> ♪ SOME OF US WILL HEAR
YOUR VOICE ♪
♪ IT COULD HAVE BEEN MY CHOICE ♪
YOUR VOICE ♪
♪ IT COULD HAVE BEEN MY CHOICE ♪
YOUR VOICE ♪
♪ IT COULD HAVE BEEN MY CHOICE ♪
>> TO BE SO CLOSE, AND YET SO
♪ IT COULD HAVE BEEN MY CHOICE ♪
>> TO BE SO CLOSE, AND YET SO
♪ IT COULD HAVE BEEN MY CHOICE ♪
>> TO BE SO CLOSE, AND YET SO
FAR AWAY.
>> TO BE SO CLOSE, AND YET SO
FAR AWAY.
>> TO BE SO CLOSE, AND YET SO
FAR AWAY.
>> Fiona’s a distant memory,
FAR AWAY.
>> Fiona’s a distant memory,
FAR AWAY.
>> Fiona’s a distant memory,
sir.
>> Fiona’s a distant memory,
sir.
>> Fiona’s a distant memory,
sir.
I would advise against any
sir.
I would advise against any
sir.
I would advise against any
contact with her this weekend.
I would advise against any
contact with her this weekend.
I would advise against any
contact with her this weekend.
Just try to relax and enjoy
contact with her this weekend.
Just try to relax and enjoy
contact with her this weekend.
Just try to relax and enjoy
the tribute.
Just try to relax and enjoy
the tribute.
Just try to relax and enjoy
the tribute.
Forget any past relationships.
the tribute.
Forget any past relationships.
the tribute.
Forget any past relationships.
Look for new opportunities.
Forget any past relationships.
Look for new opportunities.
Forget any past relationships.
Look for new opportunities.
>> ♪ ALL ALONE ♪
Look for new opportunities.
>> ♪ ALL ALONE ♪
Look for new opportunities.
>> ♪ ALL ALONE ♪
♪ THE MIRROR’S SO RIGHT ♪
>> ♪ ALL ALONE ♪
♪ THE MIRROR’S SO RIGHT ♪
♪ THE MIRROR’S SO RIGHT ♪
♪ ENOUGH TO KILL ♪
♪ ENOUGH TO KILL ♪
♪ YOU OCCUPY ♪
♪ ENOUGH TO KILL ♪
♪ YOU OCCUPY ♪
♪ IDEAS COLLIDE ♪
♪ YOU OCCUPY ♪
♪ IDEAS COLLIDE ♪
♪ YOU OCCUPY ♪
♪ IDEAS COLLIDE ♪
♪ YOU COULD BECOME
♪ IDEAS COLLIDE ♪
♪ YOU COULD BECOME
♪ IDEAS COLLIDE ♪
♪ YOU COULD BECOME
A GORGEOUS STAR ♪
♪ YOU COULD BECOME
A GORGEOUS STAR ♪
A GORGEOUS STAR ♪
♪ AMERICAN STARS
♪ AMERICAN STARS
SHINE BRIGHTER ♪
♪ AMERICAN STARS
SHINE BRIGHTER ♪
[ MID-TEMPO MUSIC PLAYS ]
SHINE BRIGHTER ♪
[ MID-TEMPO MUSIC PLAYS ]
[ MID-TEMPO MUSIC PLAYS ]
>> ARE THERE ANY MESSAGES?
>> ARE THERE ANY MESSAGES?
>> A distributor called to
>> ARE THERE ANY MESSAGES?
>> A distributor called to
complain about the new picture.
>> A distributor called to
complain about the new picture.
>> A distributor called to
complain about the new picture.
>> THEY REFUSE.
complain about the new picture.
>> THEY REFUSE.
complain about the new picture.
>> THEY REFUSE.
>> They were published today,
>> THEY REFUSE.
>> They were published today,
>> THEY REFUSE.
>> They were published today,
Mr. Domingo.
>> They were published today,
Mr. Domingo.
>> They were published today,
Mr. Domingo.
Adult Cinema Insider called it
Mr. Domingo.
Adult Cinema Insider called it
Mr. Domingo.
Adult Cinema Insider called it
“a trite piece of shit.”
Adult Cinema Insider called it
“a trite piece of shit.”

Adult Cinema Insider called it
“a trite piece of shit.”
Porn Today
said “it blew
“a trite piece of shit.”
Porn Today said “it blew
“a trite piece of shit.”
Porn Today said “it blew
donkey dicks,” and
Porn Today said “it blew
donkey dicks,” and

Porn Today said “it blew
donkey dicks,” and
Hardcore Video Weekly
wrote,
donkey dicks,” and
Hardcore Video Weekly wrote,
donkey dicks,” and
Hardcore Video Weekly wrote,
“a truly awful film by the once
Hardcore Video Weekly wrote,
“a truly awful film by the once

Hardcore Video Weekly wrote,
“a truly awful film by the once
great Arturo Domingo, who is now

“a truly awful film by the once
great Arturo Domingo, who is now
“a truly awful film by the once
great Arturo Domingo, who is now
wallowing in a sea of his own
great Arturo Domingo, who is now
wallowing in a sea of his own
great Arturo Domingo, who is now
wallowing in a sea of his own
feces.”
wallowing in a sea of his own
feces.”
wallowing in a sea of his own
feces.”
>> ENOUGH.
feces.”
>> ENOUGH.
feces.”
>> ENOUGH.
WHAT DO PANGBORN AND MEYER SAY?
>> ENOUGH.
WHAT DO PANGBORN AND MEYER SAY?
>> ENOUGH.
WHAT DO PANGBORN AND MEYER SAY?
>> They’re on in 20 minutes.
WHAT DO PANGBORN AND MEYER SAY?
>> They’re on in 20 minutes.
WHAT DO PANGBORN AND MEYER SAY?
>> They’re on in 20 minutes.
Of course I’ll be Tebowing it
>> They’re on in 20 minutes.
Of course I’ll be Tebowing it
>> They’re on in 20 minutes.
Of course I’ll be Tebowing it
for you, so…
Of course I’ll be Tebowing it
for you, so…
Of course I’ll be Tebowing it
for you, so…
>> WELL, AT LEAST THE NEXT FILM
for you, so…
>> WELL, AT LEAST THE NEXT FILM
for you, so…
>> WELL, AT LEAST THE NEXT FILM
WILL HAVE A GREEN LIGHT, NO?
>> WELL, AT LEAST THE NEXT FILM
WILL HAVE A GREEN LIGHT, NO?
>> WELL, AT LEAST THE NEXT FILM
WILL HAVE A GREEN LIGHT, NO?
>> It’s smart to look on
WILL HAVE A GREEN LIGHT, NO?
>> It’s smart to look on
WILL HAVE A GREEN LIGHT, NO?
>> It’s smart to look on
the bright side, Mr. Domingo.
>> It’s smart to look on
the bright side, Mr. Domingo.
>> It’s smart to look on
the bright side, Mr. Domingo.
Forget the reviews for now
the bright side, Mr. Domingo.
Forget the reviews for now
the bright side, Mr. Domingo.
Forget the reviews for now
and have a nice weekend.
Forget the reviews for now
and have a nice weekend.
Forget the reviews for now
and have a nice weekend.
And don’t drink or do any kind
and have a nice weekend.
And don’t drink or do any kind
and have a nice weekend.
And don’t drink or do any kind
of drugs.
And don’t drink or do any kind
of drugs.
And don’t drink or do any kind
of drugs.
>> THANK YOU, DORIS.
of drugs.
>> THANK YOU, DORIS.
of drugs.
>> THANK YOU, DORIS.
>> ♪ …THE DAYS ♪
>> THANK YOU, DORIS.
>> ♪ …THE DAYS ♪
>> THANK YOU, DORIS.
>> ♪ …THE DAYS ♪
♪ THEY’RE SLOWLY FADING UP ♪
>> ♪ …THE DAYS ♪
♪ THEY’RE SLOWLY FADING UP ♪
♪ THEY’RE SLOWLY FADING UP ♪
>> ARTURO DOMINGO WAS BORN
>> ARTURO DOMINGO WAS BORN
IN THE TINY VILLAGE OF
>> ARTURO DOMINGO WAS BORN
IN THE TINY VILLAGE OF
CARDOSO, ITALY, IN MAY OF 1963.
IN THE TINY VILLAGE OF
CARDOSO, ITALY, IN MAY OF 1963.
IN THE TINY VILLAGE OF
CARDOSO, ITALY, IN MAY OF 1963.
>> ONE TIME I AM 6 YEARS OLD,
CARDOSO, ITALY, IN MAY OF 1963.
>> ONE TIME I AM 6 YEARS OLD,
CARDOSO, ITALY, IN MAY OF 1963.
>> ONE TIME I AM 6 YEARS OLD,
AND I FIND UNDER MY PARENTS’ BED
>> ONE TIME I AM 6 YEARS OLD,
AND I FIND UNDER MY PARENTS’ BED
>> ONE TIME I AM 6 YEARS OLD,
AND I FIND UNDER MY PARENTS’ BED
AT THE SAME TIME HUSTLER
AND I FIND UNDER MY PARENTS’ BED
AT THE SAME TIME HUSTLER
AND I FIND UNDER MY PARENTS’ BED
AT THE SAME TIME HUSTLER
MAGAZINE AND
AT THE SAME TIME HUSTLER
MAGAZINE AND
AT THE SAME TIME HUSTLER
MAGAZINE AND
CAHIERS DU CINéMA.
MAGAZINE AND
CAHIERS DU CINéMA.
MAGAZINE AND
CAHIERS DU CINéMA.
MOTHER WAS A FILM FANATIC,
CAHIERS DU CINéMA.
MOTHER WAS A FILM FANATIC,

CAHIERS DU CINéMA.
MOTHER WAS A FILM FANATIC,
AND FATHER, HE LIKE TO LOOK

MOTHER WAS A FILM FANATIC,
AND FATHER, HE LIKE TO LOOK
MOTHER WAS A FILM FANATIC,
AND FATHER, HE LIKE TO LOOK
AT THE NAKED BEAVER.
AND FATHER, HE LIKE TO LOOK
AT THE NAKED BEAVER.
AND FATHER, HE LIKE TO LOOK
AT THE NAKED BEAVER.
I BECAME HEAVILY INFLUENCED
AT THE NAKED BEAVER.
I BECAME HEAVILY INFLUENCED
AT THE NAKED BEAVER.
I BECAME HEAVILY INFLUENCED
AND VERY OBSESSED WITH BOTH.
I BECAME HEAVILY INFLUENCED
AND VERY OBSESSED WITH BOTH.
I BECAME HEAVILY INFLUENCED
AND VERY OBSESSED WITH BOTH.
FATHER, HE WANT ME TO STAY
AND VERY OBSESSED WITH BOTH.
FATHER, HE WANT ME TO STAY
AND VERY OBSESSED WITH BOTH.
FATHER, HE WANT ME TO STAY
IN CARDOSO.
FATHER, HE WANT ME TO STAY
IN CARDOSO.
FATHER, HE WANT ME TO STAY
IN CARDOSO.
I SAY, “FUCK, NO.”
IN CARDOSO.
I SAY, “FUCK, NO.”
IN CARDOSO.
I SAY, “FUCK, NO.”
I MOVED TO LOS ANGELES, AND I GO
I SAY, “FUCK, NO.”
I MOVED TO LOS ANGELES, AND I GO
I SAY, “FUCK, NO.”
I MOVED TO LOS ANGELES, AND I GO
TO USC FILM SCHOOL ON
I MOVED TO LOS ANGELES, AND I GO
TO USC FILM SCHOOL ON
I MOVED TO LOS ANGELES, AND I GO
TO USC FILM SCHOOL ON
SCHOLARSHIP WITH A MINOR
TO USC FILM SCHOOL ON
SCHOLARSHIP WITH A MINOR
TO USC FILM SCHOOL ON
SCHOLARSHIP WITH A MINOR
IN POLITICAL SCIENCE.
SCHOLARSHIP WITH A MINOR
IN POLITICAL SCIENCE.
IN POLITICAL SCIENCE.
>> HERE’S THE JUPITER HOTEL,
>> HERE’S THE JUPITER HOTEL,
800 EAST BURNSIDE.
800 EAST BURNSIDE.
>> IT’S A PLEASURE TO WELCOME
>> IT’S A PLEASURE TO WELCOME
YOU TO OUR HOTEL, MR. DOMINGO,
>> IT’S A PLEASURE TO WELCOME
YOU TO OUR HOTEL, MR. DOMINGO,
ALTHOUGH I PERSONALLY FIND YOU
YOU TO OUR HOTEL, MR. DOMINGO,
ALTHOUGH I PERSONALLY FIND YOU
YOU TO OUR HOTEL, MR. DOMINGO,
ALTHOUGH I PERSONALLY FIND YOU
TO BE A REVOLTING, MISOGYNISTIC
ALTHOUGH I PERSONALLY FIND YOU
TO BE A REVOLTING, MISOGYNISTIC
ALTHOUGH I PERSONALLY FIND YOU
TO BE A REVOLTING, MISOGYNISTIC
PIG, AND YOUR PROFESSION — IF
TO BE A REVOLTING, MISOGYNISTIC
PIG, AND YOUR PROFESSION — IF
TO BE A REVOLTING, MISOGYNISTIC
PIG, AND YOUR PROFESSION — IF
YOU CAN EVEN CALL IT THAT —
PIG, AND YOUR PROFESSION — IF
YOU CAN EVEN CALL IT THAT —
PIG, AND YOUR PROFESSION — IF
YOU CAN EVEN CALL IT THAT —
TO BE SICK AND DEGRADING.
YOU CAN EVEN CALL IT THAT —
TO BE SICK AND DEGRADING.
YOU CAN EVEN CALL IT THAT —
TO BE SICK AND DEGRADING.
PLEASE LET US KNOW IF WE CAN
TO BE SICK AND DEGRADING.
PLEASE LET US KNOW IF WE CAN
TO BE SICK AND DEGRADING.
PLEASE LET US KNOW IF WE CAN
ACCOMMODATE YOU IN ANY WAY.
PLEASE LET US KNOW IF WE CAN
ACCOMMODATE YOU IN ANY WAY.
PLEASE LET US KNOW IF WE CAN
ACCOMMODATE YOU IN ANY WAY.
THIS GENTLEMAN WILL HELP YOU
ACCOMMODATE YOU IN ANY WAY.
THIS GENTLEMAN WILL HELP YOU
ACCOMMODATE YOU IN ANY WAY.
THIS GENTLEMAN WILL HELP YOU
WITH YOUR BAGS.
THIS GENTLEMAN WILL HELP YOU
WITH YOUR BAGS.
THIS GENTLEMAN WILL HELP YOU
WITH YOUR BAGS.
PLEASE FUCK OFF NOW AND HAVE
WITH YOUR BAGS.
PLEASE FUCK OFF NOW AND HAVE
WITH YOUR BAGS.
PLEASE FUCK OFF NOW AND HAVE
A NICE DAY.
PLEASE FUCK OFF NOW AND HAVE
A NICE DAY.
PLEASE FUCK OFF NOW AND HAVE
A NICE DAY.
>> RIGHT THIS WAY, MY NIGGER.
A NICE DAY.
>> RIGHT THIS WAY, MY NIGGER.
A NICE DAY.
>> RIGHT THIS WAY, MY NIGGER.
I’M PISSED AS SHIT I’M MISSING
>> RIGHT THIS WAY, MY NIGGER.
I’M PISSED AS SHIT I’M MISSING
>> RIGHT THIS WAY, MY NIGGER.
I’M PISSED AS SHIT I’M MISSING
THAT DOCUMENTARY RIGHT NOW, BUT
I’M PISSED AS SHIT I’M MISSING
THAT DOCUMENTARY RIGHT NOW, BUT
I’M PISSED AS SHIT I’M MISSING
THAT DOCUMENTARY RIGHT NOW, BUT
IT’S WORTH IT JUST TO MEET YOU
THAT DOCUMENTARY RIGHT NOW, BUT
IT’S WORTH IT JUST TO MEET YOU
THAT DOCUMENTARY RIGHT NOW, BUT
IT’S WORTH IT JUST TO MEET YOU
IN PERSON.
IT’S WORTH IT JUST TO MEET YOU
IN PERSON.
IT’S WORTH IT JUST TO MEET YOU
IN PERSON.
THE CLOSER I AM TO YOU,
IN PERSON.
THE CLOSER I AM TO YOU,
IN PERSON.
THE CLOSER I AM TO YOU,
CLOSER I AM TO FRANK.
THE CLOSER I AM TO YOU,
CLOSER I AM TO FRANK.
THE CLOSER I AM TO YOU,
CLOSER I AM TO FRANK.
KNOW WHAT I’M SAYING?
CLOSER I AM TO FRANK.
KNOW WHAT I’M SAYING?
CLOSER I AM TO FRANK.
KNOW WHAT I’M SAYING?
WHAT, WHAT?
KNOW WHAT I’M SAYING?
WHAT, WHAT?
KNOW WHAT I’M SAYING?
WHAT, WHAT?
AW, YEAH.
WHAT, WHAT?
AW, YEAH.
WHAT, WHAT?
AW, YEAH.
YO, MARY JO, SNAP A PICTURE
AW, YEAH.
YO, MARY JO, SNAP A PICTURE
AW, YEAH.
YO, MARY JO, SNAP A PICTURE
OF ME WITH MY NIGGER.
YO, MARY JO, SNAP A PICTURE
OF ME WITH MY NIGGER.
OF ME WITH MY NIGGER.
GODDAMN I WISH YOU AND FRANK
GODDAMN I WISH YOU AND FRANK
WOULD DO ANOTHER MOVIE TOGETHER.
GODDAMN I WISH YOU AND FRANK
WOULD DO ANOTHER MOVIE TOGETHER.
WHAT’S UP WITH THAT SHIT?
WOULD DO ANOTHER MOVIE TOGETHER.
WHAT’S UP WITH THAT SHIT?
WOULD DO ANOTHER MOVIE TOGETHER.
WHAT’S UP WITH THAT SHIT?
>> FRANK AND I ARE NO MORE.
WHAT’S UP WITH THAT SHIT?
>> FRANK AND I ARE NO MORE.
WHAT’S UP WITH THAT SHIT?
>> FRANK AND I ARE NO MORE.
>> YO, MR. DOMINGO, I WAS
>> FRANK AND I ARE NO MORE.
>> YO, MR. DOMINGO, I WAS
>> FRANK AND I ARE NO MORE.
>> YO, MR. DOMINGO, I WAS
THINKING WE COULD CHILL
>> YO, MR. DOMINGO, I WAS
THINKING WE COULD CHILL
>> YO, MR. DOMINGO, I WAS
THINKING WE COULD CHILL
TOGETHER, YOU KNOW?
THINKING WE COULD CHILL
TOGETHER, YOU KNOW?
THINKING WE COULD CHILL
TOGETHER, YOU KNOW?
KICK IT OLD SCHOOL.
TOGETHER, YOU KNOW?
KICK IT OLD SCHOOL.
TOGETHER, YOU KNOW?
KICK IT OLD SCHOOL.
>> NO.
KICK IT OLD SCHOOL.
>> NO.
KICK IT OLD SCHOOL.
>> NO.
>> OH, COME ON, MAN.
>> NO.
>> OH, COME ON, MAN.
>> NO.
>> OH, COME ON, MAN.
LET’S CHILL. LET’S CHILL.
>> OH, COME ON, MAN.
LET’S CHILL. LET’S CHILL.
LET’S CHILL. LET’S CHILL.
[ Telephone ringing ]
>> Hello?
>> MY FIRST FILMS AT USC WERE
>> MY FIRST FILMS AT USC WERE
VERY, VERY CRUDE.
>> MY FIRST FILMS AT USC WERE
VERY, VERY CRUDE.
I WAS JUST FINDING MY VOICE
VERY, VERY CRUDE.
I WAS JUST FINDING MY VOICE
I WAS JUST FINDING MY VOICE
I WAS JUST FINDING MY VOICE
AS AN ARTIST.
AS AN ARTIST.
AS AN ARTIST.
[ UP-TEMPO MUSIC PLAYS ]
[ UP-TEMPO MUSIC PLAYS ]
AND FINALLY I MAKE A FILM THAT
AND FINALLY I MAKE A FILM THAT
BREAK THROUGH.
AND FINALLY I MAKE A FILM THAT
BREAK THROUGH.
>> IT WAS DURING HIS SECOND YEAR
BREAK THROUGH.
>> IT WAS DURING HIS SECOND YEAR
BREAK THROUGH.
>> IT WAS DURING HIS SECOND YEAR
AT USC THAT DOMINGO MET
>> IT WAS DURING HIS SECOND YEAR
AT USC THAT DOMINGO MET
>> IT WAS DURING HIS SECOND YEAR
AT USC THAT DOMINGO MET
A CHESS CHAMPION MATH MAJOR
AT USC THAT DOMINGO MET
A CHESS CHAMPION MATH MAJOR
AT USC THAT DOMINGO MET
A CHESS CHAMPION MATH MAJOR
NAMED FRANKLIN BRADSHAW.
A CHESS CHAMPION MATH MAJOR
NAMED FRANKLIN BRADSHAW.
NAMED FRANKLIN BRADSHAW.
>> I SAW AN AD ON THE CAMPUS
>> I SAW AN AD ON THE CAMPUS
BULLETIN SOMEBODY’S MAKING
>> I SAW AN AD ON THE CAMPUS
BULLETIN SOMEBODY’S MAKING
A MOVIE, AND I THOUGHT, “OH,
BULLETIN SOMEBODY’S MAKING
A MOVIE, AND I THOUGHT, “OH,
BULLETIN SOMEBODY’S MAKING
A MOVIE, AND I THOUGHT, “OH,
THAT’D BE FUN,” YOU KNOW?
A MOVIE, AND I THOUGHT, “OH,
THAT’D BE FUN,” YOU KNOW?
A MOVIE, AND I THOUGHT, “OH,
THAT’D BE FUN,” YOU KNOW?
WE WERE JUST KIDS.
THAT’D BE FUN,” YOU KNOW?
WE WERE JUST KIDS.
THAT’D BE FUN,” YOU KNOW?
WE WERE JUST KIDS.
I MEAN, WHO KNEW?
WE WERE JUST KIDS.
I MEAN, WHO KNEW?
WE WERE JUST KIDS.
I MEAN, WHO KNEW?
[ LAUGHS ]
I MEAN, WHO KNEW?
[ LAUGHS ]
I MEAN, WHO KNEW?
[ LAUGHS ]
WHO KNEW WE WERE GONNA STRIKE
[ LAUGHS ]
WHO KNEW WE WERE GONNA STRIKE
[ LAUGHS ]
WHO KNEW WE WERE GONNA STRIKE
SUCH GOLD?
WHO KNEW WE WERE GONNA STRIKE
SUCH GOLD?
WHO KNEW WE WERE GONNA STRIKE
SUCH GOLD?
>> ♪ I’M TIRED AND WEARY ♪
SUCH GOLD?
>> ♪ I’M TIRED AND WEARY ♪
SUCH GOLD?
>> ♪ I’M TIRED AND WEARY ♪
♪ HEARTBREAK MIGHT KILL ME ♪
>> ♪ I’M TIRED AND WEARY ♪
♪ HEARTBREAK MIGHT KILL ME ♪
>> ♪ I’M TIRED AND WEARY ♪
♪ HEARTBREAK MIGHT KILL ME ♪
♪ I’M STRONG ♪
♪ HEARTBREAK MIGHT KILL ME ♪
♪ I’M STRONG ♪
♪ HEARTBREAK MIGHT KILL ME ♪
♪ I’M STRONG ♪
♪ BUT WILL I SURVIVE? ♪
♪ I’M STRONG ♪
♪ BUT WILL I SURVIVE? ♪
♪ BUT WILL I SURVIVE? ♪
♪ LORD, SHOW ME MERCY ♪
♪ LORD, SHOW ME MERCY ♪
♪ I’M HUNGRY, I’M THIRSTY ♪
♪ LORD, SHOW ME MERCY ♪
♪ I’M HUNGRY, I’M THIRSTY ♪
♪ I NEED SOMEONE WHO… ♪
♪ I’M HUNGRY, I’M THIRSTY ♪
♪ I NEED SOMEONE WHO… ♪
♪ I NEED SOMEONE WHO… ♪
>> THANKS FOR STOPPING.
>> THANKS FOR STOPPING.
>> WHERE YOU HEADED?
>> THANKS FOR STOPPING.
>> WHERE YOU HEADED?
>> BARSTOW.
>> WHERE YOU HEADED?
>> BARSTOW.
>> WHERE YOU HEADED?
>> BARSTOW.
>> I DON’T SMOKE.
>> BARSTOW.
>> I DON’T SMOKE.
>> BARSTOW.
>> I DON’T SMOKE.
>> ♪ …A FRIEND ♪
>> I DON’T SMOKE.
>> ♪ …A FRIEND ♪
>> I DON’T SMOKE.
>> ♪ …A FRIEND ♪
♪ AND I’LL GIVE HIM LOVING ♪
>> ♪ …A FRIEND ♪
♪ AND I’LL GIVE HIM LOVING ♪
>> ♪ …A FRIEND ♪
♪ AND I’LL GIVE HIM LOVING ♪
>> YOU HAVE A PLACE TO SPEND
♪ AND I’LL GIVE HIM LOVING ♪
>> YOU HAVE A PLACE TO SPEND
♪ AND I’LL GIVE HIM LOVING ♪
>> YOU HAVE A PLACE TO SPEND
THE NIGHT?
>> YOU HAVE A PLACE TO SPEND
THE NIGHT?
>> YOU HAVE A PLACE TO SPEND
THE NIGHT?
‘CAUSE I GOT AN EXTRA ROOM
THE NIGHT?
‘CAUSE I GOT AN EXTRA ROOM
THE NIGHT?
‘CAUSE I GOT AN EXTRA ROOM
IN CASE YOU AIN’T GOT NOWHERES
‘CAUSE I GOT AN EXTRA ROOM
IN CASE YOU AIN’T GOT NOWHERES
‘CAUSE I GOT AN EXTRA ROOM
IN CASE YOU AIN’T GOT NOWHERES
TO GO.
IN CASE YOU AIN’T GOT NOWHERES
TO GO.
IN CASE YOU AIN’T GOT NOWHERES
TO GO.
>> APPRECIATE IT, OLD-TIMER.
TO GO.
>> APPRECIATE IT, OLD-TIMER.
TO GO.
>> APPRECIATE IT, OLD-TIMER.
>> OF COURSE…
>> APPRECIATE IT, OLD-TIMER.
>> OF COURSE…
>> APPRECIATE IT, OLD-TIMER.
>> OF COURSE…
YOU’LL HAVE TO PUT UP WITH THEM
>> OF COURSE…
YOU’LL HAVE TO PUT UP WITH THEM
>> OF COURSE…
YOU’LL HAVE TO PUT UP WITH THEM
NIECES OF MINE.
YOU’LL HAVE TO PUT UP WITH THEM
NIECES OF MINE.
YOU’LL HAVE TO PUT UP WITH THEM
NIECES OF MINE.
>> ♪ I NEED A MAN ♪
NIECES OF MINE.
>> ♪ I NEED A MAN ♪
NIECES OF MINE.
>> ♪ I NEED A MAN ♪
♪ TO LAY ME AND PAY ME ♪
>> ♪ I NEED A MAN ♪
♪ TO LAY ME AND PAY ME ♪
>> ♪ I NEED A MAN ♪
♪ TO LAY ME AND PAY ME ♪
[ LAUGHTER ]
♪ TO LAY ME AND PAY ME ♪
[ LAUGHTER ]
♪ TO LAY ME AND PAY ME ♪
[ LAUGHTER ]
♪ I NEED… ♪
[ LAUGHTER ]
♪ I NEED… ♪
[ LAUGHTER ]
♪ I NEED… ♪
>> “FIVE EASY NIECES” BECAME
♪ I NEED… ♪
>> “FIVE EASY NIECES” BECAME
♪ I NEED… ♪
>> “FIVE EASY NIECES” BECAME
SORT OF THE TOPIC du JOUR IN
>> “FIVE EASY NIECES” BECAME
SORT OF THE TOPIC du JOUR IN
>> “FIVE EASY NIECES” BECAME
SORT OF THE TOPIC du JOUR IN
LOS ANGELES WHEN IT CAME OUT.
SORT OF THE TOPIC du JOUR IN
LOS ANGELES WHEN IT CAME OUT.
SORT OF THE TOPIC du JOUR IN
LOS ANGELES WHEN IT CAME OUT.
I MEAN, HERE WAS A FILM STUDENT
LOS ANGELES WHEN IT CAME OUT.
I MEAN, HERE WAS A FILM STUDENT
LOS ANGELES WHEN IT CAME OUT.
I MEAN, HERE WAS A FILM STUDENT
WHO MADE A FEATURE-LENGTH PORN
I MEAN, HERE WAS A FILM STUDENT
WHO MADE A FEATURE-LENGTH PORN
I MEAN, HERE WAS A FILM STUDENT
WHO MADE A FEATURE-LENGTH PORN
FILM, SMUGGLED OUT OF HIS
WHO MADE A FEATURE-LENGTH PORN
FILM, SMUGGLED OUT OF HIS
WHO MADE A FEATURE-LENGTH PORN
FILM, SMUGGLED OUT OF HIS
SCHOOL, AND SHOWN AT ART HOUSES.
FILM, SMUGGLED OUT OF HIS
SCHOOL, AND SHOWN AT ART HOUSES.
FILM, SMUGGLED OUT OF HIS
SCHOOL, AND SHOWN AT ART HOUSES.
>> ARTURO HAD FINALLY FOUND
SCHOOL, AND SHOWN AT ART HOUSES.
>> ARTURO HAD FINALLY FOUND
SCHOOL, AND SHOWN AT ART HOUSES.
>> ARTURO HAD FINALLY FOUND
HIS STYLE, YOU KNOW, HIS RHYTHM,
>> ARTURO HAD FINALLY FOUND
HIS STYLE, YOU KNOW, HIS RHYTHM,
>> ARTURO HAD FINALLY FOUND
HIS STYLE, YOU KNOW, HIS RHYTHM,
HIS MUSE IN FRANK.
HIS STYLE, YOU KNOW, HIS RHYTHM,
HIS MUSE IN FRANK.
HIS STYLE, YOU KNOW, HIS RHYTHM,
HIS MUSE IN FRANK.
>> “NIECES” JUST EXPLODED.
HIS MUSE IN FRANK.
>> “NIECES” JUST EXPLODED.
HIS MUSE IN FRANK.
>> “NIECES” JUST EXPLODED.
>> A SEMINAL MOMENT IN MY LIFE.
>> “NIECES” JUST EXPLODED.
>> A SEMINAL MOMENT IN MY LIFE.
>> “NIECES” JUST EXPLODED.
>> A SEMINAL MOMENT IN MY LIFE.
>> IT WAS FUCKING GENIUS.
>> A SEMINAL MOMENT IN MY LIFE.
>> IT WAS FUCKING GENIUS.
>> A SEMINAL MOMENT IN MY LIFE.
>> IT WAS FUCKING GENIUS.
>> I’M VERY PROUD OF THAT FILM.
>> IT WAS FUCKING GENIUS.
>> I’M VERY PROUD OF THAT FILM.
>> IT WAS FUCKING GENIUS.
>> I’M VERY PROUD OF THAT FILM.
>> [ MOANING ]
>> I’M VERY PROUD OF THAT FILM.
>> [ MOANING ]
>> I’M VERY PROUD OF THAT FILM.
>> [ MOANING ]
[ PIANO NOTES PLAYING ]
>> [ MOANING ]
[ PIANO NOTES PLAYING ]
>> [ MOANING ]
[ PIANO NOTES PLAYING ]
>> I WAS ON MY WAY TO BECOMING
[ PIANO NOTES PLAYING ]
>> I WAS ON MY WAY TO BECOMING
[ PIANO NOTES PLAYING ]
>> I WAS ON MY WAY TO BECOMING
AN ACCOUNTANT.
>> I WAS ON MY WAY TO BECOMING
AN ACCOUNTANT.
>> I WAS ON MY WAY TO BECOMING
AN ACCOUNTANT.
[ LAUGHS ]
AN ACCOUNTANT.
[ LAUGHS ]
AN ACCOUNTANT.
[ LAUGHS ]
>> THAT STARTED ONE OF THE GREAT
[ LAUGHS ]
>> THAT STARTED ONE OF THE GREAT
[ LAUGHS ]
>> THAT STARTED ONE OF THE GREAT
ACTOR/DIRECTOR RELATIONSHIPS
>> THAT STARTED ONE OF THE GREAT
ACTOR/DIRECTOR RELATIONSHIPS
>> THAT STARTED ONE OF THE GREAT
ACTOR/DIRECTOR RELATIONSHIPS
OF ALL TIME.
ACTOR/DIRECTOR RELATIONSHIPS
OF ALL TIME.
ACTOR/DIRECTOR RELATIONSHIPS
OF ALL TIME.
>> ALL OF THESE GIRLS, YOU HAVE
OF ALL TIME.
>> ALL OF THESE GIRLS, YOU HAVE
OF ALL TIME.
>> ALL OF THESE GIRLS, YOU HAVE
A-ONE, TWO, THREE — ALL FIVE
>> ALL OF THESE GIRLS, YOU HAVE
A-ONE, TWO, THREE — ALL FIVE
>> ALL OF THESE GIRLS, YOU HAVE
A-ONE, TWO, THREE — ALL FIVE
WILL BE ON YOU.
A-ONE, TWO, THREE — ALL FIVE
WILL BE ON YOU.
A-ONE, TWO, THREE — ALL FIVE
WILL BE ON YOU.
>> YES.
WILL BE ON YOU.
>> YES.
WILL BE ON YOU.
>> YES.
>> SO ENJOY.
>> YES.
>> SO ENJOY.
>> YES.
>> SO ENJOY.
>> YES.
>> SO ENJOY.
>> YES.
>> SO ENJOY.
>> YES.
>> I WANT YOU TO REALLY GIVE IT
>> YES.
>> I WANT YOU TO REALLY GIVE IT
>> YES.
>> I WANT YOU TO REALLY GIVE IT
TO THEM.
>> I WANT YOU TO REALLY GIVE IT
TO THEM.
>> I WANT YOU TO REALLY GIVE IT
TO THEM.
>> ARTURO AND FRANK HAD FOUND
TO THEM.
>> ARTURO AND FRANK HAD FOUND
TO THEM.
>> ARTURO AND FRANK HAD FOUND
EACH OTHER.
>> ARTURO AND FRANK HAD FOUND
EACH OTHER.
>> ARTURO AND FRANK HAD FOUND
EACH OTHER.
>> IT WAS MAGICAL.
EACH OTHER.
>> IT WAS MAGICAL.
EACH OTHER.
>> IT WAS MAGICAL.
>> SO I GET KICKED OUT AFTER
>> IT WAS MAGICAL.
>> SO I GET KICKED OUT AFTER
>> IT WAS MAGICAL.
>> SO I GET KICKED OUT AFTER
THAT.
>> SO I GET KICKED OUT AFTER
THAT.
>> SO I GET KICKED OUT AFTER
THAT.
USC WANTS NOTHING TO DO WITH
THAT.
USC WANTS NOTHING TO DO WITH
THAT.
USC WANTS NOTHING TO DO WITH
ARTURO DOMINGO, BUT — OOP —
USC WANTS NOTHING TO DO WITH
ARTURO DOMINGO, BUT — OOP —
USC WANTS NOTHING TO DO WITH
ARTURO DOMINGO, BUT — OOP —
I HAD A CAREER — I HAVE
ARTURO DOMINGO, BUT — OOP —
I HAD A CAREER — I HAVE
ARTURO DOMINGO, BUT — OOP —
I HAD A CAREER — I HAVE
A CAREER NOW, [Chuckling] SO
I HAD A CAREER — I HAVE
A CAREER NOW, [Chuckling] SO
I HAD A CAREER — I HAVE
A CAREER NOW, [Chuckling] SO
FUCK THEM.
A CAREER NOW, [Chuckling] SO
FUCK THEM.
A CAREER NOW, [Chuckling] SO
FUCK THEM.
I’M SORRY.
FUCK THEM.
I’M SORRY.
FUCK THEM.
I’M SORRY.
CAN I SAY THAT?
I’M SORRY.
CAN I SAY THAT?
I’M SORRY.
CAN I SAY THAT?
FUCK THEM.
CAN I SAY THAT?
FUCK THEM.
FUCK THEM.
[ UP-TEMPO MUSIC PLAYS ]
>> SS-SS-SS!
>> SS-SS-SS!
WOW!

WOW!
WOW!
I’M FRANK E. NORMO, AMAZING

I’M FRANK E. NORMO, AMAZING
I’M FRANK E. NORMO, AMAZING
ADULT STAR.

ADULT STAR.
ADULT STAR.
DON’T MISS THE SEASON PREMIERE

DON’T MISS THE SEASON PREMIERE
DON’T MISS THE SEASON PREMIERE
OF MY TERRIFIC SHOW WHERE WE GO

OF MY TERRIFIC SHOW WHERE WE GO
OF MY TERRIFIC SHOW WHERE WE GO
FROM CITY TO CITY ALL AROUND

FROM CITY TO CITY ALL AROUND
FROM CITY TO CITY ALL AROUND
THE COUNTRY SHOWING YOU

THE COUNTRY SHOWING YOU
THE COUNTRY SHOWING YOU
THE SIGHTS AND SOUNDS, AS WELL

THE SIGHTS AND SOUNDS, AS WELL
THE SIGHTS AND SOUNDS, AS WELL
AS SOME OF THE LOCAL TALENT.

AS SOME OF THE LOCAL TALENT.
AS SOME OF THE LOCAL TALENT.
WHAT?

WHAT?
WHAT?
IT’S A LITTLE BIT TRAVEL

IT’S A LITTLE BIT TRAVEL
IT’S A LITTLE BIT TRAVEL
PROGRAM AND A LITTLE BIT ME

PROGRAM AND A LITTLE BIT ME
PROGRAM AND A LITTLE BIT ME
DELIGHTING A LOT OF HIGHLY

DELIGHTING A LOT OF HIGHLY
DELIGHTING A LOT OF HIGHLY
ATTRACTIVE WOMEN BY MAKING

ATTRACTIVE WOMEN BY MAKING
ATTRACTIVE WOMEN BY MAKING
VERY ENTERTAINING LOVE

VERY ENTERTAINING LOVE
VERY ENTERTAINING LOVE
TO THEM.

TO THEM.
TO THEM.
THAT’S A LITTLE PROVOCATIVE.

THAT’S A LITTLE PROVOCATIVE.
THAT’S A LITTLE PROVOCATIVE.
[ LAUGHS ]

THAT’S A LITTLE PROVOCATIVE.
[ LAUGHS ]
>> YOU KNOW, EVEN I DIDN’T FEEL

[ LAUGHS ]
>> YOU KNOW, EVEN I DIDN’T FEEL

[ LAUGHS ]
>> YOU KNOW, EVEN I DIDN’T FEEL

LIKE MASTURBATING, AND THE
>> YOU KNOW, EVEN I DIDN’T FEEL
LIKE MASTURBATING, AND THE
>> YOU KNOW, EVEN I DIDN’T FEEL
LIKE MASTURBATING, AND THE
STORY HAS NO INTRINSIC VALUE
LIKE MASTURBATING, AND THE
STORY HAS NO INTRINSIC VALUE

LIKE MASTURBATING, AND THE
STORY HAS NO INTRINSIC VALUE
IN AND OF ITSELF.

STORY HAS NO INTRINSIC VALUE
IN AND OF ITSELF.

STORY HAS NO INTRINSIC VALUE
IN AND OF ITSELF.
>> THIS IS ARTURO DOMINGO’S

IN AND OF ITSELF.
>> THIS IS ARTURO DOMINGO’S

IN AND OF ITSELF.
>> THIS IS ARTURO DOMINGO’S
WORST FILM.

>> THIS IS ARTURO DOMINGO’S
WORST FILM.
>> THIS IS ARTURO DOMINGO’S
WORST FILM.
IT MIGHT BE THE WORST FILM
WORST FILM.
IT MIGHT BE THE WORST FILM

WORST FILM.
IT MIGHT BE THE WORST FILM
I’VE SEEN THIS YEAR.

IT MIGHT BE THE WORST FILM
I’VE SEEN THIS YEAR.

IT MIGHT BE THE WORST FILM
I’VE SEEN THIS YEAR.
I THINK WE CAN SAFELY SAY

I’VE SEEN THIS YEAR.
I THINK WE CAN SAFELY SAY

I’VE SEEN THIS YEAR.
I THINK WE CAN SAFELY SAY
TWO DICKS DOWN ON THIS ONE.

I THINK WE CAN SAFELY SAY
TWO DICKS DOWN ON THIS ONE.

TWO DICKS DOWN ON THIS ONE.
TWO DICKS DOWN ON THIS ONE.
>> TWO DICKS DOWN ON

>> TWO DICKS DOWN ON
>> TWO DICKS DOWN ON
“AMERICAN FUCK.”

“AMERICAN FUCK.”
“AMERICAN FUCK.”
>> WAY DOWN.

>> WAY DOWN.
>> WAY DOWN.
>> “AMERICAN FUCK”?

>> “AMERICAN FUCK”?
>> “AMERICAN FUCK”?
AMERICAN DRECK.
AMERICAN DRECK.
>> Front desk.
>> Front desk.
This is Molly.
>> Front desk.
This is Molly.
>> YES, I WOULD LIKE, PLEASE,
This is Molly.
>> YES, I WOULD LIKE, PLEASE,
This is Molly.
>> YES, I WOULD LIKE, PLEASE,
TO HAVE A WAKE-UP CALL IN
>> YES, I WOULD LIKE, PLEASE,
TO HAVE A WAKE-UP CALL IN
>> YES, I WOULD LIKE, PLEASE,
TO HAVE A WAKE-UP CALL IN
20 MINUTES.
TO HAVE A WAKE-UP CALL IN
20 MINUTES.
TO HAVE A WAKE-UP CALL IN
20 MINUTES.
I’M GOING TO TAKE A SHORT NAP.
20 MINUTES.
I’M GOING TO TAKE A SHORT NAP.
20 MINUTES.
I’M GOING TO TAKE A SHORT NAP.
>> Very good, sir.
I’M GOING TO TAKE A SHORT NAP.
>> Very good, sir.
I’M GOING TO TAKE A SHORT NAP.
>> Very good, sir.
I hope you die in your sleep,
>> Very good, sir.
I hope you die in your sleep,
>> Very good, sir.
I hope you die in your sleep,
fuck-face scum.
I hope you die in your sleep,
fuck-face scum.
I hope you die in your sleep,
fuck-face scum.
Night-night.
fuck-face scum.
Night-night.
fuck-face scum.
Night-night.
[ Receiver clicks ]
Night-night.
[ Receiver clicks ]
Night-night.
[ Receiver clicks ]
>> THE ART THAT THESE TWO MEN
[ Receiver clicks ]
>> THE ART THAT THESE TWO MEN
[ Receiver clicks ]
>> THE ART THAT THESE TWO MEN
MADE TOGETHER BASICALLY CHANGED
>> THE ART THAT THESE TWO MEN
MADE TOGETHER BASICALLY CHANGED
>> THE ART THAT THESE TWO MEN
MADE TOGETHER BASICALLY CHANGED
THE SCOPE OF NARRATIVE PORN.
MADE TOGETHER BASICALLY CHANGED
THE SCOPE OF NARRATIVE PORN.
MADE TOGETHER BASICALLY CHANGED
THE SCOPE OF NARRATIVE PORN.
>> THESE WERE FUCKING
THE SCOPE OF NARRATIVE PORN.
>> THESE WERE FUCKING
THE SCOPE OF NARRATIVE PORN.
>> THESE WERE FUCKING
MASTERPIECES, PEOPLE —
>> THESE WERE FUCKING
MASTERPIECES, PEOPLE —
>> THESE WERE FUCKING
MASTERPIECES, PEOPLE —
FUCKING MASTERPIECES.
MASTERPIECES, PEOPLE —
FUCKING MASTERPIECES.
FUCKING MASTERPIECES.
>> FIONA!
>> FIONA!
[ SIRENS WAIL IN DISTANCE ]
>> FIONA!
[ SIRENS WAIL IN DISTANCE ]
>> IT WAS WHILE ON LOCATION
[ SIRENS WAIL IN DISTANCE ]
>> IT WAS WHILE ON LOCATION
[ SIRENS WAIL IN DISTANCE ]
>> IT WAS WHILE ON LOCATION
IN BOSTON THAT DOMINGO MET
>> IT WAS WHILE ON LOCATION
IN BOSTON THAT DOMINGO MET
>> IT WAS WHILE ON LOCATION
IN BOSTON THAT DOMINGO MET
A YOUNG WRITING STUDENT NAMED
IN BOSTON THAT DOMINGO MET
A YOUNG WRITING STUDENT NAMED
IN BOSTON THAT DOMINGO MET
A YOUNG WRITING STUDENT NAMED
FIONA HANEGAN.
A YOUNG WRITING STUDENT NAMED
FIONA HANEGAN.
A YOUNG WRITING STUDENT NAMED
FIONA HANEGAN.
>> ♪ UP WITH THE SUNRISE ♪
FIONA HANEGAN.
>> ♪ UP WITH THE SUNRISE ♪
FIONA HANEGAN.
>> ♪ UP WITH THE SUNRISE ♪
♪ YOU’LL BE… ♪
>> ♪ UP WITH THE SUNRISE ♪
♪ YOU’LL BE… ♪
>> ♪ UP WITH THE SUNRISE ♪
♪ YOU’LL BE… ♪
>> SHE WAS CLASSY, A REAL LADY,
♪ YOU’LL BE… ♪
>> SHE WAS CLASSY, A REAL LADY,
♪ YOU’LL BE… ♪
>> SHE WAS CLASSY, A REAL LADY,
YOU KNOW?
>> SHE WAS CLASSY, A REAL LADY,
YOU KNOW?
>> SHE WAS CLASSY, A REAL LADY,
YOU KNOW?
A REAL NATURAL BEAUTY.
YOU KNOW?
A REAL NATURAL BEAUTY.
YOU KNOW?
A REAL NATURAL BEAUTY.
>> THEY WERE SUCH AN UNLIKELY
A REAL NATURAL BEAUTY.
>> THEY WERE SUCH AN UNLIKELY
A REAL NATURAL BEAUTY.
>> THEY WERE SUCH AN UNLIKELY
COUPLE, BUT THEY WERE SO CUTE
>> THEY WERE SUCH AN UNLIKELY
COUPLE, BUT THEY WERE SO CUTE
>> THEY WERE SUCH AN UNLIKELY
COUPLE, BUT THEY WERE SO CUTE
TOGETHER.
COUPLE, BUT THEY WERE SO CUTE
TOGETHER.
COUPLE, BUT THEY WERE SO CUTE
TOGETHER.
THEY JUST WERE TWO LOVEBIRDS
TOGETHER.
THEY JUST WERE TWO LOVEBIRDS
TOGETHER.
THEY JUST WERE TWO LOVEBIRDS
SNUGGLED TOGETHER ALL THE TIME.
THEY JUST WERE TWO LOVEBIRDS
SNUGGLED TOGETHER ALL THE TIME.
THEY JUST WERE TWO LOVEBIRDS
SNUGGLED TOGETHER ALL THE TIME.
>> ♪ …YOUR BED ♪
SNUGGLED TOGETHER ALL THE TIME.
>> ♪ …YOUR BED ♪
SNUGGLED TOGETHER ALL THE TIME.
>> ♪ …YOUR BED ♪
♪ GIVE ME… ♪
>> ♪ …YOUR BED ♪
♪ GIVE ME… ♪
>> ♪ …YOUR BED ♪
♪ GIVE ME… ♪
>> I’D NEVER, EVER SEEN HIM THAT
♪ GIVE ME… ♪
>> I’D NEVER, EVER SEEN HIM THAT
♪ GIVE ME… ♪
>> I’D NEVER, EVER SEEN HIM THAT
HAPPY — NEVER.
>> I’D NEVER, EVER SEEN HIM THAT
HAPPY — NEVER.
>> I’D NEVER, EVER SEEN HIM THAT
HAPPY — NEVER.
>> ♪ …WAKING MOMENT ♪
HAPPY — NEVER.
>> ♪ …WAKING MOMENT ♪
HAPPY — NEVER.
>> ♪ …WAKING MOMENT ♪
>> BUT THE HAPPINESS PROVED
>> ♪ …WAKING MOMENT ♪
>> BUT THE HAPPINESS PROVED
>> ♪ …WAKING MOMENT ♪
>> BUT THE HAPPINESS PROVED
TO BE SHORT-LIVED AS DOMINGO’S
>> BUT THE HAPPINESS PROVED
TO BE SHORT-LIVED AS DOMINGO’S
>> BUT THE HAPPINESS PROVED
TO BE SHORT-LIVED AS DOMINGO’S
OVERLY JEALOUS AND POSSESSIVE
TO BE SHORT-LIVED AS DOMINGO’S
OVERLY JEALOUS AND POSSESSIVE
TO BE SHORT-LIVED AS DOMINGO’S
OVERLY JEALOUS AND POSSESSIVE
NATURE TOOK HOLD.
OVERLY JEALOUS AND POSSESSIVE
NATURE TOOK HOLD.
OVERLY JEALOUS AND POSSESSIVE
NATURE TOOK HOLD.
>> AFTER THE INITIAL COURTSHIP,
NATURE TOOK HOLD.
>> AFTER THE INITIAL COURTSHIP,
NATURE TOOK HOLD.
>> AFTER THE INITIAL COURTSHIP,
HE WENT PSYCHO.
>> AFTER THE INITIAL COURTSHIP,
HE WENT PSYCHO.
HE WENT PSYCHO.
HE WENT PSYCHO.
>> HEY, THERE HE IS!
>> HEY, THERE HE IS!
>> HEY, THERE HE IS!
HEY, DOMINGO WHY DON’T YOU PUT
HEY, DOMINGO WHY DON’T YOU PUT
HEY, DOMINGO WHY DON’T YOU PUT
HER IN ONE OF YOUR MOVIES?
HEY, DOMINGO WHY DON’T YOU PUT
HER IN ONE OF YOUR MOVIES?
HUH?
HER IN ONE OF YOUR MOVIES?
HUH?

HER IN ONE OF YOUR MOVIES?
HUH?
>> WHAT?!

HUH?
>> WHAT?!
HUH?
>> WHAT?!
>> COMPLETELY PSYCHOTIC.
>> WHAT?!
>> COMPLETELY PSYCHOTIC.
>> WHAT?!
>> COMPLETELY PSYCHOTIC.
>> IF YOU EVEN APPROACHED
>> COMPLETELY PSYCHOTIC.
>> IF YOU EVEN APPROACHED
>> COMPLETELY PSYCHOTIC.
>> IF YOU EVEN APPROACHED
THINKING A SEXUAL THOUGHT
>> IF YOU EVEN APPROACHED
THINKING A SEXUAL THOUGHT
>> IF YOU EVEN APPROACHED
THINKING A SEXUAL THOUGHT
DIRECTED AT FIONA, THAT WAS
THINKING A SEXUAL THOUGHT
DIRECTED AT FIONA, THAT WAS
THINKING A SEXUAL THOUGHT
DIRECTED AT FIONA, THAT WAS
STRICTLY TABOO.
DIRECTED AT FIONA, THAT WAS
STRICTLY TABOO.
DIRECTED AT FIONA, THAT WAS
STRICTLY TABOO.
>> HE PUNCHED THEIR FUCKING
STRICTLY TABOO.
>> HE PUNCHED THEIR FUCKING
STRICTLY TABOO.
>> HE PUNCHED THEIR FUCKING
LIGHTS OUT.
>> HE PUNCHED THEIR FUCKING
LIGHTS OUT.
>> HE PUNCHED THEIR FUCKING
LIGHTS OUT.
>> OHH!
LIGHTS OUT.
>> OHH!
LIGHTS OUT.
>> OHH!
>> HE’S A VERY CONTROLLING,
>> OHH!
>> HE’S A VERY CONTROLLING,
>> OHH!
>> HE’S A VERY CONTROLLING,
POSSESSIVE MAN.
>> HE’S A VERY CONTROLLING,
POSSESSIVE MAN.
>> HE’S A VERY CONTROLLING,
POSSESSIVE MAN.
>> HE WAS IN, LIKE, TWO, THREE,
POSSESSIVE MAN.
>> HE WAS IN, LIKE, TWO, THREE,
POSSESSIVE MAN.
>> HE WAS IN, LIKE, TWO, THREE,
FIGHTS A WEEK.
>> HE WAS IN, LIKE, TWO, THREE,
FIGHTS A WEEK.
>> HE WAS IN, LIKE, TWO, THREE,
FIGHTS A WEEK.
>> THE HEADLINES WERE FABULOUS.
FIGHTS A WEEK.
>> THE HEADLINES WERE FABULOUS.
FIGHTS A WEEK.
>> THE HEADLINES WERE FABULOUS.
>> ♪ TELL ME… ♪
>> THE HEADLINES WERE FABULOUS.
>> ♪ TELL ME… ♪
>> ♪ TELL ME… ♪
>> THINGS WENT REALLY DOWNHILL,
>> THINGS WENT REALLY DOWNHILL,
AND OUT OF THE BLUE, HE PROPOSES
>> THINGS WENT REALLY DOWNHILL,
AND OUT OF THE BLUE, HE PROPOSES
TO HER.
AND OUT OF THE BLUE, HE PROPOSES
TO HER.
AND OUT OF THE BLUE, HE PROPOSES
TO HER.
I THINK IT WAS HIS WAY OF TRYING
TO HER.
I THINK IT WAS HIS WAY OF TRYING
TO HER.
I THINK IT WAS HIS WAY OF TRYING
TO MAKE THINGS RIGHT.
I THINK IT WAS HIS WAY OF TRYING
TO MAKE THINGS RIGHT.
I THINK IT WAS HIS WAY OF TRYING
TO MAKE THINGS RIGHT.
IT WAS WORKING AT FIRST —
TO MAKE THINGS RIGHT.
IT WAS WORKING AT FIRST —
TO MAKE THINGS RIGHT.
IT WAS WORKING AT FIRST —
YOU KNOW, THEY WERE HAPPY AGAIN.
IT WAS WORKING AT FIRST —
YOU KNOW, THEY WERE HAPPY AGAIN.
YOU KNOW, THEY WERE HAPPY AGAIN.
HE CALMED DOWN.
HE CALMED DOWN.
>> DIDN’T LAST.
HE CALMED DOWN.
>> DIDN’T LAST.
>> MARRIAGE AND PORNOGRAPHY
>> DIDN’T LAST.
>> MARRIAGE AND PORNOGRAPHY
>> DIDN’T LAST.
>> MARRIAGE AND PORNOGRAPHY
JUST DON’T REALLY MIX.
>> MARRIAGE AND PORNOGRAPHY
JUST DON’T REALLY MIX.
>> MARRIAGE AND PORNOGRAPHY
JUST DON’T REALLY MIX.
>> HIS RAGE, HIS JEALOUSY,
JUST DON’T REALLY MIX.
>> HIS RAGE, HIS JEALOUSY,
JUST DON’T REALLY MIX.
>> HIS RAGE, HIS JEALOUSY,
HIS TIGHT GRIP ON EVERYTHING
>> HIS RAGE, HIS JEALOUSY,
HIS TIGHT GRIP ON EVERYTHING
>> HIS RAGE, HIS JEALOUSY,
HIS TIGHT GRIP ON EVERYTHING
SHE DID SPOILED THE WHOLE THING.
HIS TIGHT GRIP ON EVERYTHING
SHE DID SPOILED THE WHOLE THING.
HIS TIGHT GRIP ON EVERYTHING
SHE DID SPOILED THE WHOLE THING.
>> THIS MAN’S BEEN MARRIED FOUR
SHE DID SPOILED THE WHOLE THING.
>> THIS MAN’S BEEN MARRIED FOUR
SHE DID SPOILED THE WHOLE THING.
>> THIS MAN’S BEEN MARRIED FOUR
TIMES AND DIVORCED FOUR TIMES.
>> THIS MAN’S BEEN MARRIED FOUR
TIMES AND DIVORCED FOUR TIMES.
>> THIS MAN’S BEEN MARRIED FOUR
TIMES AND DIVORCED FOUR TIMES.
>> DESTRUCTIVE —
TIMES AND DIVORCED FOUR TIMES.
>> DESTRUCTIVE —
TIMES AND DIVORCED FOUR TIMES.
>> DESTRUCTIVE —
SELF-DESTRUCTIVE.
>> DESTRUCTIVE —
SELF-DESTRUCTIVE.
>> DESTRUCTIVE —
SELF-DESTRUCTIVE.
VERY DESTRUCTIVE.
SELF-DESTRUCTIVE.
VERY DESTRUCTIVE.
VERY DESTRUCTIVE.
>> COMPULSIVELY JEALOUS AND
>> COMPULSIVELY JEALOUS AND
MENTALLY UNSOUND, DOMINGO BEGAN
>> COMPULSIVELY JEALOUS AND
MENTALLY UNSOUND, DOMINGO BEGAN
TO DRINK HEAVILY.
MENTALLY UNSOUND, DOMINGO BEGAN
TO DRINK HEAVILY.
MENTALLY UNSOUND, DOMINGO BEGAN
TO DRINK HEAVILY.
AND IT WAS DURING THIS TROUBLED
TO DRINK HEAVILY.
AND IT WAS DURING THIS TROUBLED
TO DRINK HEAVILY.
AND IT WAS DURING THIS TROUBLED
TIME THAT HE EMBARKED ON HIS
AND IT WAS DURING THIS TROUBLED
TIME THAT HE EMBARKED ON HIS
AND IT WAS DURING THIS TROUBLED
TIME THAT HE EMBARKED ON HIS
MOST AMBITIOUS PROJECT TO DATE.
TIME THAT HE EMBARKED ON HIS
MOST AMBITIOUS PROJECT TO DATE.
TIME THAT HE EMBARKED ON HIS
MOST AMBITIOUS PROJECT TO DATE.
[ WAGNER’S “THE RIDE OF
MOST AMBITIOUS PROJECT TO DATE.
[ WAGNER’S “THE RIDE OF
MOST AMBITIOUS PROJECT TO DATE.
[ WAGNER’S “THE RIDE OF
THE VALKYRIES” PLAYS
]
[ WAGNER’S “THE RIDE OF
THE VALKYRIES” PLAYS
]
THE VALKYRIES” PLAYS ]
>> [ SCOFFS ]
>> [ SCOFFS ]
[ SPEAKING ITALIAN ]
>> [ SCOFFS ]
[ SPEAKING ITALIAN ]
>> IT’S A MOTHERFUCKING SHAME
[ SPEAKING ITALIAN ]
>> IT’S A MOTHERFUCKING SHAME
[ SPEAKING ITALIAN ]
>> IT’S A MOTHERFUCKING SHAME
WHAT THEY DID WITH YOUR VIETNAM
>> IT’S A MOTHERFUCKING SHAME
WHAT THEY DID WITH YOUR VIETNAM
>> IT’S A MOTHERFUCKING SHAME
WHAT THEY DID WITH YOUR VIETNAM
FILM, MAN.
WHAT THEY DID WITH YOUR VIETNAM
FILM, MAN.
WHAT THEY DID WITH YOUR VIETNAM
FILM, MAN.
FRANK WAS A BUM IN THAT SHIT.
FILM, MAN.
FRANK WAS A BUM IN THAT SHIT.
FILM, MAN.
FRANK WAS A BUM IN THAT SHIT.
>> FRANK DID NOT MAKE
FRANK WAS A BUM IN THAT SHIT.
>> FRANK DID NOT MAKE
FRANK WAS A BUM IN THAT SHIT.
>> FRANK DID NOT MAKE
THE PICTURE.
>> FRANK DID NOT MAKE
THE PICTURE.
>> FRANK DID NOT MAKE
THE PICTURE.
ARTURO DOMINGO MADE IT.
THE PICTURE.
ARTURO DOMINGO MADE IT.
THE PICTURE.
ARTURO DOMINGO MADE IT.
AND HE MADE FRANK.
ARTURO DOMINGO MADE IT.
AND HE MADE FRANK.
ARTURO DOMINGO MADE IT.
AND HE MADE FRANK.
[ “THE RIDE OF THE VALKYRIES”
AND HE MADE FRANK.
[ “THE RIDE OF THE VALKYRIES”
AND HE MADE FRANK.
[ “THE RIDE OF THE VALKYRIES”
CONTINUES ]
[ “THE RIDE OF THE VALKYRIES”
CONTINUES ]
CONTINUES ]
>> “FULL METAL JACKOFF” STARS
>> “FULL METAL JACKOFF” STARS
FRANK E. NORMO AS THE
>> “FULL METAL JACKOFF” STARS
FRANK E. NORMO AS THE
ICONOCLASTIC COLONEL WHO’S
FRANK E. NORMO AS THE
ICONOCLASTIC COLONEL WHO’S
FRANK E. NORMO AS THE
ICONOCLASTIC COLONEL WHO’S
FED UP WITH THE WAR.
ICONOCLASTIC COLONEL WHO’S
FED UP WITH THE WAR.
FED UP WITH THE WAR.
SO HE TAKES HIS PLATOON DEEP
SO HE TAKES HIS PLATOON DEEP
INTO CHARLIE TERRITORY, LOOKING
SO HE TAKES HIS PLATOON DEEP
INTO CHARLIE TERRITORY, LOOKING
FOR SOME NORTH VIETNAMESE
INTO CHARLIE TERRITORY, LOOKING
FOR SOME NORTH VIETNAMESE
INTO CHARLIE TERRITORY, LOOKING
FOR SOME NORTH VIETNAMESE
NOOKY.
FOR SOME NORTH VIETNAMESE
NOOKY.
FOR SOME NORTH VIETNAMESE
NOOKY.
>> IN THE ORIGINAL SCRIPT,
NOOKY.
>> IN THE ORIGINAL SCRIPT,
NOOKY.
>> IN THE ORIGINAL SCRIPT,
AS ARTURO WROTE IT, THEY DON’T
>> IN THE ORIGINAL SCRIPT,
AS ARTURO WROTE IT, THEY DON’T
>> IN THE ORIGINAL SCRIPT,
AS ARTURO WROTE IT, THEY DON’T
FIND ANY WOMEN, AND IT’S ALL
AS ARTURO WROTE IT, THEY DON’T
FIND ANY WOMEN, AND IT’S ALL
AS ARTURO WROTE IT, THEY DON’T
FIND ANY WOMEN, AND IT’S ALL
THESE HORNY GUYS.
FIND ANY WOMEN, AND IT’S ALL
THESE HORNY GUYS.
FIND ANY WOMEN, AND IT’S ALL
THESE HORNY GUYS.
>> IT WAS A PHENOMENAL CONCEPT.
THESE HORNY GUYS.
>> IT WAS A PHENOMENAL CONCEPT.
THESE HORNY GUYS.
>> IT WAS A PHENOMENAL CONCEPT.
THERE’S VIRTUALLY NO SEX IN IT
>> IT WAS A PHENOMENAL CONCEPT.
THERE’S VIRTUALLY NO SEX IN IT
>> IT WAS A PHENOMENAL CONCEPT.
THERE’S VIRTUALLY NO SEX IN IT
WITH THE EXCEPTION OF EACH
THERE’S VIRTUALLY NO SEX IN IT
WITH THE EXCEPTION OF EACH
THERE’S VIRTUALLY NO SEX IN IT
WITH THE EXCEPTION OF EACH
SOLDIER’S FANTASY.
WITH THE EXCEPTION OF EACH
SOLDIER’S FANTASY.
WITH THE EXCEPTION OF EACH
SOLDIER’S FANTASY.
BUT, AT THE END, WE HAVE THIS
SOLDIER’S FANTASY.
BUT, AT THE END, WE HAVE THIS
SOLDIER’S FANTASY.
BUT, AT THE END, WE HAVE THIS
RELEASE.
BUT, AT THE END, WE HAVE THIS
RELEASE.
BUT, AT THE END, WE HAVE THIS
RELEASE.
>> WE WERE SHOOTING IN LOCATION
RELEASE.
>> WE WERE SHOOTING IN LOCATION
RELEASE.
>> WE WERE SHOOTING IN LOCATION
IN OHIO, AND THIS BIG TORNADO
>> WE WERE SHOOTING IN LOCATION
IN OHIO, AND THIS BIG TORNADO
>> WE WERE SHOOTING IN LOCATION
IN OHIO, AND THIS BIG TORNADO
HIT.
IN OHIO, AND THIS BIG TORNADO
HIT.
IN OHIO, AND THIS BIG TORNADO
HIT.
>> BUFORD, OHIO.
HIT.
>> BUFORD, OHIO.
HIT.
>> BUFORD, OHIO.
WE WOULD HAVE BEEN BETTER OFF
>> BUFORD, OHIO.
WE WOULD HAVE BEEN BETTER OFF
>> BUFORD, OHIO.
WE WOULD HAVE BEEN BETTER OFF
IN VIETNAM.
WE WOULD HAVE BEEN BETTER OFF
IN VIETNAM.
WE WOULD HAVE BEEN BETTER OFF
IN VIETNAM.
>> OUR SETS WERE DESTROYED.
IN VIETNAM.
>> OUR SETS WERE DESTROYED.
IN VIETNAM.
>> OUR SETS WERE DESTROYED.
WE WERE FUCKED.
>> OUR SETS WERE DESTROYED.
WE WERE FUCKED.
>> OUR SETS WERE DESTROYED.
WE WERE FUCKED.
>> THE WEATHER AND THE TORNADOES
WE WERE FUCKED.
>> THE WEATHER AND THE TORNADOES
WE WERE FUCKED.
>> THE WEATHER AND THE TORNADOES
WERE NOTHING COMPARED TO
>> THE WEATHER AND THE TORNADOES
WERE NOTHING COMPARED TO
>> THE WEATHER AND THE TORNADOES
WERE NOTHING COMPARED TO
THE TERROR THAT ARTURO HAD
WERE NOTHING COMPARED TO
THE TERROR THAT ARTURO HAD
WERE NOTHING COMPARED TO
THE TERROR THAT ARTURO HAD
BECOME.
THE TERROR THAT ARTURO HAD
BECOME.
THE TERROR THAT ARTURO HAD
BECOME.
>> ARTURO WAS HOPPED UP ON SOME
BECOME.
>> ARTURO WAS HOPPED UP ON SOME
BECOME.
>> ARTURO WAS HOPPED UP ON SOME
PRETTY HEAVY STUFF.
>> ARTURO WAS HOPPED UP ON SOME
PRETTY HEAVY STUFF.
>> ARTURO WAS HOPPED UP ON SOME
PRETTY HEAVY STUFF.
>> YOU COULD REALLY SEE HIM
PRETTY HEAVY STUFF.
>> YOU COULD REALLY SEE HIM
PRETTY HEAVY STUFF.
>> YOU COULD REALLY SEE HIM
CRASHING WITH THE DRINKING,
>> YOU COULD REALLY SEE HIM
CRASHING WITH THE DRINKING,
>> YOU COULD REALLY SEE HIM
CRASHING WITH THE DRINKING,
WITH THE DRUGS, HIS BAD
CRASHING WITH THE DRINKING,
WITH THE DRUGS, HIS BAD
CRASHING WITH THE DRINKING,
WITH THE DRUGS, HIS BAD
MARRIAGE.
WITH THE DRUGS, HIS BAD
MARRIAGE.
WITH THE DRUGS, HIS BAD
MARRIAGE.
>> FIONA WAS ON THE SET
MARRIAGE.
>> FIONA WAS ON THE SET
MARRIAGE.
>> FIONA WAS ON THE SET
WITH HIM.
>> FIONA WAS ON THE SET
WITH HIM.
>> FIONA WAS ON THE SET
WITH HIM.
ONE NIGHT THERE WAS A HUGE
WITH HIM.
ONE NIGHT THERE WAS A HUGE
WITH HIM.
ONE NIGHT THERE WAS A HUGE
BLOWOUT — SCREAMING, YELLING
ONE NIGHT THERE WAS A HUGE
BLOWOUT — SCREAMING, YELLING
ONE NIGHT THERE WAS A HUGE
BLOWOUT — SCREAMING, YELLING
COMING FROM THEIR TENT.
BLOWOUT — SCREAMING, YELLING
COMING FROM THEIR TENT.
BLOWOUT — SCREAMING, YELLING
COMING FROM THEIR TENT.
>> IT DID NOT SOUND PRETTY.
COMING FROM THEIR TENT.
>> IT DID NOT SOUND PRETTY.
COMING FROM THEIR TENT.
>> IT DID NOT SOUND PRETTY.
>> NOBODY REALLY KNEW WHAT
>> IT DID NOT SOUND PRETTY.
>> NOBODY REALLY KNEW WHAT
>> IT DID NOT SOUND PRETTY.
>> NOBODY REALLY KNEW WHAT
HAPPENED.
>> NOBODY REALLY KNEW WHAT
HAPPENED.
>> NOBODY REALLY KNEW WHAT
HAPPENED.
>> THE NEXT DAY, FIONA WAS GONE.
HAPPENED.
>> THE NEXT DAY, FIONA WAS GONE.
>> THE NEXT DAY, FIONA WAS GONE.
>> DRIVER, PLEASE, TAKE ME
>> DRIVER, PLEASE, TAKE ME
TO THIS ADDRESS.
TO THIS ADDRESS.
>> “FULL METAL JACKOFF” WAS
>> “FULL METAL JACKOFF” WAS
A FINANCIAL AND CRITICAL
>> “FULL METAL JACKOFF” WAS
A FINANCIAL AND CRITICAL
DISASTER.
A FINANCIAL AND CRITICAL
DISASTER.
A FINANCIAL AND CRITICAL
DISASTER.
>> ARTURO TRIED TO DELIVER THIS
DISASTER.
>> ARTURO TRIED TO DELIVER THIS
DISASTER.
>> ARTURO TRIED TO DELIVER THIS
BEAUTIFUL HOMOEROTIC EPIC,
>> ARTURO TRIED TO DELIVER THIS
BEAUTIFUL HOMOEROTIC EPIC,
>> ARTURO TRIED TO DELIVER THIS
BEAUTIFUL HOMOEROTIC EPIC,
AND THEY FUCKED HIM FOR IT.
BEAUTIFUL HOMOEROTIC EPIC,
AND THEY FUCKED HIM FOR IT.
BEAUTIFUL HOMOEROTIC EPIC,
AND THEY FUCKED HIM FOR IT.
>> REALLY SAD.
AND THEY FUCKED HIM FOR IT.
>> REALLY SAD.
>> REALLY SAD.
>> [ LAUGHING ]
>> THEY RE-EDITED IT, THEY
>> THEY RE-EDITED IT, THEY
RESHOT IT, THEY REPURPOSED
RESHOT IT, THEY REPURPOSED
RESHOT IT, THEY REPURPOSED
THE FANTASY SEQUENCES.
THE FANTASY SEQUENCES.
HE KNEW FROM THE BEGINNING
HE KNEW FROM THE BEGINNING
THAT THIS SCENE WOULD BREAK DOWN
HE KNEW FROM THE BEGINNING
THAT THIS SCENE WOULD BREAK DOWN
BARRIERS.
THAT THIS SCENE WOULD BREAK DOWN
BARRIERS.
THAT THIS SCENE WOULD BREAK DOWN
BARRIERS.
>> THIS WAS GOING TO BE AN EPIC
BARRIERS.
>> THIS WAS GOING TO BE AN EPIC
BARRIERS.
>> THIS WAS GOING TO BE AN EPIC
MASTERPIECE.
>> THIS WAS GOING TO BE AN EPIC
MASTERPIECE.
>> THIS WAS GOING TO BE AN EPIC
MASTERPIECE.
>> IT’S A SHAME.
MASTERPIECE.
>> IT’S A SHAME.
>> IT’S A SHAME.
>> IT WOULD HAVE CHANGED
>> IT WOULD HAVE CHANGED
EVERYTHING.
>> IT WOULD HAVE CHANGED
EVERYTHING.
>> “FULL METAL JACKOFF” WAS ALSO
EVERYTHING.
>> “FULL METAL JACKOFF” WAS ALSO
EVERYTHING.
>> “FULL METAL JACKOFF” WAS ALSO
TO BE THE LAST PICTURE TOGETHER
>> “FULL METAL JACKOFF” WAS ALSO
TO BE THE LAST PICTURE TOGETHER
>> “FULL METAL JACKOFF” WAS ALSO
TO BE THE LAST PICTURE TOGETHER
FOR ARTURO DOMINGO AND
TO BE THE LAST PICTURE TOGETHER
FOR ARTURO DOMINGO AND
TO BE THE LAST PICTURE TOGETHER
FOR ARTURO DOMINGO AND
FRANK E. NORMO.
FOR ARTURO DOMINGO AND
FRANK E. NORMO.
FRANK E. NORMO.
>> HE STOPPED CALLING ME, AND HE
>> HE STOPPED CALLING ME, AND HE
DIDN’T RETURN MY CALLS, EITHER.
>> HE STOPPED CALLING ME, AND HE
DIDN’T RETURN MY CALLS, EITHER.
NO EXPLANATION, NOTHING.
DIDN’T RETURN MY CALLS, EITHER.
NO EXPLANATION, NOTHING.
DIDN’T RETURN MY CALLS, EITHER.
NO EXPLANATION, NOTHING.
NEXT THING I KNOW, I FIND OUT
NO EXPLANATION, NOTHING.
NEXT THING I KNOW, I FIND OUT
NO EXPLANATION, NOTHING.
NEXT THING I KNOW, I FIND OUT
HE’S MAKING A NEW FILM WITH
NEXT THING I KNOW, I FIND OUT
HE’S MAKING A NEW FILM WITH
NEXT THING I KNOW, I FIND OUT
HE’S MAKING A NEW FILM WITH
ANOTHER ACTOR…
HE’S MAKING A NEW FILM WITH
ANOTHER ACTOR…
HE’S MAKING A NEW FILM WITH
ANOTHER ACTOR…
WITHOUT ME.
ANOTHER ACTOR…
WITHOUT ME.
ANOTHER ACTOR…
WITHOUT ME.
>> HE LOST HIS CREATIVE MUSE.
WITHOUT ME.
>> HE LOST HIS CREATIVE MUSE.
WITHOUT ME.
>> HE LOST HIS CREATIVE MUSE.
NOW HE JUST MAKES GARBAGE.
>> HE LOST HIS CREATIVE MUSE.
NOW HE JUST MAKES GARBAGE.
>> HE LOST HIS CREATIVE MUSE.
NOW HE JUST MAKES GARBAGE.
>> HEY, PLEASE.
NOW HE JUST MAKES GARBAGE.
>> HEY, PLEASE.
NOW HE JUST MAKES GARBAGE.
>> HEY, PLEASE.
I ASK FOR REAL ROSE PETAL.
>> HEY, PLEASE.
I ASK FOR REAL ROSE PETAL.
>> HEY, PLEASE.
I ASK FOR REAL ROSE PETAL.
>> I’M SORRY BUT WE JUST DIDN’T
I ASK FOR REAL ROSE PETAL.
>> I’M SORRY BUT WE JUST DIDN’T
I ASK FOR REAL ROSE PETAL.
>> I’M SORRY BUT WE JUST DIDN’T
HAVE THE MONEY.
>> I’M SORRY BUT WE JUST DIDN’T
HAVE THE MONEY.
>> I’M SORRY BUT WE JUST DIDN’T
HAVE THE MONEY.
>> CAN YOU LISTEN?
HAVE THE MONEY.
>> CAN YOU LISTEN?
HAVE THE MONEY.
>> CAN YOU LISTEN?
WHEN THE ROSE PETALS FALL,
>> CAN YOU LISTEN?
WHEN THE ROSE PETALS FALL,
>> CAN YOU LISTEN?
WHEN THE ROSE PETALS FALL,
I WANT THEM TO BE FALL LIKE
WHEN THE ROSE PETALS FALL,
I WANT THEM TO BE FALL LIKE
WHEN THE ROSE PETALS FALL,
I WANT THEM TO BE FALL LIKE
GENTLE RAIN, LIKE SNOWFLAKES.
I WANT THEM TO BE FALL LIKE
GENTLE RAIN, LIKE SNOWFLAKES.
I WANT THEM TO BE FALL LIKE
GENTLE RAIN, LIKE SNOWFLAKES.
ARE YOU READY?
GENTLE RAIN, LIKE SNOWFLAKES.
ARE YOU READY?
GENTLE RAIN, LIKE SNOWFLAKES.
ARE YOU READY?
>> YEAH.
ARE YOU READY?
>> YEAH.
ARE YOU READY?
>> YEAH.
>> AND ACTION.
>> YEAH.
>> AND ACTION.
>> AND ACTION.
[ LAUGHTER ]
[ LAUGHTER ]
CUT. CUT!
[ LAUGHTER ]
CUT. CUT!
PLEASE BE QUIET.
CUT. CUT!
PLEASE BE QUIET.
CUT. CUT!
PLEASE BE QUIET.
THESE FLOWERS ARE FALLING
PLEASE BE QUIET.
THESE FLOWERS ARE FALLING
PLEASE BE QUIET.
THESE FLOWERS ARE FALLING
LIKE A BIG PIECE OF SHIT!
THESE FLOWERS ARE FALLING
LIKE A BIG PIECE OF SHIT!
LIKE A BIG PIECE OF SHIT!
>> IT’S SAFE TO SAY THAT HIS NEW
>> IT’S SAFE TO SAY THAT HIS NEW
PICTURES AREN’T WHAT THEY USED
>> IT’S SAFE TO SAY THAT HIS NEW
PICTURES AREN’T WHAT THEY USED
TO BE.
PICTURES AREN’T WHAT THEY USED
TO BE.
PICTURES AREN’T WHAT THEY USED
TO BE.
“THE FISTING OF
TO BE.
“THE FISTING OF
TO BE.
“THE FISTING OF
A CHINESE BOOKIE”…
“THE FISTING OF
A CHINESE BOOKIE”…
“THE FISTING OF
A CHINESE BOOKIE”…
>> “GIRL WITH
A CHINESE BOOKIE”…
>> “GIRL WITH
A CHINESE BOOKIE”…
>> “GIRL WITH
A PEARL NECKLACE”…
>> “GIRL WITH
A PEARL NECKLACE”…
A PEARL NECKLACE”…
>> THESE MOVIES ARE TERRIBLE.
>> THESE MOVIES ARE TERRIBLE.
THEY’RE NOT SEXY, THEY’RE JUST
>> THESE MOVIES ARE TERRIBLE.
THEY’RE NOT SEXY, THEY’RE JUST
SHIT.
THEY’RE NOT SEXY, THEY’RE JUST
SHIT.
SHIT.
SHIT.
>> “DYKE CLUB” IS THE EXCEPTION,
>> “DYKE CLUB” IS THE EXCEPTION,
>> “DYKE CLUB” IS THE EXCEPTION,
OF COURSE.
OF COURSE.
OF COURSE.
IT’S A VERY GOOD FILM.
IT’S A VERY GOOD FILM.
HE JUST FELL OFF THE SHELF.
HE JUST FELL OFF THE SHELF.
I HOPE HE COMES BACK.
I HOPE HE COMES BACK.
>> ALWAYS I AM IN SEARCH OF
>> ALWAYS I AM IN SEARCH OF
BEAUTY IN CINEMA.
>> ALWAYS I AM IN SEARCH OF
BEAUTY IN CINEMA.
AND I WILL CONTINUE THIS SEARCH
BEAUTY IN CINEMA.
AND I WILL CONTINUE THIS SEARCH
BEAUTY IN CINEMA.
AND I WILL CONTINUE THIS SEARCH
FOREVER.
AND I WILL CONTINUE THIS SEARCH
FOREVER.
FOREVER.
[ APPLAUSE ]
>> LADIES AND GENTLEMEN,
>> LADIES AND GENTLEMEN,
MR. ARTURO DOMINGO.
>> LADIES AND GENTLEMEN,
MR. ARTURO DOMINGO.
>> YA-A-Y!
MR. ARTURO DOMINGO.
>> YA-A-Y!
>> YA-A-Y!
>> YEAH!
>> WHEN ARE YOU GONNA DO ANOTHER
>> WHEN ARE YOU GONNA DO ANOTHER
FILM WITH FRANK?
>> WHEN ARE YOU GONNA DO ANOTHER
FILM WITH FRANK?
[ CHEERS AND APPLAUSE ]
FILM WITH FRANK?
[ CHEERS AND APPLAUSE ]
[ CHEERS AND APPLAUSE ]
>> WHAT FILM ARE YOU WORKING ON
>> WHAT FILM ARE YOU WORKING ON
NEXT?
>> WHAT FILM ARE YOU WORKING ON
NEXT?
>> MY NEXT PROJECT IS TO BE
NEXT?
>> MY NEXT PROJECT IS TO BE
NEXT?
>> MY NEXT PROJECT IS TO BE
THE MOST EPIC-SCALE MOVIE
>> MY NEXT PROJECT IS TO BE
THE MOST EPIC-SCALE MOVIE
>> MY NEXT PROJECT IS TO BE
THE MOST EPIC-SCALE MOVIE
IN HARD-CORE PORNOGRAPHY —
THE MOST EPIC-SCALE MOVIE
IN HARD-CORE PORNOGRAPHY —
THE MOST EPIC-SCALE MOVIE
IN HARD-CORE PORNOGRAPHY —
“GANG BANGS OF NEW YORK.”
IN HARD-CORE PORNOGRAPHY —
“GANG BANGS OF NEW YORK.”
IN HARD-CORE PORNOGRAPHY —
“GANG BANGS OF NEW YORK.”
>> SOUNDS LIKE QUITE A PROJECT.
“GANG BANGS OF NEW YORK.”
>> SOUNDS LIKE QUITE A PROJECT.
“GANG BANGS OF NEW YORK.”
>> SOUNDS LIKE QUITE A PROJECT.
>> THE HARDEST PART SO FAR HAS
>> SOUNDS LIKE QUITE A PROJECT.
>> THE HARDEST PART SO FAR HAS
>> SOUNDS LIKE QUITE A PROJECT.
>> THE HARDEST PART SO FAR HAS
BEEN WITH THE CASTING.
>> THE HARDEST PART SO FAR HAS
BEEN WITH THE CASTING.
>> THE HARDEST PART SO FAR HAS
BEEN WITH THE CASTING.
IT’S PERIOD, AND THE ACTRESSES
BEEN WITH THE CASTING.
IT’S PERIOD, AND THE ACTRESSES
BEEN WITH THE CASTING.
IT’S PERIOD, AND THE ACTRESSES
MUST AGREE NOT TO SHAVE THEIR
IT’S PERIOD, AND THE ACTRESSES
MUST AGREE NOT TO SHAVE THEIR
IT’S PERIOD, AND THE ACTRESSES
MUST AGREE NOT TO SHAVE THEIR
PUBIC HAIRS, TO LET THEIR BUSH
MUST AGREE NOT TO SHAVE THEIR
PUBIC HAIRS, TO LET THEIR BUSH
MUST AGREE NOT TO SHAVE THEIR
PUBIC HAIRS, TO LET THEIR BUSH
GROW LIKE AN UN–
PUBIC HAIRS, TO LET THEIR BUSH
GROW LIKE AN UN–
PUBIC HAIRS, TO LET THEIR BUSH
GROW LIKE AN UN–
LIKE AN UNTAMED FOREST.
GROW LIKE AN UN–
LIKE AN UNTAMED FOREST.
GROW LIKE AN UN–
LIKE AN UNTAMED FOREST.
IT’S HARD TO FIND THEM WILLING,
LIKE AN UNTAMED FOREST.
IT’S HARD TO FIND THEM WILLING,
LIKE AN UNTAMED FOREST.
IT’S HARD TO FIND THEM WILLING,
LET ME TELL YOU.
IT’S HARD TO FIND THEM WILLING,
LET ME TELL YOU.
IT’S HARD TO FIND THEM WILLING,
LET ME TELL YOU.
>> WHAT ARE YOUR THOUGHTS ABOUT
LET ME TELL YOU.
>> WHAT ARE YOUR THOUGHTS ABOUT
LET ME TELL YOU.
>> WHAT ARE YOUR THOUGHTS ABOUT
THE NEGATIVE REVIEWS YOUR MOVIES
>> WHAT ARE YOUR THOUGHTS ABOUT
THE NEGATIVE REVIEWS YOUR MOVIES
>> WHAT ARE YOUR THOUGHTS ABOUT
THE NEGATIVE REVIEWS YOUR MOVIES
HAVE RECEIVED LATELY?
THE NEGATIVE REVIEWS YOUR MOVIES
HAVE RECEIVED LATELY?
THE NEGATIVE REVIEWS YOUR MOVIES
HAVE RECEIVED LATELY?
>> REVIEWS HAVE ABSOLUTELY NO
HAVE RECEIVED LATELY?
>> REVIEWS HAVE ABSOLUTELY NO
HAVE RECEIVED LATELY?
>> REVIEWS HAVE ABSOLUTELY NO
EFFECT ON ME — NONE AT ALL.
>> REVIEWS HAVE ABSOLUTELY NO
EFFECT ON ME — NONE AT ALL.
>> REVIEWS HAVE ABSOLUTELY NO
EFFECT ON ME — NONE AT ALL.
PANGBORN AND MEYER, BY THE WAY,
EFFECT ON ME — NONE AT ALL.
PANGBORN AND MEYER, BY THE WAY,
EFFECT ON ME — NONE AT ALL.
PANGBORN AND MEYER, BY THE WAY,
ARE INTO ANIMALS.
PANGBORN AND MEYER, BY THE WAY,
ARE INTO ANIMALS.
PANGBORN AND MEYER, BY THE WAY,
ARE INTO ANIMALS.
YES, THAT WAY IS WHAT THEY ARE.
ARE INTO ANIMALS.
YES, THAT WAY IS WHAT THEY ARE.
ARE INTO ANIMALS.
YES, THAT WAY IS WHAT THEY ARE.
YES — QUESTION.
YES, THAT WAY IS WHAT THEY ARE.
YES — QUESTION.
YES, THAT WAY IS WHAT THEY ARE.
YES — QUESTION.
>> YOU MAKE PORN SOMETHING DEEP
YES — QUESTION.
>> YOU MAKE PORN SOMETHING DEEP
YES — QUESTION.
>> YOU MAKE PORN SOMETHING DEEP
AND ARTFUL.
>> YOU MAKE PORN SOMETHING DEEP
AND ARTFUL.
>> YOU MAKE PORN SOMETHING DEEP
AND ARTFUL.
>> I THINK YOU’RE A SICK FUCK.
AND ARTFUL.
>> I THINK YOU’RE A SICK FUCK.
AND ARTFUL.
>> I THINK YOU’RE A SICK FUCK.
>> I MADE YOU SOME COOKIES.
>> I THINK YOU’RE A SICK FUCK.
>> I MADE YOU SOME COOKIES.
>> I THINK YOU’RE A SICK FUCK.
>> I MADE YOU SOME COOKIES.
>> ONE MONTH AGO, I BUY BACK
>> I MADE YOU SOME COOKIES.
>> ONE MONTH AGO, I BUY BACK
>> I MADE YOU SOME COOKIES.
>> ONE MONTH AGO, I BUY BACK
THE RIGHTS TO MY FILM
>> ONE MONTH AGO, I BUY BACK
THE RIGHTS TO MY FILM
>> ONE MONTH AGO, I BUY BACK
THE RIGHTS TO MY FILM
“FULL METAL JACKOFF.”
THE RIGHTS TO MY FILM
“FULL METAL JACKOFF.”
THE RIGHTS TO MY FILM
“FULL METAL JACKOFF.”
I RESTORE MY ORIGINAL ENDING,
“FULL METAL JACKOFF.”
I RESTORE MY ORIGINAL ENDING,
“FULL METAL JACKOFF.”
I RESTORE MY ORIGINAL ENDING,
AND I AT LAST HAVE MY VERSION
I RESTORE MY ORIGINAL ENDING,
AND I AT LAST HAVE MY VERSION
I RESTORE MY ORIGINAL ENDING,
AND I AT LAST HAVE MY VERSION
TO SHOW.
AND I AT LAST HAVE MY VERSION
TO SHOW.
AND I AT LAST HAVE MY VERSION
TO SHOW.
>> WILL YOU EAT MY ASS?
TO SHOW.
>> WILL YOU EAT MY ASS?
TO SHOW.
>> WILL YOU EAT MY ASS?
>> WILL YOU SIGN MY DICK?
>> WILL YOU EAT MY ASS?
>> WILL YOU SIGN MY DICK?
>> WILL YOU EAT MY ASS?
>> WILL YOU SIGN MY DICK?
>> “FULL METAL JACKOFF:
>> WILL YOU SIGN MY DICK?
>> “FULL METAL JACKOFF:
>> WILL YOU SIGN MY DICK?
>> “FULL METAL JACKOFF:
DIRECTOR’S CUT” WILL PREMIER
>> “FULL METAL JACKOFF:
DIRECTOR’S CUT” WILL PREMIER
>> “FULL METAL JACKOFF:
DIRECTOR’S CUT” WILL PREMIER
TOMORROW NIGHT, EJACULATED
DIRECTOR’S CUT” WILL PREMIER
TOMORROW NIGHT, EJACULATED
DIRECTOR’S CUT” WILL PREMIER
TOMORROW NIGHT, EJACULATED
ONTO THE SCREEN!
TOMORROW NIGHT, EJACULATED
ONTO THE SCREEN!
TOMORROW NIGHT, EJACULATED
ONTO THE SCREEN!
[ APPLAUSE ]
ONTO THE SCREEN!
[ APPLAUSE ]
[ APPLAUSE ]
>> YOU HAVE ONE MESSAGE.
>> YOU HAVE ONE MESSAGE.
[ BEEPS ]

>> YOU HAVE ONE MESSAGE.
[ BEEPS ]
>> ARTURO, THIS IS MALONEY.

[ BEEPS ]
>> ARTURO, THIS IS MALONEY.

[ BEEPS ]
>> ARTURO, THIS IS MALONEY.

LISTEN.
>> ARTURO, THIS IS MALONEY.
LISTEN.
>> ARTURO, THIS IS MALONEY.
LISTEN.
I’M SORRY TO SAY MY PARTNERS
LISTEN.
I’M SORRY TO SAY MY PARTNERS

LISTEN.
I’M SORRY TO SAY MY PARTNERS
AND I ARE NO LONGER ABLE TO

I’M SORRY TO SAY MY PARTNERS
AND I ARE NO LONGER ABLE TO

I’M SORRY TO SAY MY PARTNERS
AND I ARE NO LONGER ABLE TO
FINANCE

AND I ARE NO LONGER ABLE TO
FINANCE

AND I ARE NO LONGER ABLE TO
FINANCE
“GANG BANGS OF NEW YORK.”

FINANCE
“GANG BANGS OF NEW YORK.”

FINANCE
“GANG BANGS OF NEW YORK.”
>> AHH.

“GANG BANGS OF NEW YORK.”
>> AHH.

“GANG BANGS OF NEW YORK.”
>> AHH.
>> IF FRANK WAS INVOLVED WITH

>> AHH.
>> IF FRANK WAS INVOLVED WITH
>> AHH.
>> IF FRANK WAS INVOLVED WITH
THE PROJECT, THAT’D BE ANOTHER

>> IF FRANK WAS INVOLVED WITH
THE PROJECT, THAT’D BE ANOTHER

>> IF FRANK WAS INVOLVED WITH
THE PROJECT, THAT’D BE ANOTHER
STORY ENTIRELY.

THE PROJECT, THAT’D BE ANOTHER
STORY ENTIRELY.

THE PROJECT, THAT’D BE ANOTHER
STORY ENTIRELY.
CALL US IF YOU GET HIM

STORY ENTIRELY.
CALL US IF YOU GET HIM

STORY ENTIRELY.
CALL US IF YOU GET HIM
ON BOARD.

CALL US IF YOU GET HIM
ON BOARD.

ON BOARD.
[ DOOR OPENS ]
[ DOOR OPENS ]
[ DOOR CLOSES ]
[ DOOR OPENS ]
[ DOOR CLOSES ]
>> [ URINATING ]
[ DOOR CLOSES ]
>> [ URINATING ]
>> [ URINATING ]
>> [ ZIPPER UNZIPS ]
>> [ ZIPPER UNZIPS ]
[ URINATING ]
>> [ ZIPPER UNZIPS ]
[ URINATING ]
HELLO.
[ URINATING ]
HELLO.
[ URINATING ]
HELLO.
>> HELLO.
HELLO.
>> HELLO.
>> HELLO.
EXCUSE ME, BUT WOULD YOU HAPPEN
EXCUSE ME, BUT WOULD YOU HAPPEN
TO HAVE ANY DEMEROL OR DARVOCET
EXCUSE ME, BUT WOULD YOU HAPPEN
TO HAVE ANY DEMEROL OR DARVOCET
OR PERCOCET OR — OR MORPHINE?
TO HAVE ANY DEMEROL OR DARVOCET
OR PERCOCET OR — OR MORPHINE?
TO HAVE ANY DEMEROL OR DARVOCET
OR PERCOCET OR — OR MORPHINE?
>> NO.
OR PERCOCET OR — OR MORPHINE?
>> NO.
OR PERCOCET OR — OR MORPHINE?
>> NO.
DON’T HAVE ANY OF THOSE THINGS.
>> NO.
DON’T HAVE ANY OF THOSE THINGS.
>> NO.
DON’T HAVE ANY OF THOSE THINGS.
[ URINATING RESUMES ]
DON’T HAVE ANY OF THOSE THINGS.
[ URINATING RESUMES ]
DON’T HAVE ANY OF THOSE THINGS.
[ URINATING RESUMES ]
BUT I DO HAVE OTHER THINGS.
[ URINATING RESUMES ]
BUT I DO HAVE OTHER THINGS.
[ URINATING RESUMES ]
BUT I DO HAVE OTHER THINGS.
MARIJUANA THINGS.
BUT I DO HAVE OTHER THINGS.
MARIJUANA THINGS.
MARIJUANA THINGS.
YOU’LL FIND THAT OREGON WEED
YOU’LL FIND THAT OREGON WEED
IS 7 TO 10 TIMES STRONGER THAN
YOU’LL FIND THAT OREGON WEED
IS 7 TO 10 TIMES STRONGER THAN
YOUR AVERAGE STRAIN.
IS 7 TO 10 TIMES STRONGER THAN
YOUR AVERAGE STRAIN.
IS 7 TO 10 TIMES STRONGER THAN
YOUR AVERAGE STRAIN.
>> I CANNOT FEEL MY FUCKING
YOUR AVERAGE STRAIN.
>> I CANNOT FEEL MY FUCKING
YOUR AVERAGE STRAIN.
>> I CANNOT FEEL MY FUCKING
LEGS.
>> I CANNOT FEEL MY FUCKING
LEGS.
>> I CANNOT FEEL MY FUCKING
LEGS.
>> OH, YOU’LL BE FINE.
LEGS.
>> OH, YOU’LL BE FINE.
>> OH, YOU’LL BE FINE.
>> WHAT IS YOUR NAME?
>> WHAT IS YOUR NAME?
>> FRIEND.
>> WHAT IS YOUR NAME?
>> FRIEND.
>> FRIEND?
>> FRIEND.
>> FRIEND?
>> FRIEND.
>> FRIEND?
>> MM-HMM.
>> FRIEND?
>> MM-HMM.
>> FRIEND?
>> MM-HMM.
WHICH I AM TO EVERYBODY.
>> MM-HMM.
WHICH I AM TO EVERYBODY.
>> MM-HMM.
WHICH I AM TO EVERYBODY.
>> O-KAY.
WHICH I AM TO EVERYBODY.
>> O-KAY.
WHICH I AM TO EVERYBODY.
>> O-KAY.
[ LIGHTER CLICKS ]
>> O-KAY.
[ LIGHTER CLICKS ]
[ LIGHTER CLICKS ]
>> WHAT’S YOUR NAME?
>> WHAT’S YOUR NAME?
>> I AM ARTURO DOMINGO.
>> WHAT’S YOUR NAME?
>> I AM ARTURO DOMINGO.
WERE YOU NOT AT THE THEATER
>> I AM ARTURO DOMINGO.
WERE YOU NOT AT THE THEATER
>> I AM ARTURO DOMINGO.
WERE YOU NOT AT THE THEATER
JUST NOW?
WERE YOU NOT AT THE THEATER
JUST NOW?
WERE YOU NOT AT THE THEATER
JUST NOW?
>> OF COURSE I WAS.
JUST NOW?
>> OF COURSE I WAS.
JUST NOW?
>> OF COURSE I WAS.
THAT’S WHERE WE MET, REMEMBER?
>> OF COURSE I WAS.
THAT’S WHERE WE MET, REMEMBER?
>> OF COURSE I WAS.
THAT’S WHERE WE MET, REMEMBER?
>> YES, I DO REMEMBER.
THAT’S WHERE WE MET, REMEMBER?
>> YES, I DO REMEMBER.
THAT’S WHERE WE MET, REMEMBER?
>> YES, I DO REMEMBER.
>> I JUST STOPPED IN TO USE
>> YES, I DO REMEMBER.
>> I JUST STOPPED IN TO USE
>> YES, I DO REMEMBER.
>> I JUST STOPPED IN TO USE
THE RESTROOM.
>> I JUST STOPPED IN TO USE
THE RESTROOM.
>> I JUST STOPPED IN TO USE
THE RESTROOM.
>> OH.
THE RESTROOM.
>> OH.
THE RESTROOM.
>> OH.
>> LISTEN TO THIS.
>> OH.
>> LISTEN TO THIS.
>> OH.
>> LISTEN TO THIS.
I LIKE TO RECORD SOUNDS
>> LISTEN TO THIS.
I LIKE TO RECORD SOUNDS
>> LISTEN TO THIS.
I LIKE TO RECORD SOUNDS
OF NATURE.
I LIKE TO RECORD SOUNDS
OF NATURE.
I LIKE TO RECORD SOUNDS
OF NATURE.
[ OWL HOOTING ]
OF NATURE.
[ OWL HOOTING ]
[ OWL HOOTING ]
[ BIRD SQUAWKS ]
[ BIRD SQUAWKS ]
[ LOON CALLING ]
[ LOON CALLING ]
>> ♪ SLUMBER DEEP ♪
>> ♪ SLUMBER DEEP ♪
♪ AND DREAM YOU’LL SEE ♪
>> ♪ SLUMBER DEEP ♪
♪ AND DREAM YOU’LL SEE ♪
[ SINGING INDISTINCTLY ]
♪ AND DREAM YOU’LL SEE ♪
[ SINGING INDISTINCTLY ]
[ SINGING INDISTINCTLY ]
>> MY NAME’S DAFFODIL.
>> MY NAME’S DAFFODIL.
WHAT’S YOUR NAME?
>> MY NAME’S DAFFODIL.
WHAT’S YOUR NAME?
>> MY NAME IS ARTURO DOMINGO.
WHAT’S YOUR NAME?
>> MY NAME IS ARTURO DOMINGO.
WHAT’S YOUR NAME?
>> MY NAME IS ARTURO DOMINGO.
I MAKE HARD-CORE PORNOGRAPHY.
>> MY NAME IS ARTURO DOMINGO.
I MAKE HARD-CORE PORNOGRAPHY.
>> MY NAME IS ARTURO DOMINGO.
I MAKE HARD-CORE PORNOGRAPHY.
>> YOU HAVE REALLY AMAZING
I MAKE HARD-CORE PORNOGRAPHY.
>> YOU HAVE REALLY AMAZING
I MAKE HARD-CORE PORNOGRAPHY.
>> YOU HAVE REALLY AMAZING
ENERGY.
>> YOU HAVE REALLY AMAZING
ENERGY.
>> YOU HAVE REALLY AMAZING
ENERGY.
>> YOU HAVE NICE ENERGY, TOO.
ENERGY.
>> YOU HAVE NICE ENERGY, TOO.
ENERGY.
>> YOU HAVE NICE ENERGY, TOO.
>> MY GOD.
>> YOU HAVE NICE ENERGY, TOO.
>> MY GOD.
>> YOU HAVE NICE ENERGY, TOO.
>> MY GOD.
THE BUSH IN THIS PLACE.
>> MY GOD.
THE BUSH IN THIS PLACE.
>> MY GOD.
THE BUSH IN THIS PLACE.
>> WHAT?
THE BUSH IN THIS PLACE.
>> WHAT?
THE BUSH IN THIS PLACE.
>> WHAT?
>> MY ANAHATA CHAKRA IS SPEAKING
>> WHAT?
>> MY ANAHATA CHAKRA IS SPEAKING
>> WHAT?
>> MY ANAHATA CHAKRA IS SPEAKING
TO ME.
>> MY ANAHATA CHAKRA IS SPEAKING
TO ME.
>> MY ANAHATA CHAKRA IS SPEAKING
TO ME.
>> HMM?
TO ME.
>> HMM?
TO ME.
>> HMM?
>> IT’S MY CHANNEL FOR LOVE
>> HMM?
>> IT’S MY CHANNEL FOR LOVE
>> HMM?
>> IT’S MY CHANNEL FOR LOVE
AND AFFECTION.
>> IT’S MY CHANNEL FOR LOVE
AND AFFECTION.
>> IT’S MY CHANNEL FOR LOVE
AND AFFECTION.
IT’S THE INTEGRATOR OF
AND AFFECTION.
IT’S THE INTEGRATOR OF
AND AFFECTION.
IT’S THE INTEGRATOR OF
OPPOSITES IN THE PSYCHE —
IT’S THE INTEGRATOR OF
OPPOSITES IN THE PSYCHE —
IT’S THE INTEGRATOR OF
OPPOSITES IN THE PSYCHE —
YOU KNOW, LIKE MIND AND BODY,
OPPOSITES IN THE PSYCHE —
YOU KNOW, LIKE MIND AND BODY,
OPPOSITES IN THE PSYCHE —
YOU KNOW, LIKE MIND AND BODY,
MALE AND FEMALE.
YOU KNOW, LIKE MIND AND BODY,
MALE AND FEMALE.
YOU KNOW, LIKE MIND AND BODY,
MALE AND FEMALE.
THE MIDDLE CHAKRA — EGO AND
MALE AND FEMALE.
THE MIDDLE CHAKRA — EGO AND
MALE AND FEMALE.
THE MIDDLE CHAKRA — EGO AND
UNITY, SHADOW AND PERSONA.
THE MIDDLE CHAKRA — EGO AND
UNITY, SHADOW AND PERSONA.
THE MIDDLE CHAKRA — EGO AND
UNITY, SHADOW AND PERSONA.
IT’S MY HEART CHAKRA.
UNITY, SHADOW AND PERSONA.
IT’S MY HEART CHAKRA.
UNITY, SHADOW AND PERSONA.
IT’S MY HEART CHAKRA.
>> I DON’T KNOW WHAT THE FUCK
IT’S MY HEART CHAKRA.
>> I DON’T KNOW WHAT THE FUCK
IT’S MY HEART CHAKRA.
>> I DON’T KNOW WHAT THE FUCK
YOU’RE SAYING TO ME RIGHT NOW.
>> I DON’T KNOW WHAT THE FUCK
YOU’RE SAYING TO ME RIGHT NOW.
YOU’RE SAYING TO ME RIGHT NOW.
I AM OVERCOME BY THE BEAUTY
I AM OVERCOME BY THE BEAUTY
OF YOU AND YOUR PEOPLE.
I AM OVERCOME BY THE BEAUTY
OF YOU AND YOUR PEOPLE.
>> Hello?
OF YOU AND YOUR PEOPLE.
>> Hello?
OF YOU AND YOUR PEOPLE.
>> Hello?
>> HELLO!
>> Hello?
>> HELLO!
>> Hello?
>> HELLO!
DORIS?
>> HELLO!
DORIS?
>> HELLO!
DORIS?
I’M CALLING FROM PARADISE.
DORIS?
I’M CALLING FROM PARADISE.
DORIS?
I’M CALLING FROM PARADISE.
>> Paradise?
I’M CALLING FROM PARADISE.
>> Paradise?
I’M CALLING FROM PARADISE.
>> Paradise?
That’s fantastic, Mr. Domingo.
>> Paradise?
That’s fantastic, Mr. Domingo.
>> Paradise?
That’s fantastic, Mr. Domingo.
>> I’M PART OF A COMMUNE NOW.
That’s fantastic, Mr. Domingo.
>> I’M PART OF A COMMUNE NOW.
That’s fantastic, Mr. Domingo.
>> I’M PART OF A COMMUNE NOW.
WE HAVE FREE LOVE, WE DRINK
>> I’M PART OF A COMMUNE NOW.
WE HAVE FREE LOVE, WE DRINK
>> I’M PART OF A COMMUNE NOW.
WE HAVE FREE LOVE, WE DRINK
THE PUNCH.
WE HAVE FREE LOVE, WE DRINK
THE PUNCH.
WE HAVE FREE LOVE, WE DRINK
THE PUNCH.
OH, IT’S SO GOOD, THIS PUNCH.
THE PUNCH.
OH, IT’S SO GOOD, THIS PUNCH.
THE PUNCH.
OH, IT’S SO GOOD, THIS PUNCH.
>> Wonderful.
OH, IT’S SO GOOD, THIS PUNCH.
>> Wonderful.
OH, IT’S SO GOOD, THIS PUNCH.
>> Wonderful.
>> I WOULD, I THINK, LIKE TO
>> Wonderful.
>> I WOULD, I THINK, LIKE TO
>> Wonderful.
>> I WOULD, I THINK, LIKE TO
LIVE HERE FOREVER.
>> I WOULD, I THINK, LIKE TO
LIVE HERE FOREVER.
>> I WOULD, I THINK, LIKE TO
LIVE HERE FOREVER.
>> [ BLOWS ]
LIVE HERE FOREVER.
>> [ BLOWS ]
>> [ BLOWS ]
[ INSECTS CHIRPING ]
>> “MAKE ME A WOMAN.”
>> OH.
>> OH.
>> “INFERNO OF DESIRE”
>> OH.
>> “INFERNO OF DESIRE”
BY DANTE DeANGELO.
>> “INFERNO OF DESIRE”
BY DANTE DeANGELO.
>> “INFERNO OF DESIRE”
BY DANTE DeANGELO.
>> “INFERNO” — DANTE…
BY DANTE DeANGELO.
>> “INFERNO” — DANTE…
BY DANTE DeANGELO.
>> “INFERNO” — DANTE…
NOT BAD.
>> “INFERNO” — DANTE…
NOT BAD.
>> “INFERNO” — DANTE…
NOT BAD.
>> “PRINCESS AND THE PILLAGER.”
NOT BAD.
>> “PRINCESS AND THE PILLAGER.”
NOT BAD.
>> “PRINCESS AND THE PILLAGER.”
>> [ CHUCKLES ]
>> “PRINCESS AND THE PILLAGER.”
>> [ CHUCKLES ]
>> “PRINCESS AND THE PILLAGER.”
>> [ CHUCKLES ]
WHAT’S “PILLAGER”?
>> [ CHUCKLES ]
WHAT’S “PILLAGER”?
>> [ CHUCKLES ]
WHAT’S “PILLAGER”?
WHAT’S THIS?
WHAT’S “PILLAGER”?
WHAT’S THIS?
WHAT’S “PILLAGER”?
WHAT’S THIS?
>> A PILLAGER IS A MAN WHO SEES
WHAT’S THIS?
>> A PILLAGER IS A MAN WHO SEES
WHAT’S THIS?
>> A PILLAGER IS A MAN WHO SEES
SOMETHING THAT HE WANTS AND
>> A PILLAGER IS A MAN WHO SEES
SOMETHING THAT HE WANTS AND
>> A PILLAGER IS A MAN WHO SEES
SOMETHING THAT HE WANTS AND
DESTROYS EVERYTHING AROUND HIM
SOMETHING THAT HE WANTS AND
DESTROYS EVERYTHING AROUND HIM
SOMETHING THAT HE WANTS AND
DESTROYS EVERYTHING AROUND HIM
UNTIL IT’S HIS.
DESTROYS EVERYTHING AROUND HIM
UNTIL IT’S HIS.
DESTROYS EVERYTHING AROUND HIM
UNTIL IT’S HIS.
>> I AM ARTURO DOMINGO.
UNTIL IT’S HIS.
>> I AM ARTURO DOMINGO.
UNTIL IT’S HIS.
>> I AM ARTURO DOMINGO.
>> FIONA.
>> I AM ARTURO DOMINGO.
>> FIONA.
>> FIONA.
[ BIRDS CHIRPING ]
>> [ RETCHING ]
[ ROOSTER CROWS ]
>> FIONA HANEGAN DOMINGO.
>> FIONA DOMINGO.
>> FIONA DOMINGO.
>> FIONA HANEGAN.
>> FIONA DOMINGO.
>> FIONA HANEGAN.
>> MRS. ARTURO DOMINGO.
>> FIONA HANEGAN.
>> MRS. ARTURO DOMINGO.
>> FIONA HANEGAN.
>> MRS. ARTURO DOMINGO.
>> THIS IS GONNA BE INTERESTING.
>> MRS. ARTURO DOMINGO.
>> THIS IS GONNA BE INTERESTING.
>> THIS IS GONNA BE INTERESTING.
>> FIONA, MY LOVE.
>> FIONA, MY LOVE.
MY BEAUTIFUL, BEAUTIFUL FIONA.
>> FIONA, MY LOVE.
MY BEAUTIFUL, BEAUTIFUL FIONA.
I LOVE YOU SO MUCH.
MY BEAUTIFUL, BEAUTIFUL FIONA.
I LOVE YOU SO MUCH.
MY BEAUTIFUL, BEAUTIFUL FIONA.
I LOVE YOU SO MUCH.
>> YOU LOVE ME TOO MUCH
I LOVE YOU SO MUCH.
>> YOU LOVE ME TOO MUCH
I LOVE YOU SO MUCH.
>> YOU LOVE ME TOO MUCH
SOMETIMES.
>> YOU LOVE ME TOO MUCH
SOMETIMES.
>> YOU LOVE ME TOO MUCH
SOMETIMES.
>> IT’S MY WAY.
SOMETIMES.
>> IT’S MY WAY.
SOMETIMES.
>> IT’S MY WAY.
>> FIONA HANEGAN.
>> IT’S MY WAY.
>> FIONA HANEGAN.
>> FIONA HANEGAN.
“AND THEN THEIR TALK BEGAN;
“AND THEN THEIR TALK BEGAN;
AND HE WAS STILL MORE CURIOUSLY
“AND THEN THEIR TALK BEGAN;
AND HE WAS STILL MORE CURIOUSLY
MOVED, AND MORE AND MORE
AND HE WAS STILL MORE CURIOUSLY
MOVED, AND MORE AND MORE
AND HE WAS STILL MORE CURIOUSLY
MOVED, AND MORE AND MORE
PUZZLED.
MOVED, AND MORE AND MORE
PUZZLED.
MOVED, AND MORE AND MORE
PUZZLED.
IN THE FIRST PLACE, HE WAS SO
PUZZLED.
IN THE FIRST PLACE, HE WAS SO
PUZZLED.
IN THE FIRST PLACE, HE WAS SO
USED TO SEEING PEOPLE RATHER
IN THE FIRST PLACE, HE WAS SO
USED TO SEEING PEOPLE RATHER
IN THE FIRST PLACE, HE WAS SO
USED TO SEEING PEOPLE RATHER
AFRAID AND EMBARRASSED BEFORE
USED TO SEEING PEOPLE RATHER
AFRAID AND EMBARRASSED BEFORE
USED TO SEEING PEOPLE RATHER
AFRAID AND EMBARRASSED BEFORE
HIM, THAT HE HAD EXPECTED
AFRAID AND EMBARRASSED BEFORE
HIM, THAT HE HAD EXPECTED
AFRAID AND EMBARRASSED BEFORE
HIM, THAT HE HAD EXPECTED
NOTHING ELSE BUT THAT HIS
HIM, THAT HE HAD EXPECTED
NOTHING ELSE BUT THAT HIS
HIM, THAT HE HAD EXPECTED
NOTHING ELSE BUT THAT HIS
GRANDSON WOULD BE TIMID OR SHY.
NOTHING ELSE BUT THAT HIS
GRANDSON WOULD BE TIMID OR SHY.
NOTHING ELSE BUT THAT HIS
GRANDSON WOULD BE TIMID OR SHY.
BUT CEDRIC WAS NO MORE AFRAID
GRANDSON WOULD BE TIMID OR SHY.
BUT CEDRIC WAS NO MORE AFRAID
GRANDSON WOULD BE TIMID OR SHY.
BUT CEDRIC WAS NO MORE AFRAID
OF THE EARL THAN –“
BUT CEDRIC WAS NO MORE AFRAID
OF THE EARL THAN –“
BUT CEDRIC WAS NO MORE AFRAID
OF THE EARL THAN –”
WHAT ARE YOU DOING HERE?
OF THE EARL THAN –”
WHAT ARE YOU DOING HERE?
OF THE EARL THAN –”
WHAT ARE YOU DOING HERE?
>> FIONA.
WHAT ARE YOU DOING HERE?
>> FIONA.
WHAT ARE YOU DOING HERE?
>> FIONA.
>> YOU’RE A HIPPIE.
>> FIONA.
>> YOU’RE A HIPPIE.
>> FIONA.
>> YOU’RE A HIPPIE.
>> NO.
>> YOU’RE A HIPPIE.
>> NO.
>> YOU’RE A HIPPIE.
>> NO.
>> HE LOOKS LIKE A TERRORIST.
>> NO.
>> HE LOOKS LIKE A TERRORIST.
>> NO.
>> HE LOOKS LIKE A TERRORIST.
>> I AM ARTURO DOMINGO.
>> HE LOOKS LIKE A TERRORIST.
>> I AM ARTURO DOMINGO.
>> HE LOOKS LIKE A TERRORIST.
>> I AM ARTURO DOMINGO.
I AM A FILM DIRECTOR.
>> I AM ARTURO DOMINGO.
I AM A FILM DIRECTOR.
>> I AM ARTURO DOMINGO.
I AM A FILM DIRECTOR.
>> YOU SMELL LIKE A LIQUOR
I AM A FILM DIRECTOR.
>> YOU SMELL LIKE A LIQUOR
I AM A FILM DIRECTOR.
>> YOU SMELL LIKE A LIQUOR
STORE.
>> YOU SMELL LIKE A LIQUOR
STORE.
>> YOU SMELL LIKE A LIQUOR
STORE.
>> FUCK YOU!
STORE.
>> FUCK YOU!
STORE.
>> FUCK YOU!
>> [ GASPS ]
>> FUCK YOU!
>> [ GASPS ]
>> FUCK YOU!
>> [ GASPS ]
>> I TOLD YOU.
>> [ GASPS ]
>> I TOLD YOU.
>> [ GASPS ]
>> I TOLD YOU.
>> OKAY, YOU GUYS, COME ON.
>> I TOLD YOU.
>> OKAY, YOU GUYS, COME ON.
>> I TOLD YOU.
>> OKAY, YOU GUYS, COME ON.
IT’S — IT’S PLAYTIME.
>> OKAY, YOU GUYS, COME ON.
IT’S — IT’S PLAYTIME.
>> OKAY, YOU GUYS, COME ON.
IT’S — IT’S PLAYTIME.
LET’S GO. COME ON.
IT’S — IT’S PLAYTIME.
LET’S GO. COME ON.
IT’S — IT’S PLAYTIME.
LET’S GO. COME ON.
>> I’M SORRY.
LET’S GO. COME ON.
>> I’M SORRY.
LET’S GO. COME ON.
>> I’M SORRY.
I’M SORRY.
>> I’M SORRY.
I’M SORRY.
>> I’M SORRY.
I’M SORRY.
I’M SORRY.
I’M SORRY.
I’M SORRY.
I’M SORRY.
I’M SORRY.
I’M SORRY.
I’M SORRY.
I’M SORRY.
I’M SORRY.
I’M SORRY.
>> WHAT DO YOU WANT?
I’M SORRY.
>> WHAT DO YOU WANT?
I’M SORRY.
>> WHAT DO YOU WANT?
>> I WANT YOU.
>> WHAT DO YOU WANT?
>> I WANT YOU.
>> WHAT DO YOU WANT?
>> I WANT YOU.
I SIMPLY WANT YOU.
>> I WANT YOU.
I SIMPLY WANT YOU.
>> I WANT YOU.
I SIMPLY WANT YOU.
>> HOW’D YOU KNOW WHERE I WORK?
I SIMPLY WANT YOU.
>> HOW’D YOU KNOW WHERE I WORK?
I SIMPLY WANT YOU.
>> HOW’D YOU KNOW WHERE I WORK?
>> FROM GOOGLE.
>> HOW’D YOU KNOW WHERE I WORK?
>> FROM GOOGLE.
>> HOW’D YOU KNOW WHERE I WORK?
>> FROM GOOGLE.
I GOOGLE YOU ALL THE TIME.
>> FROM GOOGLE.
I GOOGLE YOU ALL THE TIME.
>> FROM GOOGLE.
I GOOGLE YOU ALL THE TIME.
>> OH, SO YOU’RE — YOU’RE
I GOOGLE YOU ALL THE TIME.
>> OH, SO YOU’RE — YOU’RE
I GOOGLE YOU ALL THE TIME.
>> OH, SO YOU’RE — YOU’RE
STALKING ME NOW.
>> OH, SO YOU’RE — YOU’RE
STALKING ME NOW.
>> OH, SO YOU’RE — YOU’RE
STALKING ME NOW.
>> NO.
STALKING ME NOW.
>> NO.
STALKING ME NOW.
>> NO.
I’M BEING HONORED.
>> NO.
I’M BEING HONORED.
>> NO.
I’M BEING HONORED.
THERE IS A FILM FESTIVAL.
I’M BEING HONORED.
THERE IS A FILM FESTIVAL.
I’M BEING HONORED.
THERE IS A FILM FESTIVAL.
>> YOU LOOK DISGUSTING.
THERE IS A FILM FESTIVAL.
>> YOU LOOK DISGUSTING.
THERE IS A FILM FESTIVAL.
>> YOU LOOK DISGUSTING.
>> I’M VERY VERY HUNGOVER AND
>> YOU LOOK DISGUSTING.
>> I’M VERY VERY HUNGOVER AND
>> YOU LOOK DISGUSTING.
>> I’M VERY VERY HUNGOVER AND
STILL, I THINK, A LITTLE BIT
>> I’M VERY VERY HUNGOVER AND
STILL, I THINK, A LITTLE BIT
>> I’M VERY VERY HUNGOVER AND
STILL, I THINK, A LITTLE BIT
HIGH.
STILL, I THINK, A LITTLE BIT
HIGH.
STILL, I THINK, A LITTLE BIT
HIGH.
>> SO YOU JUST GOT DRUNK AND
HIGH.
>> SO YOU JUST GOT DRUNK AND
HIGH.
>> SO YOU JUST GOT DRUNK AND
STONED AND DECIDED TO MARCH IN
>> SO YOU JUST GOT DRUNK AND
STONED AND DECIDED TO MARCH IN
>> SO YOU JUST GOT DRUNK AND
STONED AND DECIDED TO MARCH IN
HERE AND SWEEP ME OFF MY FEET?
STONED AND DECIDED TO MARCH IN
HERE AND SWEEP ME OFF MY FEET?
STONED AND DECIDED TO MARCH IN
HERE AND SWEEP ME OFF MY FEET?
>> NO. NO, NO, NO.
HERE AND SWEEP ME OFF MY FEET?
>> NO. NO, NO, NO.
HERE AND SWEEP ME OFF MY FEET?
>> NO. NO, NO, NO.
LAST NIGHT I MET A — WELL,
>> NO. NO, NO, NO.
LAST NIGHT I MET A — WELL,
>> NO. NO, NO, NO.
LAST NIGHT I MET A — WELL,
FRIEND, AND HE TAKE ME TO THIS
LAST NIGHT I MET A — WELL,
FRIEND, AND HE TAKE ME TO THIS
LAST NIGHT I MET A — WELL,
FRIEND, AND HE TAKE ME TO THIS
PLACE, AND EVERYONE IS DANCE
FRIEND, AND HE TAKE ME TO THIS
PLACE, AND EVERYONE IS DANCE
FRIEND, AND HE TAKE ME TO THIS
PLACE, AND EVERYONE IS DANCE
NAKED AROUND THE BIG, FUCKING
PLACE, AND EVERYONE IS DANCE
NAKED AROUND THE BIG, FUCKING
PLACE, AND EVERYONE IS DANCE
NAKED AROUND THE BIG, FUCKING
FIRE, AND THEY GIVE ME THEIR
NAKED AROUND THE BIG, FUCKING
FIRE, AND THEY GIVE ME THEIR
NAKED AROUND THE BIG, FUCKING
FIRE, AND THEY GIVE ME THEIR
FIREWATER AND THEIR 7-TIMES
FIRE, AND THEY GIVE ME THEIR
FIREWATER AND THEIR 7-TIMES
FIRE, AND THEY GIVE ME THEIR
FIREWATER AND THEIR 7-TIMES
STRONGER WEED, AND I DANCE.
FIREWATER AND THEIR 7-TIMES
STRONGER WEED, AND I DANCE.
FIREWATER AND THEIR 7-TIMES
STRONGER WEED, AND I DANCE.
I LOST MY PANTS.
STRONGER WEED, AND I DANCE.
I LOST MY PANTS.
STRONGER WEED, AND I DANCE.
I LOST MY PANTS.
I GET DRUNK.
I LOST MY PANTS.
I GET DRUNK.
I LOST MY PANTS.
I GET DRUNK.
I GO CRAZY.
I GET DRUNK.
I GO CRAZY.
I GET DRUNK.
I GO CRAZY.
I GET HIGH BECAUSE I’M TRYING
I GO CRAZY.
I GET HIGH BECAUSE I’M TRYING
I GO CRAZY.
I GET HIGH BECAUSE I’M TRYING
TO FORGET YOU!
I GET HIGH BECAUSE I’M TRYING
TO FORGET YOU!
I GET HIGH BECAUSE I’M TRYING
TO FORGET YOU!
EVERY NIGHT I’M DREAMING OF YOU,
TO FORGET YOU!
EVERY NIGHT I’M DREAMING OF YOU,
TO FORGET YOU!
EVERY NIGHT I’M DREAMING OF YOU,
AND I WAKE UP, AND YOU’RE NOT
EVERY NIGHT I’M DREAMING OF YOU,
AND I WAKE UP, AND YOU’RE NOT
EVERY NIGHT I’M DREAMING OF YOU,
AND I WAKE UP, AND YOU’RE NOT
THERE.
AND I WAKE UP, AND YOU’RE NOT
THERE.
AND I WAKE UP, AND YOU’RE NOT
THERE.
TO SEE YOUR FACE AFTER ALL THESE
THERE.
TO SEE YOUR FACE AFTER ALL THESE
THERE.
TO SEE YOUR FACE AFTER ALL THESE
YEARS…
TO SEE YOUR FACE AFTER ALL THESE
YEARS…
TO SEE YOUR FACE AFTER ALL THESE
YEARS…
YOU’RE SO BEAUTIFUL, FIONA.
YEARS…
YOU’RE SO BEAUTIFUL, FIONA.
YOU’RE SO BEAUTIFUL, FIONA.
>> YOU LOOK RIDICULOUS.
>> PLEASE, GIVE ME ONE MORE
>> PLEASE, GIVE ME ONE MORE
CHANCE.
>> PLEASE, GIVE ME ONE MORE
CHANCE.
I’M BEGGING YOU.
CHANCE.
I’M BEGGING YOU.
CHANCE.
I’M BEGGING YOU.
>> I’M MARRIED.
I’M BEGGING YOU.
>> I’M MARRIED.
I’M BEGGING YOU.
>> I’M MARRIED.
I’M HAPPY.
>> I’M MARRIED.
I’M HAPPY.
>> I’M MARRIED.
I’M HAPPY.
>> IF YOU WANT, I WILL GO.
I’M HAPPY.
>> IF YOU WANT, I WILL GO.
I’M HAPPY.
>> IF YOU WANT, I WILL GO.
>> YES, I-I WOULD LIKE YOU
>> IF YOU WANT, I WILL GO.
>> YES, I-I WOULD LIKE YOU
>> IF YOU WANT, I WILL GO.
>> YES, I-I WOULD LIKE YOU
TO GO.
>> YES, I-I WOULD LIKE YOU
TO GO.
>> YES, I-I WOULD LIKE YOU
TO GO.
>> ♪ DID ALL YOUR TRUE THINGS
TO GO.
>> ♪ DID ALL YOUR TRUE THINGS
TO GO.
>> ♪ DID ALL YOUR TRUE THINGS
BEGIN TO SEEM SO FALSE? ♪
>> ♪ DID ALL YOUR TRUE THINGS
BEGIN TO SEEM SO FALSE? ♪
>> ♪ DID ALL YOUR TRUE THINGS
BEGIN TO SEEM SO FALSE? ♪
>> I’M GOING BACK TO
BEGIN TO SEEM SO FALSE? ♪
>> I’M GOING BACK TO
BEGIN TO SEEM SO FALSE? ♪
>> I’M GOING BACK TO
THE CHILDREN.
>> I’M GOING BACK TO
THE CHILDREN.
>> I’M GOING BACK TO
THE CHILDREN.
>> ♪ AND THEN YOU PACK IT UP
THE CHILDREN.
>> ♪ AND THEN YOU PACK IT UP
THE CHILDREN.
>> ♪ AND THEN YOU PACK IT UP
AND GO AWAY ♪
>> ♪ AND THEN YOU PACK IT UP
AND GO AWAY ♪
>> ♪ AND THEN YOU PACK IT UP
AND GO AWAY ♪
♪ AND I PRAY YOU DON’T GET
AND GO AWAY ♪
♪ AND I PRAY YOU DON’T GET
AND GO AWAY ♪
♪ AND I PRAY YOU DON’T GET
LOST ♪
♪ AND I PRAY YOU DON’T GET
LOST ♪
♪ AND I PRAY YOU DON’T GET
LOST ♪
♪ AND I PRAY YOU DON’T GET
LOST ♪
♪ AND I PRAY YOU DON’T GET
LOST ♪
♪ AND I PRAY YOU DON’T GET
LOST ♪
♪ AND I PRAY YOU DON’T GET
LOST ♪
♪ AND I PRAY YOU DON’T GET
LOST ♪
♪ DID YOU LEARN FROM
LOST ♪
♪ DID YOU LEARN FROM
LOST ♪
♪ DID YOU LEARN FROM
THE TALL TREES? ♪
♪ DID YOU LEARN FROM
THE TALL TREES? ♪
♪ DID YOU LEARN FROM
THE TALL TREES? ♪
♪ DID THEY KEEP YOU FROM
THE TALL TREES? ♪
♪ DID THEY KEEP YOU FROM
THE TALL TREES? ♪
♪ DID THEY KEEP YOU FROM
THE RAIN? ♪
♪ DID THEY KEEP YOU FROM
THE RAIN? ♪
♪ DID THEY KEEP YOU FROM
THE RAIN? ♪
♪ DID THEY GROW YOU SOME FOOD
THE RAIN? ♪
♪ DID THEY GROW YOU SOME FOOD
THE RAIN? ♪
♪ DID THEY GROW YOU SOME FOOD
TO EAT? ♪
♪ DID THEY GROW YOU SOME FOOD
TO EAT? ♪
♪ DID THEY GROW YOU SOME FOOD
TO EAT? ♪
♪ YOU KNOW, THEY WILL FALL
TO EAT? ♪
♪ YOU KNOW, THEY WILL FALL
TO EAT? ♪
♪ YOU KNOW, THEY WILL FALL
SOMEDAY ♪
♪ YOU KNOW, THEY WILL FALL
SOMEDAY ♪
♪ YOU KNOW, THEY WILL FALL
SOMEDAY ♪
♪ THEY WILL FALL SOMEDAY ♪
SOMEDAY ♪
♪ THEY WILL FALL SOMEDAY ♪
SOMEDAY ♪
♪ THEY WILL FALL SOMEDAY ♪
♪ AND HOW COULD… ♪
♪ THEY WILL FALL SOMEDAY ♪
♪ AND HOW COULD… ♪
♪ THEY WILL FALL SOMEDAY ♪
♪ AND HOW COULD… ♪
>> YOU OKAY BACK THERE?
♪ AND HOW COULD… ♪
>> YOU OKAY BACK THERE?
♪ AND HOW COULD… ♪
>> YOU OKAY BACK THERE?
>> ♪ …BE GONE? ♪
>> YOU OKAY BACK THERE?
>> ♪ …BE GONE? ♪
>> YOU OKAY BACK THERE?
>> ♪ …BE GONE? ♪
♪ IN SECONDS IT TURNS
>> ♪ …BE GONE? ♪
♪ IN SECONDS IT TURNS
>> ♪ …BE GONE? ♪
♪ IN SECONDS IT TURNS
ALL WRONG ♪
♪ IN SECONDS IT TURNS
ALL WRONG ♪
♪ IN SECONDS IT TURNS
ALL WRONG ♪
♪ BUT ALL IN TIME, MY DEAR ♪
ALL WRONG ♪
♪ BUT ALL IN TIME, MY DEAR ♪
ALL WRONG ♪
♪ BUT ALL IN TIME, MY DEAR ♪
♪ THE CHANGE WILL COME ♪
♪ BUT ALL IN TIME, MY DEAR ♪
♪ THE CHANGE WILL COME ♪
♪ BUT ALL IN TIME, MY DEAR ♪
♪ THE CHANGE WILL COME ♪
♪ DID ALL YOUR REASONS
♪ THE CHANGE WILL COME ♪
♪ DID ALL YOUR REASONS
♪ THE CHANGE WILL COME ♪
♪ DID ALL YOUR REASONS
STRAY RIGHT FROM THE SOURCE? ♪
♪ DID ALL YOUR REASONS
STRAY RIGHT FROM THE SOURCE? ♪
♪ DID ALL YOUR REASONS
STRAY RIGHT FROM THE SOURCE? ♪
♪ AND WHEN YOU’RE WALKING
STRAY RIGHT FROM THE SOURCE? ♪
♪ AND WHEN YOU’RE WALKING
STRAY RIGHT FROM THE SOURCE? ♪
♪ AND WHEN YOU’RE WALKING
AND LEAVING ♪
♪ AND WHEN YOU’RE WALKING
AND LEAVING ♪
♪ AND WHEN YOU’RE WALKING
AND LEAVING ♪
♪ WELL, I PRAY YOU STAY
AND LEAVING ♪
♪ WELL, I PRAY YOU STAY
AND LEAVING ♪
♪ WELL, I PRAY YOU STAY
ON COURSE ♪
♪ WELL, I PRAY YOU STAY
ON COURSE ♪
♪ WELL, I PRAY YOU STAY
ON COURSE ♪
♪ AND I PRAY YOU STAY
ON COURSE ♪
♪ AND I PRAY YOU STAY
ON COURSE ♪
♪ AND I PRAY YOU STAY
ON COURSE ♪
♪ AND I PRAY YOU STAY
ON COURSE ♪
♪ AND I PRAY YOU STAY
ON COURSE ♪
♪ THERE’S NEW LIFE
ON COURSE ♪
♪ THERE’S NEW LIFE
ON COURSE ♪
♪ THERE’S NEW LIFE
IN THE OLD WOODS ♪
♪ THERE’S NEW LIFE
IN THE OLD WOODS ♪
♪ THERE’S NEW LIFE
IN THE OLD WOODS ♪
♪ BUT THE FEELING’S JUST
IN THE OLD WOODS ♪
♪ BUT THE FEELING’S JUST
IN THE OLD WOODS ♪
♪ BUT THE FEELING’S JUST
THE SAME ♪
♪ BUT THE FEELING’S JUST
THE SAME ♪
♪ BUT THE FEELING’S JUST
THE SAME ♪
♪ EVOLUTION OF THE CHOSEN ONE ♪
THE SAME ♪
♪ EVOLUTION OF THE CHOSEN ONE ♪
THE SAME ♪
♪ EVOLUTION OF THE CHOSEN ONE ♪
♪ SEVENTH SON, THEY WILL SAY ♪
♪ EVOLUTION OF THE CHOSEN ONE ♪
♪ SEVENTH SON, THEY WILL SAY ♪
♪ EVOLUTION OF THE CHOSEN ONE ♪
♪ SEVENTH SON, THEY WILL SAY ♪
♪ SEVENTH SON, THEY WILL SAY ♪
♪ SEVENTH SON, THEY WILL SAY ♪
♪ SEVENTH SON, THEY WILL SAY ♪
♪ SEVENTH SON, THEY WILL SAY ♪
♪ SEVENTH SON, THEY WILL SAY ♪
♪ AND HOW COULD YOUR WHOLE LIFE
♪ SEVENTH SON, THEY WILL SAY ♪
♪ AND HOW COULD YOUR WHOLE LIFE
♪ SEVENTH SON, THEY WILL SAY ♪
♪ AND HOW COULD YOUR WHOLE LIFE
BE GONE? ♪
♪ AND HOW COULD YOUR WHOLE LIFE
BE GONE? ♪
♪ AND HOW COULD YOUR WHOLE LIFE
BE GONE? ♪
>> Hello?
BE GONE? ♪
>> Hello?
BE GONE? ♪
>> Hello?
>> IT’S ME, DORIS.
>> Hello?
>> IT’S ME, DORIS.
>> Hello?
>> IT’S ME, DORIS.
>> Hello, Mr. Domingo.
>> IT’S ME, DORIS.
>> Hello, Mr. Domingo.
>> IT’S ME, DORIS.
>> Hello, Mr. Domingo.
You were drinking last night.
>> Hello, Mr. Domingo.
You were drinking last night.
>> Hello, Mr. Domingo.
You were drinking last night.
>> A MOMENT OF WEAKNESS IS
You were drinking last night.
>> A MOMENT OF WEAKNESS IS
You were drinking last night.
>> A MOMENT OF WEAKNESS IS
NOTHING.
>> A MOMENT OF WEAKNESS IS
NOTHING.
>> A MOMENT OF WEAKNESS IS
NOTHING.
DID YOU HEAR ABOUT “GANG BANGS”?
NOTHING.
DID YOU HEAR ABOUT “GANG BANGS”?
NOTHING.
DID YOU HEAR ABOUT “GANG BANGS”?
>> I’m sorry, Mr. Domingo.
DID YOU HEAR ABOUT “GANG BANGS”?
>> I’m sorry, Mr. Domingo.
DID YOU HEAR ABOUT “GANG BANGS”?
>> I’m sorry, Mr. Domingo.
I know how much time and energy
>> I’m sorry, Mr. Domingo.
I know how much time and energy
>> I’m sorry, Mr. Domingo.
I know how much time and energy
you put into that project.
I know how much time and energy
you put into that project.
I know how much time and energy
you put into that project.
>> THANK YOU, DORIS.
you put into that project.
>> THANK YOU, DORIS.
you put into that project.
>> THANK YOU, DORIS.
>> How was Fiona?
>> THANK YOU, DORIS.
>> How was Fiona?
>> THANK YOU, DORIS.
>> How was Fiona?
>> HOW DID YOU KNOW?
>> How was Fiona?
>> HOW DID YOU KNOW?
>> How was Fiona?
>> HOW DID YOU KNOW?
>> I knew you would try, sir.
>> HOW DID YOU KNOW?
>> I knew you would try, sir.
>> HOW DID YOU KNOW?
>> I knew you would try, sir.
>> YOU KNOW ME BETTER THAN
>> I knew you would try, sir.
>> YOU KNOW ME BETTER THAN
>> I knew you would try, sir.
>> YOU KNOW ME BETTER THAN
ANYONE, DORIS.
>> YOU KNOW ME BETTER THAN
ANYONE, DORIS.
>> YOU KNOW ME BETTER THAN
ANYONE, DORIS.
I MAKE A FOOL OF MYSELF VERY
ANYONE, DORIS.
I MAKE A FOOL OF MYSELF VERY
ANYONE, DORIS.
I MAKE A FOOL OF MYSELF VERY
MUCH.
I MAKE A FOOL OF MYSELF VERY
MUCH.
I MAKE A FOOL OF MYSELF VERY
MUCH.
DO YOU KNOW WHAT IS
MUCH.
DO YOU KNOW WHAT IS
MUCH.
DO YOU KNOW WHAT IS
A HEART CHAKRA, DORIS?
DO YOU KNOW WHAT IS
A HEART CHAKRA, DORIS?
DO YOU KNOW WHAT IS
A HEART CHAKRA, DORIS?
>> I believe it’s an energy
A HEART CHAKRA, DORIS?
>> I believe it’s an energy
A HEART CHAKRA, DORIS?
>> I believe it’s an energy
center, Mr. Domingo.
>> I believe it’s an energy
center, Mr. Domingo.
>> I believe it’s an energy
center, Mr. Domingo.
A healthy heart chakra allows us
center, Mr. Domingo.
A healthy heart chakra allows us
center, Mr. Domingo.
A healthy heart chakra allows us
to love deeply, feel compassion,
A healthy heart chakra allows us
to love deeply, feel compassion,
A healthy heart chakra allows us
to love deeply, feel compassion,
and have a deep sense of peace
to love deeply, feel compassion,
and have a deep sense of peace
to love deeply, feel compassion,
and have a deep sense of peace
and centeredness.
and have a deep sense of peace
and centeredness.
and have a deep sense of peace
and centeredness.
>> YOU KNOW ALL THIS ABOUT
and centeredness.
>> YOU KNOW ALL THIS ABOUT
and centeredness.
>> YOU KNOW ALL THIS ABOUT
THE CHAKRA, DORIS?
>> YOU KNOW ALL THIS ABOUT
THE CHAKRA, DORIS?
>> YOU KNOW ALL THIS ABOUT
THE CHAKRA, DORIS?
>> I just Googled it.
THE CHAKRA, DORIS?
>> I just Googled it.
THE CHAKRA, DORIS?
>> I just Googled it.
>> AH.
>> I just Googled it.
>> AH.
>> I just Googled it.
>> AH.
I THINK MY HEART CHAKRA IS
>> AH.
I THINK MY HEART CHAKRA IS
>> AH.
I THINK MY HEART CHAKRA IS
MALFUNCTIONING.
I THINK MY HEART CHAKRA IS
MALFUNCTIONING.
I THINK MY HEART CHAKRA IS
MALFUNCTIONING.
I HAVE NO PEACE,
MALFUNCTIONING.
I HAVE NO PEACE,
MALFUNCTIONING.
I HAVE NO PEACE,
NO CENTEREDNESS.
I HAVE NO PEACE,
NO CENTEREDNESS.
I HAVE NO PEACE,
NO CENTEREDNESS.
>> I’m sorry to hear that, sir.
NO CENTEREDNESS.
>> I’m sorry to hear that, sir.
NO CENTEREDNESS.
>> I’m sorry to hear that, sir.
We’ll work on that when you get
>> I’m sorry to hear that, sir.
We’ll work on that when you get
>> I’m sorry to hear that, sir.
We’ll work on that when you get
home.
We’ll work on that when you get
home.
We’ll work on that when you get
home.
So, what now, Mr. Domingo, as
home.
So, what now, Mr. Domingo, as
home.
So, what now, Mr. Domingo, as
far as your next picture’s
So, what now, Mr. Domingo, as
far as your next picture’s
So, what now, Mr. Domingo, as
far as your next picture’s
concerned?
far as your next picture’s
concerned?
far as your next picture’s
concerned?
>> PERHAPS I WILL CONCENTRATE
concerned?
>> PERHAPS I WILL CONCENTRATE
concerned?
>> PERHAPS I WILL CONCENTRATE
ON SOMETHING SMALLER, LIKE
>> PERHAPS I WILL CONCENTRATE
ON SOMETHING SMALLER, LIKE
>> PERHAPS I WILL CONCENTRATE
ON SOMETHING SMALLER, LIKE
AN INDIE FILM.
ON SOMETHING SMALLER, LIKE
AN INDIE FILM.
ON SOMETHING SMALLER, LIKE
AN INDIE FILM.
>> That sounds like a good idea.
AN INDIE FILM.
>> That sounds like a good idea.
AN INDIE FILM.
>> That sounds like a good idea.
>> REJUVENATE MY CREATIVE
>> That sounds like a good idea.
>> REJUVENATE MY CREATIVE
>> That sounds like a good idea.
>> REJUVENATE MY CREATIVE
JUICES.
>> REJUVENATE MY CREATIVE
JUICES.
>> REJUVENATE MY CREATIVE
JUICES.
I’M READY TO DO SOMETHING,
JUICES.
I’M READY TO DO SOMETHING,
JUICES.
I’M READY TO DO SOMETHING,
YOU KNOW, MORE, UH, ORGANIC,
I’M READY TO DO SOMETHING,
YOU KNOW, MORE, UH, ORGANIC,
I’M READY TO DO SOMETHING,
YOU KNOW, MORE, UH, ORGANIC,
BUT JUST AS ORGASMIC.
YOU KNOW, MORE, UH, ORGANIC,
BUT JUST AS ORGASMIC.
YOU KNOW, MORE, UH, ORGANIC,
BUT JUST AS ORGASMIC.
[ LAUGHS ]
BUT JUST AS ORGASMIC.
[ LAUGHS ]
BUT JUST AS ORGASMIC.
[ LAUGHS ]
YEAH, IT WAS A BAD JOKE.
[ LAUGHS ]
YEAH, IT WAS A BAD JOKE.
[ LAUGHS ]
YEAH, IT WAS A BAD JOKE.
I’M SORRY, DORIS.
YEAH, IT WAS A BAD JOKE.
I’M SORRY, DORIS.
YEAH, IT WAS A BAD JOKE.
I’M SORRY, DORIS.
>> Enjoy yourself for the big
I’M SORRY, DORIS.
>> Enjoy yourself for the big
I’M SORRY, DORIS.
>> Enjoy yourself for the big
screening tonight.
>> Enjoy yourself for the big
screening tonight.
>> Enjoy yourself for the big
screening tonight.
>> I’LL CALL YOU THE SECOND
screening tonight.
>> I’LL CALL YOU THE SECOND
screening tonight.
>> I’LL CALL YOU THE SECOND
IT’S OVER.
>> I’LL CALL YOU THE SECOND
IT’S OVER.
>> I’LL CALL YOU THE SECOND
IT’S OVER.
>> Will there be anything else,
IT’S OVER.
>> Will there be anything else,
IT’S OVER.
>> Will there be anything else,
Mr. Domingo?
>> Will there be anything else,
Mr. Domingo?
>> Will there be anything else,
Mr. Domingo?
>> NO.
Mr. Domingo?
>> NO.
Mr. Domingo?
>> NO.
GOODBYE, DORIS.
>> NO.
GOODBYE, DORIS.
>> NO.
GOODBYE, DORIS.
>> Goodbye.
GOODBYE, DORIS.
>> Goodbye.
GOODBYE, DORIS.
>> Goodbye.
>> DORIS?
>> Goodbye.
>> DORIS?
>> Goodbye.
>> DORIS?
>> Yes, Mr. Domingo?
>> DORIS?
>> Yes, Mr. Domingo?
>> DORIS?
>> Yes, Mr. Domingo?
>> THANK YOU.
>> Yes, Mr. Domingo?
>> THANK YOU.
>> Yes, Mr. Domingo?
>> THANK YOU.
>> You’re welcome, sir.
>> THANK YOU.
>> You’re welcome, sir.
>> You’re welcome, sir.
>> YOU ARE QUIET, MY FRIEND.
>> YOU ARE QUIET, MY FRIEND.
TOO QUIET.
>> YOU ARE QUIET, MY FRIEND.
TOO QUIET.
SOMETHING IS WRONG?
TOO QUIET.
SOMETHING IS WRONG?
TOO QUIET.
SOMETHING IS WRONG?
>> WELL, I DON’T WANT TO BORE
SOMETHING IS WRONG?
>> WELL, I DON’T WANT TO BORE
SOMETHING IS WRONG?
>> WELL, I DON’T WANT TO BORE
YOU WITH MY PERSONAL PROBLEMS
>> WELL, I DON’T WANT TO BORE
YOU WITH MY PERSONAL PROBLEMS
>> WELL, I DON’T WANT TO BORE
YOU WITH MY PERSONAL PROBLEMS
OR ANYTHING LIKE THAT.
YOU WITH MY PERSONAL PROBLEMS
OR ANYTHING LIKE THAT.
YOU WITH MY PERSONAL PROBLEMS
OR ANYTHING LIKE THAT.
>> WHAT IS YOUR NAME?
OR ANYTHING LIKE THAT.
>> WHAT IS YOUR NAME?
OR ANYTHING LIKE THAT.
>> WHAT IS YOUR NAME?
>> JOSEPH.
>> WHAT IS YOUR NAME?
>> JOSEPH.
>> WHAT IS YOUR NAME?
>> JOSEPH.
>> CALL ME ARTURO.
>> JOSEPH.
>> CALL ME ARTURO.
>> JOSEPH.
>> CALL ME ARTURO.
AND, PLEASE, BORE ME WITH YOUR
>> CALL ME ARTURO.
AND, PLEASE, BORE ME WITH YOUR
>> CALL ME ARTURO.
AND, PLEASE, BORE ME WITH YOUR
PERSONAL PROBLEMS.
AND, PLEASE, BORE ME WITH YOUR
PERSONAL PROBLEMS.
AND, PLEASE, BORE ME WITH YOUR
PERSONAL PROBLEMS.
>> OKAY, ARTURO.
PERSONAL PROBLEMS.
>> OKAY, ARTURO.
PERSONAL PROBLEMS.
>> OKAY, ARTURO.
SINCE YOU MAKE THE NUDIE-CUTIE
>> OKAY, ARTURO.
SINCE YOU MAKE THE NUDIE-CUTIE
>> OKAY, ARTURO.
SINCE YOU MAKE THE NUDIE-CUTIE
PICTURES, MAYBE YOU COULD GIVE
SINCE YOU MAKE THE NUDIE-CUTIE
PICTURES, MAYBE YOU COULD GIVE
SINCE YOU MAKE THE NUDIE-CUTIE
PICTURES, MAYBE YOU COULD GIVE
ME SOME ADVICE.
PICTURES, MAYBE YOU COULD GIVE
ME SOME ADVICE.
PICTURES, MAYBE YOU COULD GIVE
ME SOME ADVICE.
>> YEAH, OKAY. GO ON.
ME SOME ADVICE.
>> YEAH, OKAY. GO ON.
ME SOME ADVICE.
>> YEAH, OKAY. GO ON.
>> WELL, THERE’S THIS GUY,
>> YEAH, OKAY. GO ON.
>> WELL, THERE’S THIS GUY,
>> YEAH, OKAY. GO ON.
>> WELL, THERE’S THIS GUY,
MR. BUNDQUIST, WHO LIVES UP
>> WELL, THERE’S THIS GUY,
MR. BUNDQUIST, WHO LIVES UP
>> WELL, THERE’S THIS GUY,
MR. BUNDQUIST, WHO LIVES UP
THE ROAD FROM ME AND MY WIFE
MR. BUNDQUIST, WHO LIVES UP
THE ROAD FROM ME AND MY WIFE
MR. BUNDQUIST, WHO LIVES UP
THE ROAD FROM ME AND MY WIFE
IN BEAVERTON.
THE ROAD FROM ME AND MY WIFE
IN BEAVERTON.
THE ROAD FROM ME AND MY WIFE
IN BEAVERTON.
TO GET THERE FROM HERE, YOU TAKE
IN BEAVERTON.
TO GET THERE FROM HERE, YOU TAKE
IN BEAVERTON.
TO GET THERE FROM HERE, YOU TAKE
THE 26 WEST TO THE CANYON ROAD
TO GET THERE FROM HERE, YOU TAKE
THE 26 WEST TO THE CANYON ROAD
TO GET THERE FROM HERE, YOU TAKE
THE 26 WEST TO THE CANYON ROAD
EXIT.
THE 26 WEST TO THE CANYON ROAD
EXIT.
THE 26 WEST TO THE CANYON ROAD
EXIT.
>> YES, YES.
EXIT.
>> YES, YES.
EXIT.
>> YES, YES.
PLEASE.
>> YES, YES.
PLEASE.
>> YES, YES.
PLEASE.
TRY TO STAY ON TRACK.
PLEASE.
TRY TO STAY ON TRACK.
PLEASE.
TRY TO STAY ON TRACK.
SO THIS MR. BUNDQUIST IS HAVING
TRY TO STAY ON TRACK.
SO THIS MR. BUNDQUIST IS HAVING
TRY TO STAY ON TRACK.
SO THIS MR. BUNDQUIST IS HAVING
SEX WITH YOUR WIFE?
SO THIS MR. BUNDQUIST IS HAVING
SEX WITH YOUR WIFE?
SEX WITH YOUR WIFE?
>> I JUST WISH I COULD MAKE HER
>> I JUST WISH I COULD MAKE HER
AS HAPPY AS HE DOES.
>> I JUST WISH I COULD MAKE HER
AS HAPPY AS HE DOES.
I DON’T KNOW WHAT SHE WANTS,
AS HAPPY AS HE DOES.
I DON’T KNOW WHAT SHE WANTS,
AS HAPPY AS HE DOES.
I DON’T KNOW WHAT SHE WANTS,
I DON’T KNOW WHAT HE’S DOING,
I DON’T KNOW WHAT SHE WANTS,
I DON’T KNOW WHAT HE’S DOING,
I DON’T KNOW WHAT SHE WANTS,
I DON’T KNOW WHAT HE’S DOING,
I DON’T KNOW WHAT I’M DOING.
I DON’T KNOW WHAT HE’S DOING,
I DON’T KNOW WHAT I’M DOING.
I DON’T KNOW WHAT HE’S DOING,
I DON’T KNOW WHAT I’M DOING.
>> I HAVE AN IDEA.
I DON’T KNOW WHAT I’M DOING.
>> I HAVE AN IDEA.
I DON’T KNOW WHAT I’M DOING.
>> I HAVE AN IDEA.
YOU WILL TAKE THE NIGHT OFF.
>> I HAVE AN IDEA.
YOU WILL TAKE THE NIGHT OFF.
>> I HAVE AN IDEA.
YOU WILL TAKE THE NIGHT OFF.
>> WHAT’S THAT?
YOU WILL TAKE THE NIGHT OFF.
>> WHAT’S THAT?
YOU WILL TAKE THE NIGHT OFF.
>> WHAT’S THAT?
>> TONIGHT YOU WILL GO HOME
>> WHAT’S THAT?
>> TONIGHT YOU WILL GO HOME
>> WHAT’S THAT?
>> TONIGHT YOU WILL GO HOME
TO MAKE SURE SHE STAY IN.
>> TONIGHT YOU WILL GO HOME
TO MAKE SURE SHE STAY IN.
>> TONIGHT YOU WILL GO HOME
TO MAKE SURE SHE STAY IN.
I WILL COACH YOU TONIGHT FROM
TO MAKE SURE SHE STAY IN.
I WILL COACH YOU TONIGHT FROM
TO MAKE SURE SHE STAY IN.
I WILL COACH YOU TONIGHT FROM
BELOW YOUR WINDOW LIKE GODDAMN
I WILL COACH YOU TONIGHT FROM
BELOW YOUR WINDOW LIKE GODDAMN
I WILL COACH YOU TONIGHT FROM
BELOW YOUR WINDOW LIKE GODDAMN
CYRANO de BERGERAC!
BELOW YOUR WINDOW LIKE GODDAMN
CYRANO de BERGERAC!
BELOW YOUR WINDOW LIKE GODDAMN
CYRANO de BERGERAC!
[ UP-TEMPO MUSIC PLAYS ]
CYRANO de BERGERAC!
[ UP-TEMPO MUSIC PLAYS ]
[ UP-TEMPO MUSIC PLAYS ]
>> THAT’S WHEN I REALIZED SHE…
…WAS ME.
…WAS ME.
YOU MEAN TO TELL ME YOU’RE LIKE
…WAS ME.
YOU MEAN TO TELL ME YOU’RE LIKE
A FIGMENT OF MY IMAGINATION?
YOU MEAN TO TELL ME YOU’RE LIKE
A FIGMENT OF MY IMAGINATION?
YOU MEAN TO TELL ME YOU’RE LIKE
A FIGMENT OF MY IMAGINATION?
>> YOU GOT IT.
A FIGMENT OF MY IMAGINATION?
>> YOU GOT IT.
A FIGMENT OF MY IMAGINATION?
>> YOU GOT IT.
>> THAT’S SO FUCKED UP.
>> YOU GOT IT.
>> THAT’S SO FUCKED UP.
>> YOU GOT IT.
>> THAT’S SO FUCKED UP.
THIS WHOLE TIME I THOUGHT YOU
>> THAT’S SO FUCKED UP.
THIS WHOLE TIME I THOUGHT YOU
>> THAT’S SO FUCKED UP.
THIS WHOLE TIME I THOUGHT YOU
WERE, LIKE, THIS OTHER PERSON.
THIS WHOLE TIME I THOUGHT YOU
WERE, LIKE, THIS OTHER PERSON.
THIS WHOLE TIME I THOUGHT YOU
WERE, LIKE, THIS OTHER PERSON.
>> DON’T THINK SO.
WERE, LIKE, THIS OTHER PERSON.
>> DON’T THINK SO.
WERE, LIKE, THIS OTHER PERSON.
>> DON’T THINK SO.
I’M YOU, BITCH.
>> DON’T THINK SO.
I’M YOU, BITCH.
>> DON’T THINK SO.
I’M YOU, BITCH.
>> OKAY, WHATEVER.
I’M YOU, BITCH.
>> OKAY, WHATEVER.
I’M YOU, BITCH.
>> OKAY, WHATEVER.
SO, WHAT ARE WE SUPPOSED TO DO
>> OKAY, WHATEVER.
SO, WHAT ARE WE SUPPOSED TO DO
>> OKAY, WHATEVER.
SO, WHAT ARE WE SUPPOSED TO DO
NOW?
SO, WHAT ARE WE SUPPOSED TO DO
NOW?
SO, WHAT ARE WE SUPPOSED TO DO
NOW?
>> LET’S FUCK.
NOW?
>> LET’S FUCK.
NOW?
>> LET’S FUCK.
>> FUCK MY OWN IMAGINARY FRIEND?
>> LET’S FUCK.
>> FUCK MY OWN IMAGINARY FRIEND?
>> LET’S FUCK.
>> FUCK MY OWN IMAGINARY FRIEND?
>> BINGO!
>> FUCK MY OWN IMAGINARY FRIEND?
>> BINGO!
>> BINGO!
>> WHAT DO YOU HAVE TO SAY
>> WHAT DO YOU HAVE TO SAY
ABOUT THE CONTROVERSY INVOLVING
>> WHAT DO YOU HAVE TO SAY
ABOUT THE CONTROVERSY INVOLVING
SEVERAL REAL-LIFE DYKE CLUBS
ABOUT THE CONTROVERSY INVOLVING
SEVERAL REAL-LIFE DYKE CLUBS
ABOUT THE CONTROVERSY INVOLVING
SEVERAL REAL-LIFE DYKE CLUBS
THAT SPRANG UP IN HIGH SCHOOLS
SEVERAL REAL-LIFE DYKE CLUBS
THAT SPRANG UP IN HIGH SCHOOLS
SEVERAL REAL-LIFE DYKE CLUBS
THAT SPRANG UP IN HIGH SCHOOLS
ACROSS AMERICA BECAUSE OF THIS
THAT SPRANG UP IN HIGH SCHOOLS
ACROSS AMERICA BECAUSE OF THIS
THAT SPRANG UP IN HIGH SCHOOLS
ACROSS AMERICA BECAUSE OF THIS
FILM?
ACROSS AMERICA BECAUSE OF THIS
FILM?
ACROSS AMERICA BECAUSE OF THIS
FILM?
>> UH, I THINK IT’S ONLY GREAT.
FILM?
>> UH, I THINK IT’S ONLY GREAT.
FILM?
>> UH, I THINK IT’S ONLY GREAT.
GOOD FOR THOSE GIRLS FOR THOSE
>> UH, I THINK IT’S ONLY GREAT.
GOOD FOR THOSE GIRLS FOR THOSE
>> UH, I THINK IT’S ONLY GREAT.
GOOD FOR THOSE GIRLS FOR THOSE
GIRLS TO BE INSPIRED BY MY
GOOD FOR THOSE GIRLS FOR THOSE
GIRLS TO BE INSPIRED BY MY
GOOD FOR THOSE GIRLS FOR THOSE
GIRLS TO BE INSPIRED BY MY
MOVIE, WHICH IS REALLY JUST
GIRLS TO BE INSPIRED BY MY
MOVIE, WHICH IS REALLY JUST
GIRLS TO BE INSPIRED BY MY
MOVIE, WHICH IS REALLY JUST
A METAPHOR FOR DOING WHAT
MOVIE, WHICH IS REALLY JUST
A METAPHOR FOR DOING WHAT
MOVIE, WHICH IS REALLY JUST
A METAPHOR FOR DOING WHAT
FEEL GOOD.
A METAPHOR FOR DOING WHAT
FEEL GOOD.
A METAPHOR FOR DOING WHAT
FEEL GOOD.
LET THE GIRLS HAVE THEIR FUN.
FEEL GOOD.
LET THE GIRLS HAVE THEIR FUN.
FEEL GOOD.
LET THE GIRLS HAVE THEIR FUN.
GIRL-ON-GIRL ACTION I LOVE.
LET THE GIRLS HAVE THEIR FUN.
GIRL-ON-GIRL ACTION I LOVE.
LET THE GIRLS HAVE THEIR FUN.
GIRL-ON-GIRL ACTION I LOVE.
MWAH!
GIRL-ON-GIRL ACTION I LOVE.
MWAH!
GIRL-ON-GIRL ACTION I LOVE.
MWAH!
[ APPLAUSE ]
MWAH!
[ APPLAUSE ]
MWAH!
[ APPLAUSE ]
>> THAT’S ALL THE QUESTIONS
[ APPLAUSE ]
>> THAT’S ALL THE QUESTIONS
[ APPLAUSE ]
>> THAT’S ALL THE QUESTIONS
FOR NOW.
>> THAT’S ALL THE QUESTIONS
FOR NOW.
>> THAT’S ALL THE QUESTIONS
FOR NOW.
WE NEED TO MOVE ON TO OUR NEXT
FOR NOW.
WE NEED TO MOVE ON TO OUR NEXT
FOR NOW.
WE NEED TO MOVE ON TO OUR NEXT
FEATURE,
WE NEED TO MOVE ON TO OUR NEXT
FEATURE,
WE NEED TO MOVE ON TO OUR NEXT
FEATURE,
“REQUIEM FOR A WET DREAM.”
FEATURE,
“REQUIEM FOR A WET DREAM.”
“REQUIEM FOR A WET DREAM.”
[ THUNDER CRASHES ]
[ THUNDER CRASHES ]
[ RAIN FALLING ]
[ RAIN FALLING ]
>> NO.
>> NO.
NO.
>> NO.
NO.
NO.
NO.
NO.
NO.
NO.
NO.
NO.
NO.
NO.
NO.
NO!
NO.
NO!
NO.
NO!
[ SHOUTING IN ITALIAN ]
NO!
[ SHOUTING IN ITALIAN ]
NO!
[ SHOUTING IN ITALIAN ]
[ THUNDER CRASHES ]
[ SHOUTING IN ITALIAN ]
[ THUNDER CRASHES ]
[ SHOUTING IN ITALIAN ]
[ THUNDER CRASHES ]
>> [ SIGHS ]
[ THUNDER CRASHES ]
>> [ SIGHS ]
[ THUNDER CRASHES ]
>> [ SIGHS ]
>> ARTURO, I CAN’T LIVE LIKE
>> [ SIGHS ]
>> ARTURO, I CAN’T LIVE LIKE
>> [ SIGHS ]
>> ARTURO, I CAN’T LIVE LIKE
THIS.
>> ARTURO, I CAN’T LIVE LIKE
THIS.
>> ARTURO, I CAN’T LIVE LIKE
THIS.
>> WHAT DO YOU WANT?
THIS.
>> WHAT DO YOU WANT?
THIS.
>> WHAT DO YOU WANT?
I GIVE YOU EVERYTHING.
>> WHAT DO YOU WANT?
I GIVE YOU EVERYTHING.
>> WHAT DO YOU WANT?
I GIVE YOU EVERYTHING.
>> YOU SAID THINGS WOULD BE
I GIVE YOU EVERYTHING.
>> YOU SAID THINGS WOULD BE
I GIVE YOU EVERYTHING.
>> YOU SAID THINGS WOULD BE
DIFFERENT.
>> YOU SAID THINGS WOULD BE
DIFFERENT.
>> YOU SAID THINGS WOULD BE
DIFFERENT.
>> THINGS, THEY ARE DIFFERENT.
DIFFERENT.
>> THINGS, THEY ARE DIFFERENT.
DIFFERENT.
>> THINGS, THEY ARE DIFFERENT.
>> THAT IS NOT TRUE!
>> THINGS, THEY ARE DIFFERENT.
>> THAT IS NOT TRUE!
>> THINGS, THEY ARE DIFFERENT.
>> THAT IS NOT TRUE!
>> THIS MORNING YOU ACCUSED ME
>> THAT IS NOT TRUE!
>> THIS MORNING YOU ACCUSED ME
>> THAT IS NOT TRUE!
>> THIS MORNING YOU ACCUSED ME
OF BEING ATTRACTED TO YOUR
>> THIS MORNING YOU ACCUSED ME
OF BEING ATTRACTED TO YOUR
>> THIS MORNING YOU ACCUSED ME
OF BEING ATTRACTED TO YOUR
BUTT-UGLY CINEMATOGRAPHER.
OF BEING ATTRACTED TO YOUR
BUTT-UGLY CINEMATOGRAPHER.
OF BEING ATTRACTED TO YOUR
BUTT-UGLY CINEMATOGRAPHER.
>> HE IS NOT SO BAD LOOKING.
BUTT-UGLY CINEMATOGRAPHER.
>> HE IS NOT SO BAD LOOKING.
BUTT-UGLY CINEMATOGRAPHER.
>> HE IS NOT SO BAD LOOKING.
>> HE’S DISGUSTING.
>> HE IS NOT SO BAD LOOKING.
>> HE’S DISGUSTING.
>> HE IS NOT SO BAD LOOKING.
>> HE’S DISGUSTING.
AND THEN YESTERDAY, YOU PUSHED
>> HE’S DISGUSTING.
AND THEN YESTERDAY, YOU PUSHED
>> HE’S DISGUSTING.
AND THEN YESTERDAY, YOU PUSHED
YOUR BOOM OPERATOR INTO THE MUD.
AND THEN YESTERDAY, YOU PUSHED
YOUR BOOM OPERATOR INTO THE MUD.
AND THEN YESTERDAY, YOU PUSHED
YOUR BOOM OPERATOR INTO THE MUD.
>> HE WAS LOOKING AT YOUR ASS.
YOUR BOOM OPERATOR INTO THE MUD.
>> HE WAS LOOKING AT YOUR ASS.
YOUR BOOM OPERATOR INTO THE MUD.
>> HE WAS LOOKING AT YOUR ASS.
>> HE WAS STANDING BEHIND ME
>> HE WAS LOOKING AT YOUR ASS.
>> HE WAS STANDING BEHIND ME
>> HE WAS LOOKING AT YOUR ASS.
>> HE WAS STANDING BEHIND ME
IN LINE AT THE FOOD CART.
>> HE WAS STANDING BEHIND ME
IN LINE AT THE FOOD CART.
>> HE WAS STANDING BEHIND ME
IN LINE AT THE FOOD CART.
>> I BET HE LIKED TO BE BEHIND
IN LINE AT THE FOOD CART.
>> I BET HE LIKED TO BE BEHIND
IN LINE AT THE FOOD CART.
>> I BET HE LIKED TO BE BEHIND
YOU.
>> I BET HE LIKED TO BE BEHIND
YOU.
>> I BET HE LIKED TO BE BEHIND
YOU.
I BET ALL THE MEN LIKE TO BE
YOU.
I BET ALL THE MEN LIKE TO BE
YOU.
I BET ALL THE MEN LIKE TO BE
BEHIND YOU!
I BET ALL THE MEN LIKE TO BE
BEHIND YOU!
I BET ALL THE MEN LIKE TO BE
BEHIND YOU!
THOSE FUCKING — I KILL THOSE
BEHIND YOU!
THOSE FUCKING — I KILL THOSE
BEHIND YOU!
THOSE FUCKING — I KILL THOSE
FUCKING — FUCK!
THOSE FUCKING — I KILL THOSE
FUCKING — FUCK!
THOSE FUCKING — I KILL THOSE
FUCKING — FUCK!
>> I WANT MY FREEDOM!
FUCKING — FUCK!
>> I WANT MY FREEDOM!
FUCKING — FUCK!
>> I WANT MY FREEDOM!
>> FREEDOM. FREEDOM?
>> I WANT MY FREEDOM!
>> FREEDOM. FREEDOM?
>> I WANT MY FREEDOM!
>> FREEDOM. FREEDOM?
FREE — WHAT, FREE TO TRY ON
>> FREEDOM. FREEDOM?
FREE — WHAT, FREE TO TRY ON
>> FREEDOM. FREEDOM?
FREE — WHAT, FREE TO TRY ON
OTHER MEN?
FREE — WHAT, FREE TO TRY ON
OTHER MEN?
FREE — WHAT, FREE TO TRY ON
OTHER MEN?
>> DON’T BE AN ASSHOLE, ARTURO.
OTHER MEN?
>> DON’T BE AN ASSHOLE, ARTURO.
OTHER MEN?
>> DON’T BE AN ASSHOLE, ARTURO.
I WANT THE FREEDOM TO GO ABOUT
>> DON’T BE AN ASSHOLE, ARTURO.
I WANT THE FREEDOM TO GO ABOUT
>> DON’T BE AN ASSHOLE, ARTURO.
I WANT THE FREEDOM TO GO ABOUT
MY DAILY LIFE LIKE A NORMAL
I WANT THE FREEDOM TO GO ABOUT
MY DAILY LIFE LIKE A NORMAL
I WANT THE FREEDOM TO GO ABOUT
MY DAILY LIFE LIKE A NORMAL
PERSON, TO TALK TO WHOEVER I
MY DAILY LIFE LIKE A NORMAL
PERSON, TO TALK TO WHOEVER I
MY DAILY LIFE LIKE A NORMAL
PERSON, TO TALK TO WHOEVER I
WANT WITHOUT THE FEAR OF MY
PERSON, TO TALK TO WHOEVER I
WANT WITHOUT THE FEAR OF MY
PERSON, TO TALK TO WHOEVER I
WANT WITHOUT THE FEAR OF MY
PSYCHOTIC, ALCOHOLIC HUSBAND
WANT WITHOUT THE FEAR OF MY
PSYCHOTIC, ALCOHOLIC HUSBAND
WANT WITHOUT THE FEAR OF MY
PSYCHOTIC, ALCOHOLIC HUSBAND
GOING BALLISTIC ALL THE TIME.
PSYCHOTIC, ALCOHOLIC HUSBAND
GOING BALLISTIC ALL THE TIME.
PSYCHOTIC, ALCOHOLIC HUSBAND
GOING BALLISTIC ALL THE TIME.
I’M FUCKING SICK OF IT.
GOING BALLISTIC ALL THE TIME.
I’M FUCKING SICK OF IT.
GOING BALLISTIC ALL THE TIME.
I’M FUCKING SICK OF IT.
>> ARTURO IS KILL HIMSELF TO
I’M FUCKING SICK OF IT.
>> ARTURO IS KILL HIMSELF TO
I’M FUCKING SICK OF IT.
>> ARTURO IS KILL HIMSELF TO
MAKE A MASTERPIECE, AND YOU WANT
>> ARTURO IS KILL HIMSELF TO
MAKE A MASTERPIECE, AND YOU WANT
>> ARTURO IS KILL HIMSELF TO
MAKE A MASTERPIECE, AND YOU WANT
TO FUCK ANOTHER MAN?!
MAKE A MASTERPIECE, AND YOU WANT
TO FUCK ANOTHER MAN?!
MAKE A MASTERPIECE, AND YOU WANT
TO FUCK ANOTHER MAN?!
>> YOU’RE GONNA BE SORRY THAT
TO FUCK ANOTHER MAN?!
>> YOU’RE GONNA BE SORRY THAT
TO FUCK ANOTHER MAN?!
>> YOU’RE GONNA BE SORRY THAT
YOU TREATED ME THIS WAY.
>> YOU’RE GONNA BE SORRY THAT
YOU TREATED ME THIS WAY.
>> YOU’RE GONNA BE SORRY THAT
YOU TREATED ME THIS WAY.
>> WHO YOU WANT? WHO?
YOU TREATED ME THIS WAY.
>> WHO YOU WANT? WHO?
YOU TREATED ME THIS WAY.
>> WHO YOU WANT? WHO?
I GET FOR YOU ANYBODY YOU WANT.
>> WHO YOU WANT? WHO?
I GET FOR YOU ANYBODY YOU WANT.
>> WHO YOU WANT? WHO?
I GET FOR YOU ANYBODY YOU WANT.
YOU WANT PETER?
I GET FOR YOU ANYBODY YOU WANT.
YOU WANT PETER?
I GET FOR YOU ANYBODY YOU WANT.
YOU WANT PETER?
YOU WANT JEREMY?
YOU WANT PETER?
YOU WANT JEREMY?
YOU WANT PETER?
YOU WANT JEREMY?
OR ROCCO?
YOU WANT JEREMY?
OR ROCCO?
YOU WANT JEREMY?
OR ROCCO?
I GET FOR YOU ROCCO.
OR ROCCO?
I GET FOR YOU ROCCO.
OR ROCCO?
I GET FOR YOU ROCCO.
WHY, ROCCO, COME, COME.
I GET FOR YOU ROCCO.
WHY, ROCCO, COME, COME.
I GET FOR YOU ROCCO.
WHY, ROCCO, COME, COME.
PLEASE, TO FUCK MY WIFE.
WHY, ROCCO, COME, COME.
PLEASE, TO FUCK MY WIFE.
WHY, ROCCO, COME, COME.
PLEASE, TO FUCK MY WIFE.
SHE WANT TO BE FREE!
PLEASE, TO FUCK MY WIFE.
SHE WANT TO BE FREE!
PLEASE, TO FUCK MY WIFE.
SHE WANT TO BE FREE!
>> PLEASE GET OUT OF MY WAY.
SHE WANT TO BE FREE!
>> PLEASE GET OUT OF MY WAY.
SHE WANT TO BE FREE!
>> PLEASE GET OUT OF MY WAY.
>> YOU’RE NOT GOING ANYWHERE.
>> PLEASE GET OUT OF MY WAY.
>> YOU’RE NOT GOING ANYWHERE.
>> PLEASE GET OUT OF MY WAY.
>> YOU’RE NOT GOING ANYWHERE.
YOU ARE STAYING HERE IN VIETNAM.
>> YOU’RE NOT GOING ANYWHERE.
YOU ARE STAYING HERE IN VIETNAM.
>> YOU’RE NOT GOING ANYWHERE.
YOU ARE STAYING HERE IN VIETNAM.
>> WE ARE IN OHIO, ARTURO.
YOU ARE STAYING HERE IN VIETNAM.
>> WE ARE IN OHIO, ARTURO.
YOU ARE STAYING HERE IN VIETNAM.
>> WE ARE IN OHIO, ARTURO.
>> NO.
>> WE ARE IN OHIO, ARTURO.
>> NO.
>> WE ARE IN OHIO, ARTURO.
>> NO.
WE ARE IN HELL!
>> NO.
WE ARE IN HELL!
>> NO.
WE ARE IN HELL!
AND WE WILL ALL STAY HERE UNTIL
WE ARE IN HELL!
AND WE WILL ALL STAY HERE UNTIL
WE ARE IN HELL!
AND WE WILL ALL STAY HERE UNTIL
MY FILM IS FINISHED!
AND WE WILL ALL STAY HERE UNTIL
MY FILM IS FINISHED!
AND WE WILL ALL STAY HERE UNTIL
MY FILM IS FINISHED!
[ THUNDER CRASHES ]
MY FILM IS FINISHED!
[ THUNDER CRASHES ]
MY FILM IS FINISHED!
[ THUNDER CRASHES ]
PUT YOUR THINGS AWAY.
[ THUNDER CRASHES ]
PUT YOUR THINGS AWAY.
[ THUNDER CRASHES ]
PUT YOUR THINGS AWAY.
[ DRAMATIC MUSIC PLAYS,
PUT YOUR THINGS AWAY.
[ DRAMATIC MUSIC PLAYS,
PUT YOUR THINGS AWAY.
[ DRAMATIC MUSIC PLAYS,
CHOIR SINGING INDISTINCTLY ]
[ DRAMATIC MUSIC PLAYS,
CHOIR SINGING INDISTINCTLY ]
CHOIR SINGING INDISTINCTLY ]
[ THUNDER CRASHES ]
[ THUNDER CRASHES ]
[ DRAMATIC MUSIC CONTINUES ]
[ DRAMATIC MUSIC CONTINUES ]
>> [ MOANING ]
>> OHH!
>> OHH!
>> UM, BASICALLY, I THINK THIS
>> OHH!
>> UM, BASICALLY, I THINK THIS
IS YOUR MOST BRILLIANT FILM.
>> UM, BASICALLY, I THINK THIS
IS YOUR MOST BRILLIANT FILM.
>> UM, BASICALLY, I THINK THIS
IS YOUR MOST BRILLIANT FILM.
THE SET DESIGN IS BRILLIANT,
IS YOUR MOST BRILLIANT FILM.
THE SET DESIGN IS BRILLIANT,
IS YOUR MOST BRILLIANT FILM.
THE SET DESIGN IS BRILLIANT,
FRANK IS BRILLIANT, THE SOUND
THE SET DESIGN IS BRILLIANT,
FRANK IS BRILLIANT, THE SOUND
THE SET DESIGN IS BRILLIANT,
FRANK IS BRILLIANT, THE SOUND
IS BRILLIANT, UM…
FRANK IS BRILLIANT, THE SOUND
IS BRILLIANT, UM…
FRANK IS BRILLIANT, THE SOUND
IS BRILLIANT, UM…
>> WHAT’S THE QUESTION?
IS BRILLIANT, UM…
>> WHAT’S THE QUESTION?
IS BRILLIANT, UM…
>> WHAT’S THE QUESTION?
>> UM…
>> WHAT’S THE QUESTION?
>> UM…
>> WHAT’S THE QUESTION?
>> UM…
ACTUALLY, I WAS WONDERING,
>> UM…
ACTUALLY, I WAS WONDERING,
>> UM…
ACTUALLY, I WAS WONDERING,
THAT SCENE IN THE HOSPITAL,
ACTUALLY, I WAS WONDERING,
THAT SCENE IN THE HOSPITAL,
ACTUALLY, I WAS WONDERING,
THAT SCENE IN THE HOSPITAL,
I WAS WONDERING HOW YOU SHOT
THAT SCENE IN THE HOSPITAL,
I WAS WONDERING HOW YOU SHOT
THAT SCENE IN THE HOSPITAL,
I WAS WONDERING HOW YOU SHOT
THAT.
I WAS WONDERING HOW YOU SHOT
THAT.
I WAS WONDERING HOW YOU SHOT
THAT.
>> WITH A CAMERA.
THAT.
>> WITH A CAMERA.
THAT.
>> WITH A CAMERA.
>> MR. DOMINGO, BEFORE WE
>> WITH A CAMERA.
>> MR. DOMINGO, BEFORE WE
>> WITH A CAMERA.
>> MR. DOMINGO, BEFORE WE
CONTINUE WITH THE “Q” AND “A,”
>> MR. DOMINGO, BEFORE WE
CONTINUE WITH THE “Q” AND “A,”
>> MR. DOMINGO, BEFORE WE
CONTINUE WITH THE “Q” AND “A,”
WE HAVE A LITTLE SURPRISE FOR
CONTINUE WITH THE “Q” AND “A,”
WE HAVE A LITTLE SURPRISE FOR
CONTINUE WITH THE “Q” AND “A,”
WE HAVE A LITTLE SURPRISE FOR
YOU.
WE HAVE A LITTLE SURPRISE FOR
YOU.
WE HAVE A LITTLE SURPRISE FOR
YOU.
[ DRUMROLL ]
YOU.
[ DRUMROLL ]
YOU.
[ DRUMROLL ]
[ LOUD CHEERS AND APPLAUSE ]
[ DRUMROLL ]
[ LOUD CHEERS AND APPLAUSE ]
[ LOUD CHEERS AND APPLAUSE ]
[ LAUGHTER ]
[ LAUGHTER ]
ARE THERE ANY MORE QUESTIONS
[ LAUGHTER ]
ARE THERE ANY MORE QUESTIONS
FROM THE AUDIENCE?
ARE THERE ANY MORE QUESTIONS
FROM THE AUDIENCE?
ARE THERE ANY MORE QUESTIONS
FROM THE AUDIENCE?
>> YEAH.
FROM THE AUDIENCE?
>> YEAH.
FROM THE AUDIENCE?
>> YEAH.
WHEN ARE YOU GUYS GONNA DO
>> YEAH.
WHEN ARE YOU GUYS GONNA DO
>> YEAH.
WHEN ARE YOU GUYS GONNA DO
ANOTHER FILM TOGETHER?
WHEN ARE YOU GUYS GONNA DO
ANOTHER FILM TOGETHER?
WHEN ARE YOU GUYS GONNA DO
ANOTHER FILM TOGETHER?
[ LOUD CHEERS AND APPLAUSE ]
ANOTHER FILM TOGETHER?
[ LOUD CHEERS AND APPLAUSE ]
ANOTHER FILM TOGETHER?
[ LOUD CHEERS AND APPLAUSE ]
>> [ LAUGHS ]
[ LOUD CHEERS AND APPLAUSE ]
>> [ LAUGHS ]
[ LOUD CHEERS AND APPLAUSE ]
>> [ LAUGHS ]
>> UM…
>> [ LAUGHS ]
>> UM…
>> [ LAUGHS ]
>> UM…
>> UH — [ LAUGHS ]
>> UM…
>> UH — [ LAUGHS ]
>> UM…
>> UH — [ LAUGHS ]
>> AHH…
>> UH — [ LAUGHS ]
>> AHH…
>> UH — [ LAUGHS ]
>> AHH…
>> ACTUALLY, I’M SHOOTING MY
>> AHH…
>> ACTUALLY, I’M SHOOTING MY
>> AHH…
>> ACTUALLY, I’M SHOOTING MY
SHOW PRETTY EXCLUSIVELY RIGHT
>> ACTUALLY, I’M SHOOTING MY
SHOW PRETTY EXCLUSIVELY RIGHT
>> ACTUALLY, I’M SHOOTING MY
SHOW PRETTY EXCLUSIVELY RIGHT
NOW.
SHOW PRETTY EXCLUSIVELY RIGHT
NOW.
SHOW PRETTY EXCLUSIVELY RIGHT
NOW.
MAYBE YOU’VE HEARD OF IT.
NOW.
MAYBE YOU’VE HEARD OF IT.
NOW.
MAYBE YOU’VE HEARD OF IT.
>> “LET’S GET FUCKED!”
MAYBE YOU’VE HEARD OF IT.
>> “LET’S GET FUCKED!”
MAYBE YOU’VE HEARD OF IT.
>> “LET’S GET FUCKED!”
>> [ Audience chanting ]
>> “LET’S GET FUCKED!”
>> [ Audience chanting ]
>> “LET’S GET FUCKED!”
>> [ Audience chanting ]
LET’S GET FUCKED!
>> [ Audience chanting ]
LET’S GET FUCKED!
>> [ Audience chanting ]
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
[ CHEERS AND APPLAUSE ]
LET’S GET FUCKED!
[ CHEERS AND APPLAUSE ]
LET’S GET FUCKED!
[ CHEERS AND APPLAUSE ]
>> IN FACT — IN FACT, WE ARE
[ CHEERS AND APPLAUSE ]
>> IN FACT — IN FACT, WE ARE
[ CHEERS AND APPLAUSE ]
>> IN FACT — IN FACT, WE ARE
TAPING TONIGHT GUESS WHERE?
>> IN FACT — IN FACT, WE ARE
TAPING TONIGHT GUESS WHERE?
>> IN FACT — IN FACT, WE ARE
TAPING TONIGHT GUESS WHERE?
RIGHT HERE IN PORTLAND, OREGON.
TAPING TONIGHT GUESS WHERE?
RIGHT HERE IN PORTLAND, OREGON.
TAPING TONIGHT GUESS WHERE?
RIGHT HERE IN PORTLAND, OREGON.
[ CHEERS AND APPLAUSE ]
RIGHT HERE IN PORTLAND, OREGON.
[ CHEERS AND APPLAUSE ]
RIGHT HERE IN PORTLAND, OREGON.
[ CHEERS AND APPLAUSE ]
>> [ Audience chanting ]
[ CHEERS AND APPLAUSE ]
>> [ Audience chanting ]
[ CHEERS AND APPLAUSE ]
>> [ Audience chanting ]
LET’S GET FUCKED!
>> [ Audience chanting ]
LET’S GET FUCKED!
>> [ Audience chanting ]
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
LET’S GET FUCKED!
>> HOW IS THE FAMILY?
LET’S GET FUCKED!
>> HOW IS THE FAMILY?
LET’S GET FUCKED!
>> HOW IS THE FAMILY?
>> OH, THEY ARE GREAT.
>> HOW IS THE FAMILY?
>> OH, THEY ARE GREAT.
>> HOW IS THE FAMILY?
>> OH, THEY ARE GREAT.
TAKE A LOOK AT FRANK JR.
>> OH, THEY ARE GREAT.
TAKE A LOOK AT FRANK JR.
>> OH, THEY ARE GREAT.
TAKE A LOOK AT FRANK JR.
>> OH!
TAKE A LOOK AT FRANK JR.
>> OH!
TAKE A LOOK AT FRANK JR.
>> OH!
>> [ LAUGHS ]
>> OH!
>> [ LAUGHS ]
>> OH!
>> [ LAUGHS ]
CAN YOU BELIEVE HOW BIG HE IS?
>> [ LAUGHS ]
CAN YOU BELIEVE HOW BIG HE IS?
>> [ LAUGHS ]
CAN YOU BELIEVE HOW BIG HE IS?
>> MM.
CAN YOU BELIEVE HOW BIG HE IS?
>> MM.
CAN YOU BELIEVE HOW BIG HE IS?
>> MM.
STAR QUARTERBACK, NO?
>> MM.
STAR QUARTERBACK, NO?
>> MM.
STAR QUARTERBACK, NO?
>> NO, SAFETY, ART.
STAR QUARTERBACK, NO?
>> NO, SAFETY, ART.
STAR QUARTERBACK, NO?
>> NO, SAFETY, ART.
>> HOW I ENVY YOU, FRANK.
>> NO, SAFETY, ART.
>> HOW I ENVY YOU, FRANK.
>> NO, SAFETY, ART.
>> HOW I ENVY YOU, FRANK.
A BEAUTIFUL WIFE, KIDS.
>> HOW I ENVY YOU, FRANK.
A BEAUTIFUL WIFE, KIDS.
>> HOW I ENVY YOU, FRANK.
A BEAUTIFUL WIFE, KIDS.
>> OH, I’M A LUCKY MAN, YEAH.
A BEAUTIFUL WIFE, KIDS.
>> OH, I’M A LUCKY MAN, YEAH.
A BEAUTIFUL WIFE, KIDS.
>> OH, I’M A LUCKY MAN, YEAH.
>> CAN I GET YOUR AUTOGRAPH?
>> OH, I’M A LUCKY MAN, YEAH.
>> CAN I GET YOUR AUTOGRAPH?
>> OH, I’M A LUCKY MAN, YEAH.
>> CAN I GET YOUR AUTOGRAPH?
>> SURE THING.
>> CAN I GET YOUR AUTOGRAPH?
>> SURE THING.
>> CAN I GET YOUR AUTOGRAPH?
>> SURE THING.
SO, HOW IS EVERYTHING?
>> SURE THING.
SO, HOW IS EVERYTHING?
>> SURE THING.
SO, HOW IS EVERYTHING?
I MEAN, HOW’S DORIS?

SO, HOW IS EVERYTHING?
I MEAN, HOW’S DORIS?

SO, HOW IS EVERYTHING?
I MEAN, HOW’S DORIS?
THANKS.

I MEAN, HOW’S DORIS?
THANKS.
I MEAN, HOW’S DORIS?
THANKS.
>> OH, SHE’S FINE.
THANKS.
>> OH, SHE’S FINE.
THANKS.
>> OH, SHE’S FINE.
SHE’S FINE.
>> OH, SHE’S FINE.
SHE’S FINE.
>> OH, SHE’S FINE.
SHE’S FINE.
EVERYTHING’S FINE.
SHE’S FINE.
EVERYTHING’S FINE.
SHE’S FINE.
EVERYTHING’S FINE.
[ BREATHES DEEPLY ]
EVERYTHING’S FINE.
[ BREATHES DEEPLY ]
EVERYTHING’S FINE.
[ BREATHES DEEPLY ]
IT’S SO GOOD TO SEE YOU AGAIN,
[ BREATHES DEEPLY ]
IT’S SO GOOD TO SEE YOU AGAIN,
[ BREATHES DEEPLY ]
IT’S SO GOOD TO SEE YOU AGAIN,
MY FRIEND.
IT’S SO GOOD TO SEE YOU AGAIN,
MY FRIEND.
IT’S SO GOOD TO SEE YOU AGAIN,
MY FRIEND.
>> IT’S BEEN TOO LONG.
MY FRIEND.
>> IT’S BEEN TOO LONG.
MY FRIEND.
>> IT’S BEEN TOO LONG.
YOU KNOW WHAT I MEAN?
>> IT’S BEEN TOO LONG.
YOU KNOW WHAT I MEAN?
>> IT’S BEEN TOO LONG.
YOU KNOW WHAT I MEAN?
>> YO, FRANK.
YOU KNOW WHAT I MEAN?
>> YO, FRANK.
YOU KNOW WHAT I MEAN?
>> YO, FRANK.
I CANNOT BELIEVE THIS.
>> YO, FRANK.
I CANNOT BELIEVE THIS.
>> YO, FRANK.
I CANNOT BELIEVE THIS.
YOU THE MAN.
I CANNOT BELIEVE THIS.
YOU THE MAN.
I CANNOT BELIEVE THIS.
YOU THE MAN.
YOU THE BEST THERE IS, FRANK.
YOU THE MAN.
YOU THE BEST THERE IS, FRANK.
YOU THE MAN.
YOU THE BEST THERE IS, FRANK.
YOU MY NIGGER.
YOU THE BEST THERE IS, FRANK.
YOU MY NIGGER.
YOU THE BEST THERE IS, FRANK.
YOU MY NIGGER.
ARTURO, CAN YOU SNAP A FEW OF
YOU MY NIGGER.
ARTURO, CAN YOU SNAP A FEW OF
YOU MY NIGGER.
ARTURO, CAN YOU SNAP A FEW OF
ME AND MY DOG?
ARTURO, CAN YOU SNAP A FEW OF
ME AND MY DOG?
ARTURO, CAN YOU SNAP A FEW OF
ME AND MY DOG?
>> FRANK, DO THE…
ME AND MY DOG?
>> FRANK, DO THE…
>> FRANK, DO THE…
>> [ CHUCKLES ]
>> [ CHUCKLES ]
[ CAMERA SHUTTER CLICKS ]
>> [ CHUCKLES ]
[ CAMERA SHUTTER CLICKS ]
SO, UH, YOU ARE JUST IN TOWN
[ CAMERA SHUTTER CLICKS ]
SO, UH, YOU ARE JUST IN TOWN
[ CAMERA SHUTTER CLICKS ]
SO, UH, YOU ARE JUST IN TOWN
FOR YOUR SHOOT, NOT TO SEE MY —
SO, UH, YOU ARE JUST IN TOWN
FOR YOUR SHOOT, NOT TO SEE MY —
SO, UH, YOU ARE JUST IN TOWN
FOR YOUR SHOOT, NOT TO SEE MY —
THE TRIBUTE.
FOR YOUR SHOOT, NOT TO SEE MY —
THE TRIBUTE.
FOR YOUR SHOOT, NOT TO SEE MY —
THE TRIBUTE.
>> WELL, I MEAN, YEAH, BUT
THE TRIBUTE.
>> WELL, I MEAN, YEAH, BUT
THE TRIBUTE.
>> WELL, I MEAN, YEAH, BUT
I TOTALLY CHANGED MY SHOOT
>> WELL, I MEAN, YEAH, BUT
I TOTALLY CHANGED MY SHOOT
>> WELL, I MEAN, YEAH, BUT
I TOTALLY CHANGED MY SHOOT
SCHEDULE AROUND SO THAT I COULD
I TOTALLY CHANGED MY SHOOT
SCHEDULE AROUND SO THAT I COULD
I TOTALLY CHANGED MY SHOOT
SCHEDULE AROUND SO THAT I COULD
COME TO THE SCREENING TONIGHT.
SCHEDULE AROUND SO THAT I COULD
COME TO THE SCREENING TONIGHT.
SCHEDULE AROUND SO THAT I COULD
COME TO THE SCREENING TONIGHT.
>> AH.
COME TO THE SCREENING TONIGHT.
>> AH.
COME TO THE SCREENING TONIGHT.
>> AH.
>> YEAH.
>> AH.
>> YEAH.
>> AH.
>> YEAH.
>> HEY, WHY DON’T YOU COME DOWN
>> YEAH.
>> HEY, WHY DON’T YOU COME DOWN
>> YEAH.
>> HEY, WHY DON’T YOU COME DOWN
TO THE SET WITH ME?
>> HEY, WHY DON’T YOU COME DOWN
TO THE SET WITH ME?
>> HEY, WHY DON’T YOU COME DOWN
TO THE SET WITH ME?
>> NO.
TO THE SET WITH ME?
>> NO.
TO THE SET WITH ME?
>> NO.
>> YES.
>> NO.
>> YES.
>> NO.
>> YES.
JANICE IS GONNA BE THERE, AND
>> YES.
JANICE IS GONNA BE THERE, AND
>> YES.
JANICE IS GONNA BE THERE, AND
SHE SURE WOULD LOVE TO SEE YOU.
JANICE IS GONNA BE THERE, AND
SHE SURE WOULD LOVE TO SEE YOU.
JANICE IS GONNA BE THERE, AND
SHE SURE WOULD LOVE TO SEE YOU.
RON! WHAT THE —
SHE SURE WOULD LOVE TO SEE YOU.
RON! WHAT THE —
SHE SURE WOULD LOVE TO SEE YOU.
RON! WHAT THE —
>> FRANKIE!
RON! WHAT THE —
>> FRANKIE!
RON! WHAT THE —
>> FRANKIE!
>> [ Chuckling ] HEY!
>> FRANKIE!
>> [ Chuckling ] HEY!
>> FRANKIE!
>> [ Chuckling ] HEY!
>> [ Chuckling ] HEY.
>> [ Chuckling ] HEY!
>> [ Chuckling ] HEY.
>> [ Chuckling ] HEY!
>> [ Chuckling ] HEY.
>> HA HA HA!
>> [ Chuckling ] HEY.
>> HA HA HA!
>> [ Chuckling ] HEY.
>> HA HA HA!
OH, MY GOD!
>> HA HA HA!
OH, MY GOD!
>> HA HA HA!
OH, MY GOD!
IT’S SO GOOD TO SEE YOU!
OH, MY GOD!
IT’S SO GOOD TO SEE YOU!
OH, MY GOD!
IT’S SO GOOD TO SEE YOU!
>> RON.
IT’S SO GOOD TO SEE YOU!
>> RON.
IT’S SO GOOD TO SEE YOU!
>> RON.
>> ARTURO.
>> RON.
>> ARTURO.
>> RON.
>> ARTURO.
>> RIGHT.
>> ARTURO.
>> RIGHT.
>> ARTURO.
>> RIGHT.
>> MAN, LOOK AT YOU.
>> RIGHT.
>> MAN, LOOK AT YOU.
>> RIGHT.
>> MAN, LOOK AT YOU.
>> WHAT ARE YOU DOING IN
>> MAN, LOOK AT YOU.
>> WHAT ARE YOU DOING IN
>> MAN, LOOK AT YOU.
>> WHAT ARE YOU DOING IN
PORTLAND?
>> WHAT ARE YOU DOING IN
PORTLAND?
>> WHAT ARE YOU DOING IN
PORTLAND?
>> I’M DOING AN APPEARANCE AT
PORTLAND?
>> I’M DOING AN APPEARANCE AT
PORTLAND?
>> I’M DOING AN APPEARANCE AT
A CLUB CALLED ACE OF HEARTS.
>> I’M DOING AN APPEARANCE AT
A CLUB CALLED ACE OF HEARTS.
>> I’M DOING AN APPEARANCE AT
A CLUB CALLED ACE OF HEARTS.
IT’S A SWING CLUB.
A CLUB CALLED ACE OF HEARTS.
IT’S A SWING CLUB.
A CLUB CALLED ACE OF HEARTS.
IT’S A SWING CLUB.
MAKING MONEY, SIGNING
IT’S A SWING CLUB.
MAKING MONEY, SIGNING
IT’S A SWING CLUB.
MAKING MONEY, SIGNING
AUTOGRAPHS, HAVING SEX WITH
MAKING MONEY, SIGNING
AUTOGRAPHS, HAVING SEX WITH
MAKING MONEY, SIGNING
AUTOGRAPHS, HAVING SEX WITH
GORGEOUS GIRLS.
AUTOGRAPHS, HAVING SEX WITH
GORGEOUS GIRLS.
AUTOGRAPHS, HAVING SEX WITH
GORGEOUS GIRLS.
>> WHAT ELSE?
GORGEOUS GIRLS.
>> WHAT ELSE?
GORGEOUS GIRLS.
>> WHAT ELSE?
>> [ LAUGHS ]
>> WHAT ELSE?
>> [ LAUGHS ]
>> WHAT ELSE?
>> [ LAUGHS ]
>> MAN, YOU ARE KILLING ME!
>> [ LAUGHS ]
>> MAN, YOU ARE KILLING ME!
>> [ LAUGHS ]
>> MAN, YOU ARE KILLING ME!
I’M WATCHING YOU EVERY EPISODE.
>> MAN, YOU ARE KILLING ME!
I’M WATCHING YOU EVERY EPISODE.
>> MAN, YOU ARE KILLING ME!
I’M WATCHING YOU EVERY EPISODE.
>> STOP IT.
I’M WATCHING YOU EVERY EPISODE.
>> STOP IT.
I’M WATCHING YOU EVERY EPISODE.
>> STOP IT.
>> YOUR REALITY SHOW —
>> STOP IT.
>> YOUR REALITY SHOW —
>> STOP IT.
>> YOUR REALITY SHOW —
I LOVE THAT THING!
>> YOUR REALITY SHOW —
I LOVE THAT THING!
>> YOUR REALITY SHOW —
I LOVE THAT THING!
GREAT CAREER MOVE.
I LOVE THAT THING!
GREAT CAREER MOVE.
I LOVE THAT THING!
GREAT CAREER MOVE.
>> OH, THANKS.
GREAT CAREER MOVE.
>> OH, THANKS.
GREAT CAREER MOVE.
>> OH, THANKS.
YOU KNOW WHAT?
>> OH, THANKS.
YOU KNOW WHAT?
>> OH, THANKS.
YOU KNOW WHAT?
I WOULD NOT BE WHERE I AM TODAY
YOU KNOW WHAT?
I WOULD NOT BE WHERE I AM TODAY
YOU KNOW WHAT?
I WOULD NOT BE WHERE I AM TODAY
IF IT WEREN’T FOR YOU, RON,
I WOULD NOT BE WHERE I AM TODAY
IF IT WEREN’T FOR YOU, RON,
I WOULD NOT BE WHERE I AM TODAY
IF IT WEREN’T FOR YOU, RON,
AND I MEAN THAT, HONESTLY.
IF IT WEREN’T FOR YOU, RON,
AND I MEAN THAT, HONESTLY.
IF IT WEREN’T FOR YOU, RON,
AND I MEAN THAT, HONESTLY.
>> YOU’RE A LIAR.
AND I MEAN THAT, HONESTLY.
>> YOU’RE A LIAR.
AND I MEAN THAT, HONESTLY.
>> YOU’RE A LIAR.
>> NO, FROM THE BOTTOM OF
>> YOU’RE A LIAR.
>> NO, FROM THE BOTTOM OF
>> YOU’RE A LIAR.
>> NO, FROM THE BOTTOM OF
MY HEART.
>> NO, FROM THE BOTTOM OF
MY HEART.
>> NO, FROM THE BOTTOM OF
MY HEART.
>> OH, THANK YOU.
MY HEART.
>> OH, THANK YOU.
MY HEART.
>> OH, THANK YOU.
WE GOT TO GET TOGETHER.
>> OH, THANK YOU.
WE GOT TO GET TOGETHER.
>> OH, THANK YOU.
WE GOT TO GET TOGETHER.
>> YES! NEXT WEEKEND MAYBE.
WE GOT TO GET TOGETHER.
>> YES! NEXT WEEKEND MAYBE.
WE GOT TO GET TOGETHER.
>> YES! NEXT WEEKEND MAYBE.
>> DONE! DON’T FORGET.
>> YES! NEXT WEEKEND MAYBE.
>> DONE! DON’T FORGET.
>> YES! NEXT WEEKEND MAYBE.
>> DONE! DON’T FORGET.
GREAT, MAN!
>> DONE! DON’T FORGET.
GREAT, MAN!
>> DONE! DON’T FORGET.
GREAT, MAN!
>> YEAH. [ LAUGHS ]
GREAT, MAN!
>> YEAH. [ LAUGHS ]
GREAT, MAN!
>> YEAH. [ LAUGHS ]
>> ARTURO.
>> YEAH. [ LAUGHS ]
>> ARTURO.
>> YEAH. [ LAUGHS ]
>> ARTURO.
>> [ CHUCKLES ]
>> ARTURO.
>> [ CHUCKLES ]
>> ARTURO.
>> [ CHUCKLES ]
>> SO, THIS IS IT.
>> [ CHUCKLES ]
>> SO, THIS IS IT.
>> [ CHUCKLES ]
>> SO, THIS IS IT.
THIS IS EVERYTHING.
>> SO, THIS IS IT.
THIS IS EVERYTHING.
>> SO, THIS IS IT.
THIS IS EVERYTHING.
>> YEAH, THIS IS ALL YOU NEED,
THIS IS EVERYTHING.
>> YEAH, THIS IS ALL YOU NEED,
THIS IS EVERYTHING.
>> YEAH, THIS IS ALL YOU NEED,
ART — TWO CAMERAS, A COUPLE
>> YEAH, THIS IS ALL YOU NEED,
ART — TWO CAMERAS, A COUPLE
>> YEAH, THIS IS ALL YOU NEED,
ART — TWO CAMERAS, A COUPLE
GUYS, SOME LIGHTS.
ART — TWO CAMERAS, A COUPLE
GUYS, SOME LIGHTS.
ART — TWO CAMERAS, A COUPLE
GUYS, SOME LIGHTS.
WE SHOOT FOR AN HOUR.
GUYS, SOME LIGHTS.
WE SHOOT FOR AN HOUR.
GUYS, SOME LIGHTS.
WE SHOOT FOR AN HOUR.
I CAN CUT IT IN 10 MINUTES.
WE SHOOT FOR AN HOUR.
I CAN CUT IT IN 10 MINUTES.
WE SHOOT FOR AN HOUR.
I CAN CUT IT IN 10 MINUTES.
IT’S GREAT.
I CAN CUT IT IN 10 MINUTES.
IT’S GREAT.
I CAN CUT IT IN 10 MINUTES.
IT’S GREAT.
>> HI.
IT’S GREAT.
>> HI.
IT’S GREAT.
>> HI.
>> HI.
>> HI.
>> HI.
>> HI.
>> HI.
HOW ARE YOU?
>> HI.
HOW ARE YOU?
>> HI.
HOW ARE YOU?
>> FINE.
HOW ARE YOU?
>> FINE.
HOW ARE YOU?
>> FINE.
I’M SHAUNA.
>> FINE.
I’M SHAUNA.
>> FINE.
I’M SHAUNA.
>> OH, NICE TO MEET YOU, SHAUNA.
I’M SHAUNA.
>> OH, NICE TO MEET YOU, SHAUNA.
I’M SHAUNA.
>> OH, NICE TO MEET YOU, SHAUNA.
MY NAME’S FRANK.
>> OH, NICE TO MEET YOU, SHAUNA.
MY NAME’S FRANK.
>> OH, NICE TO MEET YOU, SHAUNA.
MY NAME’S FRANK.
>> NICE TO MEET YOU.
MY NAME’S FRANK.
>> NICE TO MEET YOU.
MY NAME’S FRANK.
>> NICE TO MEET YOU.
>> IF YOU WOULDN’T MIND JUST
>> NICE TO MEET YOU.
>> IF YOU WOULDN’T MIND JUST
>> NICE TO MEET YOU.
>> IF YOU WOULDN’T MIND JUST
HEADING OVER TO THE CHAIR THERE,
>> IF YOU WOULDN’T MIND JUST
HEADING OVER TO THE CHAIR THERE,
>> IF YOU WOULDN’T MIND JUST
HEADING OVER TO THE CHAIR THERE,
AND, UM, PROBABLY GET YOU ON
HEADING OVER TO THE CHAIR THERE,
AND, UM, PROBABLY GET YOU ON
HEADING OVER TO THE CHAIR THERE,
AND, UM, PROBABLY GET YOU ON
ALL FOURS FOR STARTERS IF THAT’S
AND, UM, PROBABLY GET YOU ON
ALL FOURS FOR STARTERS IF THAT’S
AND, UM, PROBABLY GET YOU ON
ALL FOURS FOR STARTERS IF THAT’S
OKAY WITH YOU.
ALL FOURS FOR STARTERS IF THAT’S
OKAY WITH YOU.
ALL FOURS FOR STARTERS IF THAT’S
OKAY WITH YOU.
>> SOUNDS GREAT.
OKAY WITH YOU.
>> SOUNDS GREAT.
OKAY WITH YOU.
>> SOUNDS GREAT.
>> GREAT.
>> SOUNDS GREAT.
>> GREAT.
>> SOUNDS GREAT.
>> GREAT.
I’LL BE THERE IN A SECOND.
>> GREAT.
I’LL BE THERE IN A SECOND.
>> GREAT.
I’LL BE THERE IN A SECOND.
[ LAUGHS ]
I’LL BE THERE IN A SECOND.
[ LAUGHS ]
I’LL BE THERE IN A SECOND.
[ LAUGHS ]
YOU GONNA STICK AROUND FOR
[ LAUGHS ]
YOU GONNA STICK AROUND FOR
[ LAUGHS ]
YOU GONNA STICK AROUND FOR
A LITTLE BIT?
YOU GONNA STICK AROUND FOR
A LITTLE BIT?
YOU GONNA STICK AROUND FOR
A LITTLE BIT?
>> OKAY.
A LITTLE BIT?
>> OKAY.
A LITTLE BIT?
>> OKAY.
>> YEAH, GOOD.
>> OKAY.
>> YEAH, GOOD.
>> OKAY.
>> YEAH, GOOD.
“G,” GO AHEAD AND ROLL IT.
>> YEAH, GOOD.
“G,” GO AHEAD AND ROLL IT.
>> YEAH, GOOD.
“G,” GO AHEAD AND ROLL IT.
>> ♪ MOST LIKELY THEN ♪
“G,” GO AHEAD AND ROLL IT.
>> ♪ MOST LIKELY THEN ♪
“G,” GO AHEAD AND ROLL IT.
>> ♪ MOST LIKELY THEN ♪
>> OH, FRANK.
>> ♪ MOST LIKELY THEN ♪
>> OH, FRANK.
>> ♪ MOST LIKELY THEN ♪
>> OH, FRANK.
>> ♪ YOU’LL MEET SOMEONE
>> OH, FRANK.
>> ♪ YOU’LL MEET SOMEONE
>> OH, FRANK.
>> ♪ YOU’LL MEET SOMEONE
TO LOVE ♪
>> ♪ YOU’LL MEET SOMEONE
TO LOVE ♪
>> ♪ YOU’LL MEET SOMEONE
TO LOVE ♪
>> DID YOU KNOW THAT PORTLAND,
TO LOVE ♪
>> DID YOU KNOW THAT PORTLAND,
TO LOVE ♪
>> DID YOU KNOW THAT PORTLAND,
OREGON, WAS VOTED THE MOST
>> DID YOU KNOW THAT PORTLAND,
OREGON, WAS VOTED THE MOST
>> DID YOU KNOW THAT PORTLAND,
OREGON, WAS VOTED THE MOST
BIKE-FRIENDLY TOWN BY
OREGON, WAS VOTED THE MOST
BIKE-FRIENDLY TOWN BY
OREGON, WAS VOTED THE MOST
BIKE-FRIENDLY TOWN BY
OUTDOOR VISION MAGAZINE?
BIKE-FRIENDLY TOWN BY
OUTDOOR VISION MAGAZINE?
BIKE-FRIENDLY TOWN BY
OUTDOOR VISION MAGAZINE?
WHOA.
OUTDOOR VISION MAGAZINE?
WHOA.

OUTDOOR VISION MAGAZINE?
WHOA.
>> ♪ YOU’RE HAVING AN UP DAY ♪

WHOA.
>> ♪ YOU’RE HAVING AN UP DAY ♪
WHOA.
>> ♪ YOU’RE HAVING AN UP DAY ♪
♪ QUITE POSSIBLY ♪
>> ♪ YOU’RE HAVING AN UP DAY ♪
♪ QUITE POSSIBLY ♪
>> ♪ YOU’RE HAVING AN UP DAY ♪
♪ QUITE POSSIBLY ♪
♪ YOU’LL MEET SOMEONE TO LOVE ♪
♪ QUITE POSSIBLY ♪
♪ YOU’LL MEET SOMEONE TO LOVE ♪
♪ QUITE POSSIBLY ♪
♪ YOU’LL MEET SOMEONE TO LOVE ♪
>> BOOM-BA-BOOM-BOOM.
♪ YOU’LL MEET SOMEONE TO LOVE ♪
>> BOOM-BA-BOOM-BOOM.
♪ YOU’LL MEET SOMEONE TO LOVE ♪
>> BOOM-BA-BOOM-BOOM.
>> OH!
>> BOOM-BA-BOOM-BOOM.
>> OH!
>> BOOM-BA-BOOM-BOOM.
>> OH!
>> [ LAUGHS ]
>> OH!
>> [ LAUGHS ]
>> OH!
>> [ LAUGHS ]
SEE, THAT’S MONTGOMERY PARK
>> [ LAUGHS ]
SEE, THAT’S MONTGOMERY PARK
>> [ LAUGHS ]
SEE, THAT’S MONTGOMERY PARK
RIGHT OVER THERE.
SEE, THAT’S MONTGOMERY PARK
RIGHT OVER THERE.
SEE, THAT’S MONTGOMERY PARK
RIGHT OVER THERE.
>> [ BREATHES HEAVILY ]
RIGHT OVER THERE.
>> [ BREATHES HEAVILY ]
RIGHT OVER THERE.
>> [ BREATHES HEAVILY ]
>> AHH!
>> [ BREATHES HEAVILY ]
>> AHH!
>> [ BREATHES HEAVILY ]
>> AHH!
WELCOME TO PORTLAND!
>> AHH!
WELCOME TO PORTLAND!
>> AHH!
WELCOME TO PORTLAND!
WHOO!
WELCOME TO PORTLAND!
WHOO!
WELCOME TO PORTLAND!
WHOO!
SS-SS-SS-SS-SS!
WHOO!
SS-SS-SS-SS-SS!
WHOO!
SS-SS-SS-SS-SS!
ONE OF THESE BULBS IS OUT, “G.”
SS-SS-SS-SS-SS!
ONE OF THESE BULBS IS OUT, “G.”
SS-SS-SS-SS-SS!
ONE OF THESE BULBS IS OUT, “G.”
[ WAGNER’S “THE RIDE OF
ONE OF THESE BULBS IS OUT, “G.”
[ WAGNER’S “THE RIDE OF
ONE OF THESE BULBS IS OUT, “G.”
[ WAGNER’S “THE RIDE OF
THE VALKYRIES” PLAYS ]
[ WAGNER’S “THE RIDE OF
THE VALKYRIES” PLAYS ]
THE VALKYRIES” PLAYS ]
[ LAUGHS ]
[ LAUGHS ]
[ THUNDER CRASHES ]
[ LAUGHS ]
[ THUNDER CRASHES ]
[ “THE RIDE OF THE VALKYRIES”
[ THUNDER CRASHES ]
[ “THE RIDE OF THE VALKYRIES”
[ THUNDER CRASHES ]
[ “THE RIDE OF THE VALKYRIES”
CONTINUES ]
[ “THE RIDE OF THE VALKYRIES”
CONTINUES ]
CONTINUES ]
>> AND CUT.
>> AND CUT.
BEAUTIFUL.
>> AND CUT.
BEAUTIFUL.
ACTORS, TAKE A BREAK WHILE WE
BEAUTIFUL.
ACTORS, TAKE A BREAK WHILE WE
BEAUTIFUL.
ACTORS, TAKE A BREAK WHILE WE
SET UP FOR THE POP SHOT.
ACTORS, TAKE A BREAK WHILE WE
SET UP FOR THE POP SHOT.
ACTORS, TAKE A BREAK WHILE WE
SET UP FOR THE POP SHOT.
THIS IS SOME OF YOUR BEST WORK.
SET UP FOR THE POP SHOT.
THIS IS SOME OF YOUR BEST WORK.
SET UP FOR THE POP SHOT.
THIS IS SOME OF YOUR BEST WORK.
>> OH, THANKS, ARTIE.
THIS IS SOME OF YOUR BEST WORK.
>> OH, THANKS, ARTIE.
THIS IS SOME OF YOUR BEST WORK.
>> OH, THANKS, ARTIE.
APPRECIATE IT.
>> OH, THANKS, ARTIE.
APPRECIATE IT.
>> OH, THANKS, ARTIE.
APPRECIATE IT.
>> THIS WILL BE OUR CROWNING
APPRECIATE IT.
>> THIS WILL BE OUR CROWNING
APPRECIATE IT.
>> THIS WILL BE OUR CROWNING
ACHIEVEMENT.
>> THIS WILL BE OUR CROWNING
ACHIEVEMENT.
>> THIS WILL BE OUR CROWNING
ACHIEVEMENT.
>> IT FEELS LIKE IT.
ACHIEVEMENT.
>> IT FEELS LIKE IT.
ACHIEVEMENT.
>> IT FEELS LIKE IT.
IT FEELS GREAT.
>> IT FEELS LIKE IT.
IT FEELS GREAT.
>> IT FEELS LIKE IT.
IT FEELS GREAT.
I DON’T KNOW WHO SHE IS, BUT…
IT FEELS GREAT.
I DON’T KNOW WHO SHE IS, BUT…
IT FEELS GREAT.
I DON’T KNOW WHO SHE IS, BUT…
THANK YOU VERY MUCH!
I DON’T KNOW WHO SHE IS, BUT…
THANK YOU VERY MUCH!
I DON’T KNOW WHO SHE IS, BUT…
THANK YOU VERY MUCH!
THANKS.
THANK YOU VERY MUCH!
THANKS.
THANK YOU VERY MUCH!
THANKS.
>> [ LAUGHS ]
THANKS.
>> [ LAUGHS ]
THANKS.
>> [ LAUGHS ]
>> MY GOD.
>> [ LAUGHS ]
>> MY GOD.
>> [ LAUGHS ]
>> MY GOD.
SHE JUST GOT ME SO WORKED UP.
>> MY GOD.
SHE JUST GOT ME SO WORKED UP.
>> MY GOD.
SHE JUST GOT ME SO WORKED UP.
SHE’S TERRIFIC.
SHE JUST GOT ME SO WORKED UP.
SHE’S TERRIFIC.
SHE JUST GOT ME SO WORKED UP.
SHE’S TERRIFIC.
>> BE RIGHT BACK.
SHE’S TERRIFIC.
>> BE RIGHT BACK.
SHE’S TERRIFIC.
>> BE RIGHT BACK.
>> OKAY.
>> BE RIGHT BACK.
>> OKAY.
>> BE RIGHT BACK.
>> OKAY.
GOOD WORK, EVERYBODY.
>> OKAY.
GOOD WORK, EVERYBODY.
GOOD WORK, EVERYBODY.
[ THUNDER CRASHING ]
>> OH.
>> OH.
HELLO.
>> OH.
HELLO.
I MUST SAY, YOU ARE GIVING
HELLO.
I MUST SAY, YOU ARE GIVING
HELLO.
I MUST SAY, YOU ARE GIVING
A STELLAR PERFORMANCE TONIGHT,
I MUST SAY, YOU ARE GIVING
A STELLAR PERFORMANCE TONIGHT,
I MUST SAY, YOU ARE GIVING
A STELLAR PERFORMANCE TONIGHT,
MISS.
A STELLAR PERFORMANCE TONIGHT,
MISS.
A STELLAR PERFORMANCE TONIGHT,
MISS.
I KNOW FRANK IS VERY —
MISS.
I KNOW FRANK IS VERY —
MISS.
I KNOW FRANK IS VERY —
[ CHOIR SINGING INDISTINCTLY ]
I KNOW FRANK IS VERY —
[ CHOIR SINGING INDISTINCTLY ]
I KNOW FRANK IS VERY —
[ CHOIR SINGING INDISTINCTLY ]
>> [ Echoing ] AAAAAAAAAAAAAAAH!
[ CHOIR SINGING INDISTINCTLY ]
>> [ Echoing ] AAAAAAAAAAAAAAAH!
[ CHOIR SINGING INDISTINCTLY ]
>> [ Echoing ] AAAAAAAAAAAAAAAH!
[ SIRENS WAIL IN DISTANCE ]
>> [ Echoing ] AAAAAAAAAAAAAAAH!
[ SIRENS WAIL IN DISTANCE ]
>> [ Echoing ] AAAAAAAAAAAAAAAH!
[ SIRENS WAIL IN DISTANCE ]
>> OH, I LOVE YOUR WIENER!
[ SIRENS WAIL IN DISTANCE ]
>> OH, I LOVE YOUR WIENER!
[ SIRENS WAIL IN DISTANCE ]
>> OH, I LOVE YOUR WIENER!
>> YEAH.
>> OH, I LOVE YOUR WIENER!
>> YEAH.
>> OH, I LOVE YOUR WIENER!
>> YEAH.
>> OH, WE’RE FILMING!
>> YEAH.
>> OH, WE’RE FILMING!
>> YEAH.
>> OH, WE’RE FILMING!
>> WE GOT IT! WE GOT IT!
>> OH, WE’RE FILMING!
>> WE GOT IT! WE GOT IT!
>> OH, WE’RE FILMING!
>> WE GOT IT! WE GOT IT!
>> OH!
>> WE GOT IT! WE GOT IT!
>> OH!
>> WE GOT IT! WE GOT IT!
>> OH!
OH!
>> OH!
OH!
OH!
>> ARTURO DOMINGO, IS THAT YOU?
>> ARTURO DOMINGO, IS THAT YOU?
>> OH, MY, JANICE.
>> ARTURO DOMINGO, IS THAT YOU?
>> OH, MY, JANICE.
[ LOUD SMOOCHES ]
>> OH, MY, JANICE.
[ LOUD SMOOCHES ]
>> OH, MY, JANICE.
[ LOUD SMOOCHES ]
AH.
[ LOUD SMOOCHES ]
AH.
[ LOUD SMOOCHES ]
AH.
SO LOVELY TO SEE YOU.
AH.
SO LOVELY TO SEE YOU.
AH.
SO LOVELY TO SEE YOU.
>> CONGRATS ON THE TRIBUTE!
SO LOVELY TO SEE YOU.
>> CONGRATS ON THE TRIBUTE!
SO LOVELY TO SEE YOU.
>> CONGRATS ON THE TRIBUTE!
I’M SORRY I COULDN’T MAKE IT
>> CONGRATS ON THE TRIBUTE!
I’M SORRY I COULDN’T MAKE IT
>> CONGRATS ON THE TRIBUTE!
I’M SORRY I COULDN’T MAKE IT
THERE TODAY, BUT I’M
I’M SORRY I COULDN’T MAKE IT
THERE TODAY, BUT I’M
I’M SORRY I COULDN’T MAKE IT
THERE TODAY, BUT I’M
HOMESCHOOLING THE TWINS.
THERE TODAY, BUT I’M
HOMESCHOOLING THE TWINS.
THERE TODAY, BUT I’M
HOMESCHOOLING THE TWINS.
>> IT’S FINE.
HOMESCHOOLING THE TWINS.
>> IT’S FINE.
HOMESCHOOLING THE TWINS.
>> IT’S FINE.
>> SO, HOW ARE YOU?
>> IT’S FINE.
>> SO, HOW ARE YOU?
>> IT’S FINE.
>> SO, HOW ARE YOU?
>> I’M FINE.
>> SO, HOW ARE YOU?
>> I’M FINE.
>> SO, HOW ARE YOU?
>> I’M FINE.
I, UM — EVERYTHING’S FINE.
>> I’M FINE.
I, UM — EVERYTHING’S FINE.
>> I’M FINE.
I, UM — EVERYTHING’S FINE.
YES.
I, UM — EVERYTHING’S FINE.
YES.
I, UM — EVERYTHING’S FINE.
YES.
HOW ARE YOU?
YES.
HOW ARE YOU?
YES.
HOW ARE YOU?
>> OH, ARTURO, THINGS COULDN’T
HOW ARE YOU?
>> OH, ARTURO, THINGS COULDN’T
HOW ARE YOU?
>> OH, ARTURO, THINGS COULDN’T
BE BETTER.
>> OH, ARTURO, THINGS COULDN’T
BE BETTER.
>> OH, ARTURO, THINGS COULDN’T
BE BETTER.
WE’RE GREAT.
BE BETTER.
WE’RE GREAT.
BE BETTER.
WE’RE GREAT.
FRANK’S SCHEDULE CAN REALLY TAKE
WE’RE GREAT.
FRANK’S SCHEDULE CAN REALLY TAKE
WE’RE GREAT.
FRANK’S SCHEDULE CAN REALLY TAKE
ITS TOLL — YOU KNOW, CITY AFTER
FRANK’S SCHEDULE CAN REALLY TAKE
ITS TOLL — YOU KNOW, CITY AFTER
FRANK’S SCHEDULE CAN REALLY TAKE
ITS TOLL — YOU KNOW, CITY AFTER
CITY, ALWAYS ON THE ROAD, BUT
ITS TOLL — YOU KNOW, CITY AFTER
CITY, ALWAYS ON THE ROAD, BUT
ITS TOLL — YOU KNOW, CITY AFTER
CITY, ALWAYS ON THE ROAD, BUT
THE SHOW IS REALLY TAKING OFF,
CITY, ALWAYS ON THE ROAD, BUT
THE SHOW IS REALLY TAKING OFF,
CITY, ALWAYS ON THE ROAD, BUT
THE SHOW IS REALLY TAKING OFF,
SO IT’S ALL BEEN WORTH IT.
THE SHOW IS REALLY TAKING OFF,
SO IT’S ALL BEEN WORTH IT.
THE SHOW IS REALLY TAKING OFF,
SO IT’S ALL BEEN WORTH IT.
>> OHH, THAT’S VERY, VERY GREAT.
SO IT’S ALL BEEN WORTH IT.
>> OHH, THAT’S VERY, VERY GREAT.
SO IT’S ALL BEEN WORTH IT.
>> OHH, THAT’S VERY, VERY GREAT.
>> LOOK AT THAT ASS.
>> OHH, THAT’S VERY, VERY GREAT.
>> LOOK AT THAT ASS.
>> OHH, THAT’S VERY, VERY GREAT.
>> LOOK AT THAT ASS.
STILL TIGHT AS EVER, ISN’T IT?
>> LOOK AT THAT ASS.
STILL TIGHT AS EVER, ISN’T IT?
>> LOOK AT THAT ASS.
STILL TIGHT AS EVER, ISN’T IT?
>> [ MOANING ]
STILL TIGHT AS EVER, ISN’T IT?
>> [ MOANING ]
STILL TIGHT AS EVER, ISN’T IT?
>> [ MOANING ]
>> YEAH.
>> [ MOANING ]
>> YEAH.
>> [ MOANING ]
>> YEAH.
>> TAKE FIVE, EVERYBODY!
>> YEAH.
>> TAKE FIVE, EVERYBODY!
>> YEAH.
>> TAKE FIVE, EVERYBODY!
>> MM.
>> TAKE FIVE, EVERYBODY!
>> MM.
>> MM.
>> HEY, BABE.
>> HEY, BABE.
>> HI, HON.
>> HEY, BABE.
>> HI, HON.
>> HOW ARE YOU?
>> HI, HON.
>> HOW ARE YOU?
>> HI, HON.
>> HOW ARE YOU?
>> GOOD.
>> HOW ARE YOU?
>> GOOD.
>> HOW ARE YOU?
>> GOOD.
>> GOOD TO SEE YOU.
>> GOOD.
>> GOOD TO SEE YOU.
>> GOOD.
>> GOOD TO SEE YOU.
HOW ABOUT THIS GUY, HUH?
>> GOOD TO SEE YOU.
HOW ABOUT THIS GUY, HUH?
>> GOOD TO SEE YOU.
HOW ABOUT THIS GUY, HUH?
DOESN’T HE LOOK GREAT?
HOW ABOUT THIS GUY, HUH?
DOESN’T HE LOOK GREAT?
HOW ABOUT THIS GUY, HUH?
DOESN’T HE LOOK GREAT?
>> HE SURE DOES.
DOESN’T HE LOOK GREAT?
>> HE SURE DOES.
DOESN’T HE LOOK GREAT?
>> HE SURE DOES.
>> THAT EXTRA WEIGHT LOOKS GOOD
>> HE SURE DOES.
>> THAT EXTRA WEIGHT LOOKS GOOD
>> HE SURE DOES.
>> THAT EXTRA WEIGHT LOOKS GOOD
ON HIM.
>> THAT EXTRA WEIGHT LOOKS GOOD
ON HIM.
>> THAT EXTRA WEIGHT LOOKS GOOD
ON HIM.
>> MM-HMM.
ON HIM.
>> MM-HMM.
ON HIM.
>> MM-HMM.
>> [ LAUGHS ]
>> MM-HMM.
>> [ LAUGHS ]
>> MM-HMM.
>> [ LAUGHS ]
HEY, JANICE, DO YOU WANT TO JOIN
>> [ LAUGHS ]
HEY, JANICE, DO YOU WANT TO JOIN
>> [ LAUGHS ]
HEY, JANICE, DO YOU WANT TO JOIN
ARTIE AND ME?
HEY, JANICE, DO YOU WANT TO JOIN
ARTIE AND ME?
HEY, JANICE, DO YOU WANT TO JOIN
ARTIE AND ME?
WE’RE GONNA GO GET A DRINK
ARTIE AND ME?
WE’RE GONNA GO GET A DRINK
ARTIE AND ME?
WE’RE GONNA GO GET A DRINK
WHEN WE’RE DONE HERE.
WE’RE GONNA GO GET A DRINK
WHEN WE’RE DONE HERE.
WE’RE GONNA GO GET A DRINK
WHEN WE’RE DONE HERE.
>> AND THE SCREENING OF
WHEN WE’RE DONE HERE.
>> AND THE SCREENING OF
WHEN WE’RE DONE HERE.
>> AND THE SCREENING OF
“THE DIRECTOR’S CUT.”
>> AND THE SCREENING OF
“THE DIRECTOR’S CUT.”
>> AND THE SCREENING OF
“THE DIRECTOR’S CUT.”
>> OHH, I’D LOVE TO, BUT
“THE DIRECTOR’S CUT.”
>> OHH, I’D LOVE TO, BUT
“THE DIRECTOR’S CUT.”
>> OHH, I’D LOVE TO, BUT
I PROMISED DAKOTA I’D TAKE HER
>> OHH, I’D LOVE TO, BUT
I PROMISED DAKOTA I’D TAKE HER
>> OHH, I’D LOVE TO, BUT
I PROMISED DAKOTA I’D TAKE HER
TO THE ZOO IN THE MORNING.
I PROMISED DAKOTA I’D TAKE HER
TO THE ZOO IN THE MORNING.
I PROMISED DAKOTA I’D TAKE HER
TO THE ZOO IN THE MORNING.
>> OHH, YEAH — THE OREGON ZOO.
TO THE ZOO IN THE MORNING.
>> OHH, YEAH — THE OREGON ZOO.
TO THE ZOO IN THE MORNING.
>> OHH, YEAH — THE OREGON ZOO.
IT’S SUPPOSED TO BE FANTASTIC.
>> OHH, YEAH — THE OREGON ZOO.
IT’S SUPPOSED TO BE FANTASTIC.
>> OHH, YEAH — THE OREGON ZOO.
IT’S SUPPOSED TO BE FANTASTIC.
>> BUT YOU TWO GO HAVE YOUR FUN
IT’S SUPPOSED TO BE FANTASTIC.
>> BUT YOU TWO GO HAVE YOUR FUN
IT’S SUPPOSED TO BE FANTASTIC.
>> BUT YOU TWO GO HAVE YOUR FUN
AND CATCH UP A LITTLE.
>> BUT YOU TWO GO HAVE YOUR FUN
AND CATCH UP A LITTLE.
>> BUT YOU TWO GO HAVE YOUR FUN
AND CATCH UP A LITTLE.
>> YOU SURE?
AND CATCH UP A LITTLE.
>> YOU SURE?
AND CATCH UP A LITTLE.
>> YOU SURE?
>> HEY, FRANK.
>> YOU SURE?
>> HEY, FRANK.
>> YOU SURE?
>> HEY, FRANK.
WE GOT TO WRAP UP IN, LIKE,
>> HEY, FRANK.
WE GOT TO WRAP UP IN, LIKE,
>> HEY, FRANK.
WE GOT TO WRAP UP IN, LIKE,
10 MINUTES.
WE GOT TO WRAP UP IN, LIKE,
10 MINUTES.
WE GOT TO WRAP UP IN, LIKE,
10 MINUTES.
THE MANAGER OF THIS PLACE IS
10 MINUTES.
THE MANAGER OF THIS PLACE IS
10 MINUTES.
THE MANAGER OF THIS PLACE IS
BEING A REAL SPUTCH.
THE MANAGER OF THIS PLACE IS
BEING A REAL SPUTCH.
THE MANAGER OF THIS PLACE IS
BEING A REAL SPUTCH.
>> OKAY.
BEING A REAL SPUTCH.
>> OKAY.
BEING A REAL SPUTCH.
>> OKAY.
THANKS A LOT, JIMMY.
>> OKAY.
THANKS A LOT, JIMMY.
>> OKAY.
THANKS A LOT, JIMMY.
I’LL BE THERE IN A SECOND.
THANKS A LOT, JIMMY.
I’LL BE THERE IN A SECOND.
THANKS A LOT, JIMMY.
I’LL BE THERE IN A SECOND.
UH-OH.
I’LL BE THERE IN A SECOND.
UH-OH.
I’LL BE THERE IN A SECOND.
UH-OH.
GETTING A LITTLE SOFT.
UH-OH.
GETTING A LITTLE SOFT.
UH-OH.
GETTING A LITTLE SOFT.
[ CHUCKLES ]
GETTING A LITTLE SOFT.
[ CHUCKLES ]
GETTING A LITTLE SOFT.
[ CHUCKLES ]
OVER 40.
[ CHUCKLES ]
OVER 40.
[ CHUCKLES ]
OVER 40.
[ LAUGHS ]
OVER 40.
[ LAUGHS ]
OVER 40.
[ LAUGHS ]
JANICE, HONEY.
[ LAUGHS ]
JANICE, HONEY.
[ LAUGHS ]
JANICE, HONEY.
>> I COOK, I CLEAN, I FLUFF —
JANICE, HONEY.
>> I COOK, I CLEAN, I FLUFF —
JANICE, HONEY.
>> I COOK, I CLEAN, I FLUFF —
ALL IN A DAY’S WORK.
>> I COOK, I CLEAN, I FLUFF —
ALL IN A DAY’S WORK.
>> I COOK, I CLEAN, I FLUFF —
ALL IN A DAY’S WORK.
[ BOTH LAUGH ]
ALL IN A DAY’S WORK.
[ BOTH LAUGH ]
[ BOTH LAUGH ]
[ BOTH LAUGH ]
[ BOTH LAUGH ]
>> AHH, SO…
[ BOTH LAUGH ]
>> AHH, SO…
>> SO…
>> AHH, SO…
>> SO…
>> AHH, SO…
>> SO…
>> [ CHUCKLES ]
>> SO…
>> [ CHUCKLES ]
>> SO…
>> [ CHUCKLES ]
HOW ARE THINGS, ARTIE?
>> [ CHUCKLES ]
HOW ARE THINGS, ARTIE?
>> [ CHUCKLES ]
HOW ARE THINGS, ARTIE?
>> NOT SO GOOD.
HOW ARE THINGS, ARTIE?
>> NOT SO GOOD.
HOW ARE THINGS, ARTIE?
>> NOT SO GOOD.
THE FINANCING ON THE NEW PICTURE
>> NOT SO GOOD.
THE FINANCING ON THE NEW PICTURE
>> NOT SO GOOD.
THE FINANCING ON THE NEW PICTURE
IS KEEP FALLING THROUGH.
THE FINANCING ON THE NEW PICTURE
IS KEEP FALLING THROUGH.
THE FINANCING ON THE NEW PICTURE
IS KEEP FALLING THROUGH.
>> YEAH.
IS KEEP FALLING THROUGH.
>> YEAH.
IS KEEP FALLING THROUGH.
>> YEAH.
THAT FINANCING STUFF IS FOR
>> YEAH.
THAT FINANCING STUFF IS FOR
>> YEAH.
THAT FINANCING STUFF IS FOR
THE BIRDS.
THAT FINANCING STUFF IS FOR
THE BIRDS.
THAT FINANCING STUFF IS FOR
THE BIRDS.
THAT’S WHY I DO THE SHOW —
THE BIRDS.
THAT’S WHY I DO THE SHOW —
THE BIRDS.
THAT’S WHY I DO THE SHOW —
GUARANTEED RETURN.
THAT’S WHY I DO THE SHOW —
GUARANTEED RETURN.
THAT’S WHY I DO THE SHOW —
GUARANTEED RETURN.
IS THERE SOMETHING ON YOUR MIND,
GUARANTEED RETURN.
IS THERE SOMETHING ON YOUR MIND,
GUARANTEED RETURN.
IS THERE SOMETHING ON YOUR MIND,
ARTIE?
IS THERE SOMETHING ON YOUR MIND,
ARTIE?
IS THERE SOMETHING ON YOUR MIND,
ARTIE?
>> NO, NO.
ARTIE?
>> NO, NO.
ARTIE?
>> NO, NO.
WELL, YES.
>> NO, NO.
WELL, YES.
>> NO, NO.
WELL, YES.
I WONDER, DID YOU GET THE SCRIPT
WELL, YES.
I WONDER, DID YOU GET THE SCRIPT
WELL, YES.
I WONDER, DID YOU GET THE SCRIPT
I SENT —
I WONDER, DID YOU GET THE SCRIPT
I SENT —
I WONDER, DID YOU GET THE SCRIPT
I SENT —
“GANG BANGS OF NEW YORK”?
I SENT —
“GANG BANGS OF NEW YORK”?
I SENT —
“GANG BANGS OF NEW YORK”?
>> YEAH, I GOT THE SCRIPT.
“GANG BANGS OF NEW YORK”?
>> YEAH, I GOT THE SCRIPT.
“GANG BANGS OF NEW YORK”?
>> YEAH, I GOT THE SCRIPT.
IT WAS A LITTLE SURPRISING
>> YEAH, I GOT THE SCRIPT.
IT WAS A LITTLE SURPRISING
>> YEAH, I GOT THE SCRIPT.
IT WAS A LITTLE SURPRISING
CONSIDERING I HADN’T HEARD FROM
IT WAS A LITTLE SURPRISING
CONSIDERING I HADN’T HEARD FROM
IT WAS A LITTLE SURPRISING
CONSIDERING I HADN’T HEARD FROM
YOU IN EIGHT YEARS.
CONSIDERING I HADN’T HEARD FROM
YOU IN EIGHT YEARS.
CONSIDERING I HADN’T HEARD FROM
YOU IN EIGHT YEARS.
>> [ Sighing ] Y-Yeah, it is.
YOU IN EIGHT YEARS.
>> [ Sighing ] Y-Yeah, it is.
YOU IN EIGHT YEARS.
>> [ Sighing ] Y-Yeah, it is.
NO TIME TO READ IT, I’M SURE.
>> [ Sighing ] Y-Yeah, it is.
NO TIME TO READ IT, I’M SURE.
>> [ Sighing ] Y-Yeah, it is.
NO TIME TO READ IT, I’M SURE.
YOU ARE SO BUSY LATELY WITH
NO TIME TO READ IT, I’M SURE.
YOU ARE SO BUSY LATELY WITH
NO TIME TO READ IT, I’M SURE.
YOU ARE SO BUSY LATELY WITH
THE FAMILY, THE TRAVELING,
YOU ARE SO BUSY LATELY WITH
THE FAMILY, THE TRAVELING,
YOU ARE SO BUSY LATELY WITH
THE FAMILY, THE TRAVELING,
VIDEO SHOW.
THE FAMILY, THE TRAVELING,
VIDEO SHOW.
THE FAMILY, THE TRAVELING,
VIDEO SHOW.
>> NO, NO, I READ IT.
VIDEO SHOW.
>> NO, NO, I READ IT.
VIDEO SHOW.
>> NO, NO, I READ IT.
>> BOB THE BANGER IS A GOOD
>> NO, NO, I READ IT.
>> BOB THE BANGER IS A GOOD
>> NO, NO, I READ IT.
>> BOB THE BANGER IS A GOOD
PART, NO?
>> BOB THE BANGER IS A GOOD
PART, NO?
>> BOB THE BANGER IS A GOOD
PART, NO?
A REAL GOOD, GOOD PART.
PART, NO?
A REAL GOOD, GOOD PART.
PART, NO?
A REAL GOOD, GOOD PART.
>> SURE.
A REAL GOOD, GOOD PART.
>> SURE.
A REAL GOOD, GOOD PART.
>> SURE.
>> A REALLY, REALLY GOOD PART.
>> SURE.
>> A REALLY, REALLY GOOD PART.
>> SURE.
>> A REALLY, REALLY GOOD PART.
>> YEAH, YEAH.
>> A REALLY, REALLY GOOD PART.
>> YEAH, YEAH.
>> A REALLY, REALLY GOOD PART.
>> YEAH, YEAH.
REALLY GOOD PART, ARTIE —
>> YEAH, YEAH.
REALLY GOOD PART, ARTIE —
>> YEAH, YEAH.
REALLY GOOD PART, ARTIE —
GOOD PART.
REALLY GOOD PART, ARTIE —
GOOD PART.
REALLY GOOD PART, ARTIE —
GOOD PART.
>> THE ACCENT, THE ATTITUDE —
GOOD PART.
>> THE ACCENT, THE ATTITUDE —
GOOD PART.
>> THE ACCENT, THE ATTITUDE —
EVERYTHING IS PURE FRANK, NO?
>> THE ACCENT, THE ATTITUDE —
EVERYTHING IS PURE FRANK, NO?
>> THE ACCENT, THE ATTITUDE —
EVERYTHING IS PURE FRANK, NO?
>> THE SCRIPT SAYS HE’S
EVERYTHING IS PURE FRANK, NO?
>> THE SCRIPT SAYS HE’S
EVERYTHING IS PURE FRANK, NO?
>> THE SCRIPT SAYS HE’S
UNCIRCUMCISED — THIS CHARACTER,
>> THE SCRIPT SAYS HE’S
UNCIRCUMCISED — THIS CHARACTER,
>> THE SCRIPT SAYS HE’S
UNCIRCUMCISED — THIS CHARACTER,
THIS BOB.
UNCIRCUMCISED — THIS CHARACTER,
THIS BOB.
UNCIRCUMCISED — THIS CHARACTER,
THIS BOB.
>> IT’S 19th CENTURY, YOU SEE.
THIS BOB.
>> IT’S 19th CENTURY, YOU SEE.
THIS BOB.
>> IT’S 19th CENTURY, YOU SEE.
>> MM-HMM.
>> IT’S 19th CENTURY, YOU SEE.
>> MM-HMM.
>> IT’S 19th CENTURY, YOU SEE.
>> MM-HMM.
>> AND MEN BACK THEN, THEY
>> MM-HMM.
>> AND MEN BACK THEN, THEY
>> MM-HMM.
>> AND MEN BACK THEN, THEY
WERE NOT ALWAYS — NON-JEWISH.
>> AND MEN BACK THEN, THEY
WERE NOT ALWAYS — NON-JEWISH.
>> AND MEN BACK THEN, THEY
WERE NOT ALWAYS — NON-JEWISH.
>> YEAH, I UNDERSTAND THE
WERE NOT ALWAYS — NON-JEWISH.
>> YEAH, I UNDERSTAND THE
WERE NOT ALWAYS — NON-JEWISH.
>> YEAH, I UNDERSTAND THE
CONCEPT OF CIRCUMCISION, ART,
>> YEAH, I UNDERSTAND THE
CONCEPT OF CIRCUMCISION, ART,
>> YEAH, I UNDERSTAND THE
CONCEPT OF CIRCUMCISION, ART,
BUT —
CONCEPT OF CIRCUMCISION, ART,
BUT —
CONCEPT OF CIRCUMCISION, ART,
BUT —
>> THE DETAILS ARE VERY
BUT —
>> THE DETAILS ARE VERY
BUT —
>> THE DETAILS ARE VERY
IMPORTANT TO ME, AS YOU WELL
>> THE DETAILS ARE VERY
IMPORTANT TO ME, AS YOU WELL
>> THE DETAILS ARE VERY
IMPORTANT TO ME, AS YOU WELL
KNOW.
IMPORTANT TO ME, AS YOU WELL
KNOW.
IMPORTANT TO ME, AS YOU WELL
KNOW.
>> I HAVE A FAN BASE, ARTIE.
KNOW.
>> I HAVE A FAN BASE, ARTIE.
KNOW.
>> I HAVE A FAN BASE, ARTIE.
>> SO DO I.
>> I HAVE A FAN BASE, ARTIE.
>> SO DO I.
>> I HAVE A FAN BASE, ARTIE.
>> SO DO I.
>> [ SCOFFS ]
>> SO DO I.
>> [ SCOFFS ]
>> SO DO I.
>> [ SCOFFS ]
YEAH, BUT MINE IS HUGE, AND IT’S
>> [ SCOFFS ]
YEAH, BUT MINE IS HUGE, AND IT’S
>> [ SCOFFS ]
YEAH, BUT MINE IS HUGE, AND IT’S
NOW.
YEAH, BUT MINE IS HUGE, AND IT’S
NOW.
YEAH, BUT MINE IS HUGE, AND IT’S
NOW.
PEOPLE ARE USED TO SEEING MY
NOW.
PEOPLE ARE USED TO SEEING MY
NOW.
PEOPLE ARE USED TO SEEING MY
DINK IN A CERTAIN WAY.
PEOPLE ARE USED TO SEEING MY
DINK IN A CERTAIN WAY.
PEOPLE ARE USED TO SEEING MY
DINK IN A CERTAIN WAY.
>> IT WOULD BE A STRETCH,
DINK IN A CERTAIN WAY.
>> IT WOULD BE A STRETCH,
DINK IN A CERTAIN WAY.
>> IT WOULD BE A STRETCH,
A NEW FRANK NOBODY HAS EVER SEEN
>> IT WOULD BE A STRETCH,
A NEW FRANK NOBODY HAS EVER SEEN
>> IT WOULD BE A STRETCH,
A NEW FRANK NOBODY HAS EVER SEEN
BEFORE.
A NEW FRANK NOBODY HAS EVER SEEN
BEFORE.
A NEW FRANK NOBODY HAS EVER SEEN
BEFORE.
>> YEAH — NO.
BEFORE.
>> YEAH — NO.
BEFORE.
>> YEAH — NO.
>> NO?
>> YEAH — NO.
>> NO?
>> YEAH — NO.
>> NO?
>> RIGHT.
>> NO?
>> RIGHT.
>> NO?
>> RIGHT.
>> OKAY. OKAY.
>> RIGHT.
>> OKAY. OKAY.
>> RIGHT.
>> OKAY. OKAY.
JUST WITH YOU ATTACHED TO
>> OKAY. OKAY.
JUST WITH YOU ATTACHED TO
>> OKAY. OKAY.
JUST WITH YOU ATTACHED TO
THE PROJECT, YOU KNOW, WITH
JUST WITH YOU ATTACHED TO
THE PROJECT, YOU KNOW, WITH
JUST WITH YOU ATTACHED TO
THE PROJECT, YOU KNOW, WITH
HELP, WE COULD FINANCE IT.
THE PROJECT, YOU KNOW, WITH
HELP, WE COULD FINANCE IT.
THE PROJECT, YOU KNOW, WITH
HELP, WE COULD FINANCE IT.
>> DO YOU REALIZE HOW DIFFICULT
HELP, WE COULD FINANCE IT.
>> DO YOU REALIZE HOW DIFFICULT
HELP, WE COULD FINANCE IT.
>> DO YOU REALIZE HOW DIFFICULT
YOU ARE TO WORK WITH?
>> DO YOU REALIZE HOW DIFFICULT
YOU ARE TO WORK WITH?
>> DO YOU REALIZE HOW DIFFICULT
YOU ARE TO WORK WITH?
>> I AM AN ARTIST WITH AN
YOU ARE TO WORK WITH?
>> I AM AN ARTIST WITH AN
YOU ARE TO WORK WITH?
>> I AM AN ARTIST WITH AN
UNCOMPROMISING ARTISTIC VISION.
>> I AM AN ARTIST WITH AN
UNCOMPROMISING ARTISTIC VISION.
>> I AM AN ARTIST WITH AN
UNCOMPROMISING ARTISTIC VISION.
>> YOU CAN CALL IT WHATEVER YOU
UNCOMPROMISING ARTISTIC VISION.
>> YOU CAN CALL IT WHATEVER YOU
UNCOMPROMISING ARTISTIC VISION.
>> YOU CAN CALL IT WHATEVER YOU
WANT, IT’S REALLY HARD TO BE
>> YOU CAN CALL IT WHATEVER YOU
WANT, IT’S REALLY HARD TO BE
>> YOU CAN CALL IT WHATEVER YOU
WANT, IT’S REALLY HARD TO BE
AROUND.
WANT, IT’S REALLY HARD TO BE
AROUND.
WANT, IT’S REALLY HARD TO BE
AROUND.
YOU MAKE PEOPLE CRAZY, ARTIE.
AROUND.
YOU MAKE PEOPLE CRAZY, ARTIE.
AROUND.
YOU MAKE PEOPLE CRAZY, ARTIE.
>> BUT I AM TALKING ABOUT
YOU MAKE PEOPLE CRAZY, ARTIE.
>> BUT I AM TALKING ABOUT
YOU MAKE PEOPLE CRAZY, ARTIE.
>> BUT I AM TALKING ABOUT
CREATING REAL ART, FRANK.
>> BUT I AM TALKING ABOUT
CREATING REAL ART, FRANK.
>> BUT I AM TALKING ABOUT
CREATING REAL ART, FRANK.
>> YEAH, I KNOW YOU DON’T
CREATING REAL ART, FRANK.
>> YEAH, I KNOW YOU DON’T
CREATING REAL ART, FRANK.
>> YEAH, I KNOW YOU DON’T
RESPECT WHAT I DO.
>> YEAH, I KNOW YOU DON’T
RESPECT WHAT I DO.
>> YEAH, I KNOW YOU DON’T
RESPECT WHAT I DO.
>> NO, IT’S OKAY.
RESPECT WHAT I DO.
>> NO, IT’S OKAY.
RESPECT WHAT I DO.
>> NO, IT’S OKAY.
>> NO, YOU DON’T.
>> NO, IT’S OKAY.
>> NO, YOU DON’T.
>> NO, IT’S OKAY.
>> NO, YOU DON’T.
I’M SORRY.
>> NO, YOU DON’T.
I’M SORRY.
>> NO, YOU DON’T.
I’M SORRY.
I…
I’M SORRY.
I…
I’M SORRY.
I…
>> OH, IT’S OKAY.
I…
>> OH, IT’S OKAY.
I…
>> OH, IT’S OKAY.
OKAY.
>> OH, IT’S OKAY.
OKAY.
>> OH, IT’S OKAY.
OKAY.
>> YOU WANT TO CIRCUMCISE HIM?
OKAY.
>> YOU WANT TO CIRCUMCISE HIM?
OKAY.
>> YOU WANT TO CIRCUMCISE HIM?
>> NO, THE DETAILS, YOU KNOW?
>> YOU WANT TO CIRCUMCISE HIM?
>> NO, THE DETAILS, YOU KNOW?
>> YOU WANT TO CIRCUMCISE HIM?
>> NO, THE DETAILS, YOU KNOW?
THE DETAILS ARE VERY IMPORTANT
>> NO, THE DETAILS, YOU KNOW?
THE DETAILS ARE VERY IMPORTANT
>> NO, THE DETAILS, YOU KNOW?
THE DETAILS ARE VERY IMPORTANT
TO ME.
THE DETAILS ARE VERY IMPORTANT
TO ME.
THE DETAILS ARE VERY IMPORTANT
TO ME.
>> JUST LIKE NOT ALIENATING
TO ME.
>> JUST LIKE NOT ALIENATING
TO ME.
>> JUST LIKE NOT ALIENATING
MY FAN BASE IS VERY IMPORTANT
>> JUST LIKE NOT ALIENATING
MY FAN BASE IS VERY IMPORTANT
>> JUST LIKE NOT ALIENATING
MY FAN BASE IS VERY IMPORTANT
TO ME.
MY FAN BASE IS VERY IMPORTANT
TO ME.
MY FAN BASE IS VERY IMPORTANT
TO ME.
>> IT’S SETTLED THEN.
TO ME.
>> IT’S SETTLED THEN.
TO ME.
>> IT’S SETTLED THEN.
>> OKAY?
>> IT’S SETTLED THEN.
>> OKAY?
>> IT’S SETTLED THEN.
>> OKAY?
>> OKAY.
>> OKAY?
>> OKAY.
>> OKAY?
>> OKAY.
OH. WHAT TIME IS IT?
>> OKAY.
OH. WHAT TIME IS IT?
>> OKAY.
OH. WHAT TIME IS IT?
>> I’VE GOT 9:35.
OH. WHAT TIME IS IT?
>> I’VE GOT 9:35.
OH. WHAT TIME IS IT?
>> I’VE GOT 9:35.
[ KEYPAD DIALING ]
>> I’VE GOT 9:35.
[ KEYPAD DIALING ]
[ KEYPAD DIALING ]
>> ALLO.
>> ALLO.
THIS IS ARTURO DOMINGO FROM
>> ALLO.
THIS IS ARTURO DOMINGO FROM
LAST NIGHT.
THIS IS ARTURO DOMINGO FROM
LAST NIGHT.
THIS IS ARTURO DOMINGO FROM
LAST NIGHT.
YES, I MAKE IT HOME OKAY.
LAST NIGHT.
YES, I MAKE IT HOME OKAY.
LAST NIGHT.
YES, I MAKE IT HOME OKAY.
LISTEN.
YES, I MAKE IT HOME OKAY.
LISTEN.
YES, I MAKE IT HOME OKAY.
LISTEN.
I NEED YOU TO RUN SOUND.
LISTEN.
I NEED YOU TO RUN SOUND.
LISTEN.
I NEED YOU TO RUN SOUND.
VERY GOOD.
I NEED YOU TO RUN SOUND.
VERY GOOD.
I NEED YOU TO RUN SOUND.
VERY GOOD.
I SEE YOU SOON.
VERY GOOD.
I SEE YOU SOON.
VERY GOOD.
I SEE YOU SOON.
>> WHAT’S GOING ON, ARTIE?
I SEE YOU SOON.
>> WHAT’S GOING ON, ARTIE?
I SEE YOU SOON.
>> WHAT’S GOING ON, ARTIE?
>> WE MUST GO TO BEAVERTON.
>> WHAT’S GOING ON, ARTIE?
>> WE MUST GO TO BEAVERTON.
>> WHAT’S GOING ON, ARTIE?
>> WE MUST GO TO BEAVERTON.
FRANK, THIS IS FRIEND, FRIEND,
>> WE MUST GO TO BEAVERTON.
FRANK, THIS IS FRIEND, FRIEND,
>> WE MUST GO TO BEAVERTON.
FRANK, THIS IS FRIEND, FRIEND,
FRANK.
FRANK, THIS IS FRIEND, FRIEND,
FRANK.
FRANK, THIS IS FRIEND, FRIEND,
FRANK.
>> NICE TO MEET YOU.
FRANK.
>> NICE TO MEET YOU.
FRANK.
>> NICE TO MEET YOU.
>> “FRIEND” — YOUR NAME IS
>> NICE TO MEET YOU.
>> “FRIEND” — YOUR NAME IS
>> NICE TO MEET YOU.
>> “FRIEND” — YOUR NAME IS
“FRIEND”?
>> “FRIEND” — YOUR NAME IS
“FRIEND”?
>> “FRIEND” — YOUR NAME IS
“FRIEND”?
>> YES, WHICH HE IS TO
“FRIEND”?
>> YES, WHICH HE IS TO
“FRIEND”?
>> YES, WHICH HE IS TO
EVERYBODY.
>> YES, WHICH HE IS TO
EVERYBODY.
>> YES, WHICH HE IS TO
EVERYBODY.
ISN’T THAT RIGHT?
EVERYBODY.
ISN’T THAT RIGHT?
EVERYBODY.
ISN’T THAT RIGHT?
>> YES, IT IS.
ISN’T THAT RIGHT?
>> YES, IT IS.
ISN’T THAT RIGHT?
>> YES, IT IS.
>> TAKE ONE HIT ONLY.
>> YES, IT IS.
>> TAKE ONE HIT ONLY.
>> YES, IT IS.
>> TAKE ONE HIT ONLY.
I WARN YOU.
>> TAKE ONE HIT ONLY.
I WARN YOU.
>> TAKE ONE HIT ONLY.
I WARN YOU.
WHERE IS THIS PLACE?
I WARN YOU.
WHERE IS THIS PLACE?
I WARN YOU.
WHERE IS THIS PLACE?
GODDAMN MapQuest.
WHERE IS THIS PLACE?
GODDAMN MapQuest.
WHERE IS THIS PLACE?
GODDAMN MapQuest.
>> THAT’S PORTLAND, MAINE,
GODDAMN MapQuest.
>> THAT’S PORTLAND, MAINE,
GODDAMN MapQuest.
>> THAT’S PORTLAND, MAINE,
ARTIE.
>> THAT’S PORTLAND, MAINE,
ARTIE.
ARTIE.
WHAT IS THIS — DITCH WEED?
WHAT IS THIS — DITCH WEED?
I THOUGHT YOU SAID THIS STUFF
WHAT IS THIS — DITCH WEED?
I THOUGHT YOU SAID THIS STUFF
WAS STRONG.
I THOUGHT YOU SAID THIS STUFF
WAS STRONG.
I THOUGHT YOU SAID THIS STUFF
WAS STRONG.
>> ARTURO, MIMI DOESN’T SEEM
WAS STRONG.
>> ARTURO, MIMI DOESN’T SEEM
WAS STRONG.
>> ARTURO, MIMI DOESN’T SEEM
TOO INTERESTED.
>> ARTURO, MIMI DOESN’T SEEM
TOO INTERESTED.
>> ARTURO, MIMI DOESN’T SEEM
TOO INTERESTED.
SHE’S IN BED RIGHT NOW READING
TOO INTERESTED.
SHE’S IN BED RIGHT NOW READING
TOO INTERESTED.
SHE’S IN BED RIGHT NOW READING
A BOOK.
SHE’S IN BED RIGHT NOW READING
A BOOK.
SHE’S IN BED RIGHT NOW READING
A BOOK.
>> AHA — IN BED IS GOOD.
A BOOK.
>> AHA — IN BED IS GOOD.
A BOOK.
>> AHA — IN BED IS GOOD.
>> HOW DID YOU GET HERE?
>> AHA — IN BED IS GOOD.
>> HOW DID YOU GET HERE?
>> AHA — IN BED IS GOOD.
>> HOW DID YOU GET HERE?
DID YOU TAKE THE INTERSTATE
>> HOW DID YOU GET HERE?
DID YOU TAKE THE INTERSTATE
>> HOW DID YOU GET HERE?
DID YOU TAKE THE INTERSTATE
TO 26 OR DID YOU COME UP
DID YOU TAKE THE INTERSTATE
TO 26 OR DID YOU COME UP
DID YOU TAKE THE INTERSTATE
TO 26 OR DID YOU COME UP
BURNSIDE TO BARNES ROAD?
TO 26 OR DID YOU COME UP
BURNSIDE TO BARNES ROAD?
TO 26 OR DID YOU COME UP
BURNSIDE TO BARNES ROAD?
>> YES, YES, I DID — VERY NICE
BURNSIDE TO BARNES ROAD?
>> YES, YES, I DID — VERY NICE
BURNSIDE TO BARNES ROAD?
>> YES, YES, I DID — VERY NICE
DRIVE.
>> YES, YES, I DID — VERY NICE
DRIVE.
>> YES, YES, I DID — VERY NICE
DRIVE.
OKAY, LET’S DO THIS THING.
DRIVE.
OKAY, LET’S DO THIS THING.
DRIVE.
OKAY, LET’S DO THIS THING.
FRIEND.
OKAY, LET’S DO THIS THING.
FRIEND.
FRIEND.
CAN YOU HEAR ME, MY FRIEND?
CAN YOU HEAR ME, MY FRIEND?
>> Yeah, I can hear you just
CAN YOU HEAR ME, MY FRIEND?
>> Yeah, I can hear you just
fine.
>> Yeah, I can hear you just
fine.
>> Yeah, I can hear you just
fine.
>> NOT YOU…
fine.
>> NOT YOU…
fine.
>> NOT YOU…
ALLO.
>> NOT YOU…
ALLO.
>> NOT YOU…
ALLO.
ALLO?
ALLO.
ALLO?
ALLO.
ALLO?
I DON’T THINK HE CAN HEAR ME.
ALLO?
I DON’T THINK HE CAN HEAR ME.
ALLO?
I DON’T THINK HE CAN HEAR ME.
FRIEND.
I DON’T THINK HE CAN HEAR ME.
FRIEND.
I DON’T THINK HE CAN HEAR ME.
FRIEND.
FRIEND?
FRIEND.
FRIEND?
FRIEND.
FRIEND?
YOU — FRIEND.
FRIEND?
YOU — FRIEND.
FRIEND?
YOU — FRIEND.
>> I THOUGHT YOU WEREN’T TALKING
YOU — FRIEND.
>> I THOUGHT YOU WEREN’T TALKING
YOU — FRIEND.
>> I THOUGHT YOU WEREN’T TALKING
TO ME.
>> I THOUGHT YOU WEREN’T TALKING
TO ME.
>> I THOUGHT YOU WEREN’T TALKING
TO ME.
>> JUST TURN UP THE LEVERS,
TO ME.
>> JUST TURN UP THE LEVERS,
TO ME.
>> JUST TURN UP THE LEVERS,
PLEASE.
>> JUST TURN UP THE LEVERS,
PLEASE.
>> JUST TURN UP THE LEVERS,
PLEASE.
>> I’M GOING TO SLEEP.
PLEASE.
>> I’M GOING TO SLEEP.
PLEASE.
>> I’M GOING TO SLEEP.
GOOD NIGHT, JOSEPH.
>> I’M GOING TO SLEEP.
GOOD NIGHT, JOSEPH.
>> I’M GOING TO SLEEP.
GOOD NIGHT, JOSEPH.
>> TELL HER “NO.”
GOOD NIGHT, JOSEPH.
>> TELL HER “NO.”

GOOD NIGHT, JOSEPH.
>> TELL HER “NO.”
>> NO.

>> TELL HER “NO.”
>> NO.
>> TELL HER “NO.”
>> NO.
>> WHAT?
>> NO.
>> WHAT?
>> NO.
>> WHAT?
>> GO TO HER AND LOOK INTO

>> WHAT?
>> GO TO HER AND LOOK INTO

>> WHAT?
>> GO TO HER AND LOOK INTO
HER EYES LIKE A WOLF.

>> GO TO HER AND LOOK INTO
HER EYES LIKE A WOLF.
>> GO TO HER AND LOOK INTO
HER EYES LIKE A WOLF.
>> ARE YOU OKAY?
HER EYES LIKE A WOLF.
>> ARE YOU OKAY?
HER EYES LIKE A WOLF.
>> ARE YOU OKAY?
>> CARESS HER FACE SOFTLY

>> ARE YOU OKAY?
>> CARESS HER FACE SOFTLY

>> ARE YOU OKAY?
>> CARESS HER FACE SOFTLY
LIKE SHE IS A SLEEPING CAT,

>> CARESS HER FACE SOFTLY
LIKE SHE IS A SLEEPING CAT,
>> CARESS HER FACE SOFTLY
LIKE SHE IS A SLEEPING CAT,
BUT STILL LOOKING AT HER LIKE
LIKE SHE IS A SLEEPING CAT,
BUT STILL LOOKING AT HER LIKE
LIKE SHE IS A SLEEPING CAT,
BUT STILL LOOKING AT HER LIKE
YOU WILL DEVOUR HER.
BUT STILL LOOKING AT HER LIKE
YOU WILL DEVOUR HER.
BUT STILL LOOKING AT HER LIKE
YOU WILL DEVOUR HER.
>> JOSEPH?
YOU WILL DEVOUR HER.
>> JOSEPH?
YOU WILL DEVOUR HER.
>> JOSEPH?
>> SAY, “YOU ARE A BAD LITTLE
>> JOSEPH?
>> SAY, “YOU ARE A BAD LITTLE
>> JOSEPH?
>> SAY, “YOU ARE A BAD LITTLE
GIRL.”
>> SAY, “YOU ARE A BAD LITTLE
GIRL.”
>> SAY, “YOU ARE A BAD LITTLE
GIRL.”
>> YOU’RE A BAD LITTLE GIRL.
GIRL.”
>> YOU’RE A BAD LITTLE GIRL.
GIRL.”
>> YOU’RE A BAD LITTLE GIRL.
>> “AND I MUST DO SOMETHING

>> YOU’RE A BAD LITTLE GIRL.
>> “AND I MUST DO SOMETHING

>> YOU’RE A BAD LITTLE GIRL.
>> “AND I MUST DO SOMETHING
ABOUT THAT.”

>> “AND I MUST DO SOMETHING
ABOUT THAT.”
>> “AND I MUST DO SOMETHING
ABOUT THAT.”
>> AND I GOT TO DO SOMETHING
ABOUT THAT.”
>> AND I GOT TO DO SOMETHING
ABOUT THAT.”
>> AND I GOT TO DO SOMETHING
ABOUT THAT.

>> AND I GOT TO DO SOMETHING
ABOUT THAT.

>> AND I GOT TO DO SOMETHING
ABOUT THAT.
>> WHAT?

ABOUT THAT.
>> WHAT?

ABOUT THAT.
>> WHAT?
>> THROW ALL THE COVERS OFF HER.

>> WHAT?
>> THROW ALL THE COVERS OFF HER.

>> WHAT?
>> THROW ALL THE COVERS OFF HER.
>> WHAT ARE YOU DOING?!

>> THROW ALL THE COVERS OFF HER.
>> WHAT ARE YOU DOING?!
>> THROW ALL THE COVERS OFF HER.
>> WHAT ARE YOU DOING?!
>> TAKE HER BY THE SHOULDERS
>> WHAT ARE YOU DOING?!
>> TAKE HER BY THE SHOULDERS
>> WHAT ARE YOU DOING?!
>> TAKE HER BY THE SHOULDERS
AND PULL HER TO YOU…
>> TAKE HER BY THE SHOULDERS
AND PULL HER TO YOU…
>> TAKE HER BY THE SHOULDERS
AND PULL HER TO YOU…
>> THIS IS DITCH WEED.
AND PULL HER TO YOU…
>> THIS IS DITCH WEED.
AND PULL HER TO YOU…
>> THIS IS DITCH WEED.
>> …TO KNOW YOU ARE GIVING
>> THIS IS DITCH WEED.
>> …TO KNOW YOU ARE GIVING
>> THIS IS DITCH WEED.
>> …TO KNOW YOU ARE GIVING
YOURSELF TO THAT MAN IS MAKE
>> …TO KNOW YOU ARE GIVING
YOURSELF TO THAT MAN IS MAKE
>> …TO KNOW YOU ARE GIVING
YOURSELF TO THAT MAN IS MAKE
A-ME WILD.
YOURSELF TO THAT MAN IS MAKE
A-ME WILD.
YOURSELF TO THAT MAN IS MAKE
A-ME WILD.
>> WHEN YOU GIVE YOURSELF TO
A-ME WILD.
>> WHEN YOU GIVE YOURSELF TO
A-ME WILD.
>> WHEN YOU GIVE YOURSELF TO
BUNDQUIST, IT MAKES ME WILD.

>> WHEN YOU GIVE YOURSELF TO
BUNDQUIST, IT MAKES ME WILD.

>> WHEN YOU GIVE YOURSELF TO
BUNDQUIST, IT MAKES ME WILD.
>> JOSEPH.

BUNDQUIST, IT MAKES ME WILD.
>> JOSEPH.

BUNDQUIST, IT MAKES ME WILD.
>> JOSEPH.
>> YOU WILL NEVER SEE HIM AGAIN.

>> JOSEPH.
>> YOU WILL NEVER SEE HIM AGAIN.
>> JOSEPH.
>> YOU WILL NEVER SEE HIM AGAIN.
>> YOU WILL NEVER SEE AGAIN.
>> YOU WILL NEVER SEE HIM AGAIN.
>> YOU WILL NEVER SEE AGAIN.
>> YOU WILL NEVER SEE HIM AGAIN.
>> YOU WILL NEVER SEE AGAIN.
>> WHAT?

>> YOU WILL NEVER SEE AGAIN.
>> WHAT?

>> YOU WILL NEVER SEE AGAIN.
>> WHAT?
>> [ LAUGHS ]

>> WHAT?
>> [ LAUGHS ]

>> WHAT?
>> [ LAUGHS ]
>> NO, SEE HIM — SEE HIM

>> [ LAUGHS ]
>> NO, SEE HIM — SEE HIM
>> [ LAUGHS ]
>> NO, SEE HIM — SEE HIM
AGAIN — HIM.
>> NO, SEE HIM — SEE HIM
AGAIN — HIM.
>> NO, SEE HIM — SEE HIM
AGAIN — HIM.
>> YOU’LL NEVER SEE HIM AGAIN.
AGAIN — HIM.
>> YOU’LL NEVER SEE HIM AGAIN.
AGAIN — HIM.
>> YOU’LL NEVER SEE HIM AGAIN.
>> KISS HER NECK AND RUN YOUR
>> YOU’LL NEVER SEE HIM AGAIN.
>> KISS HER NECK AND RUN YOUR
>> YOU’LL NEVER SEE HIM AGAIN.
>> KISS HER NECK AND RUN YOUR
HANDS DOWN HER BACK.
>> KISS HER NECK AND RUN YOUR
HANDS DOWN HER BACK.
>> KISS HER NECK AND RUN YOUR
HANDS DOWN HER BACK.
>> OH, JOSEPH.
HANDS DOWN HER BACK.
>> OH, JOSEPH.
HANDS DOWN HER BACK.
>> OH, JOSEPH.
OH, JOSEPH.
>> OH, JOSEPH.
OH, JOSEPH.
>> OH, JOSEPH.
OH, JOSEPH.
>> IS IT WEIRD?
OH, JOSEPH.
>> IS IT WEIRD?

OH, JOSEPH.
>> IS IT WEIRD?
I’M GETTING TURNED ON BY THIS.

>> IS IT WEIRD?
I’M GETTING TURNED ON BY THIS.
>> IS IT WEIRD?
I’M GETTING TURNED ON BY THIS.
>> WHAT ARE YOU DOING TO ME?
I’M GETTING TURNED ON BY THIS.
>> WHAT ARE YOU DOING TO ME?
I’M GETTING TURNED ON BY THIS.
>> WHAT ARE YOU DOING TO ME?
>> SAY, “I’M MAKING LOVE TO MY

>> WHAT ARE YOU DOING TO ME?
>> SAY, “I’M MAKING LOVE TO MY

>> WHAT ARE YOU DOING TO ME?
>> SAY, “I’M MAKING LOVE TO MY
WIFE.”

>> SAY, “I’M MAKING LOVE TO MY
WIFE.”
>> SAY, “I’M MAKING LOVE TO MY
WIFE.”
>> I’M MAKING LOVE TO MY WIFE.
WIFE.”
>> I’M MAKING LOVE TO MY WIFE.
WIFE.”
>> I’M MAKING LOVE TO MY WIFE.
>> OH, JOE.
>> I’M MAKING LOVE TO MY WIFE.
>> OH, JOE.
>> I’M MAKING LOVE TO MY WIFE.
>> OH, JOE.
>> OH. OHH.
>> OH, JOE.
>> OH. OHH.
>> OH. OHH.
>> TELL HER, “YOU ARE THE WOMAN
>> TELL HER, “YOU ARE THE WOMAN
I LOVE.”
>> TELL HER, “YOU ARE THE WOMAN
I LOVE.”
SAY, “FROM THIS NIGHT, YOU ARE
I LOVE.”
SAY, “FROM THIS NIGHT, YOU ARE
I LOVE.”
SAY, “FROM THIS NIGHT, YOU ARE
MINE.”
SAY, “FROM THIS NIGHT, YOU ARE
MINE.”
SAY, “FROM THIS NIGHT, YOU ARE
MINE.”
KISS HER LIKE IT IS THE LAST
MINE.”
KISS HER LIKE IT IS THE LAST
MINE.”
KISS HER LIKE IT IS THE LAST
TIME YOU WILL EVER KISS HER.
KISS HER LIKE IT IS THE LAST
TIME YOU WILL EVER KISS HER.
TIME YOU WILL EVER KISS HER.
[ BOTH MOANING ]
[ BOTH MOANING ]
>> I SWEAR I HAVE HALF A CHUB
[ BOTH MOANING ]
>> I SWEAR I HAVE HALF A CHUB
OVER HERE.
>> I SWEAR I HAVE HALF A CHUB
OVER HERE.
>> I SWEAR I HAVE HALF A CHUB
OVER HERE.
>> OH, JOE.
OVER HERE.
>> OH, JOE.
OVER HERE.
>> OH, JOE.
>> OKAY, MY FRIEND.
>> OH, JOE.
>> OKAY, MY FRIEND.
>> OH, JOE.
>> OKAY, MY FRIEND.
YOU’RE ON YOUR OWN NOW.
>> OKAY, MY FRIEND.
YOU’RE ON YOUR OWN NOW.
YOU’RE ON YOUR OWN NOW.
>> THAT WAS NICE WORK BACK
>> THAT WAS NICE WORK BACK
THERE.
>> THAT WAS NICE WORK BACK
THERE.
I’M LOOKING FORWARD TO SEEING
THERE.
I’M LOOKING FORWARD TO SEEING
THERE.
I’M LOOKING FORWARD TO SEEING
YOUR CUT OF “JACKOFF.”
I’M LOOKING FORWARD TO SEEING
YOUR CUT OF “JACKOFF.”
I’M LOOKING FORWARD TO SEEING
YOUR CUT OF “JACKOFF.”
LORD KNOWS IT’S BEEN A LONG TIME
YOUR CUT OF “JACKOFF.”
LORD KNOWS IT’S BEEN A LONG TIME
YOUR CUT OF “JACKOFF.”
LORD KNOWS IT’S BEEN A LONG TIME
COMING.
LORD KNOWS IT’S BEEN A LONG TIME
COMING.
LORD KNOWS IT’S BEEN A LONG TIME
COMING.
>> THANK YOU, FRANK.
COMING.
>> THANK YOU, FRANK.
COMING.
>> THANK YOU, FRANK.
THOSE ARE VERY KIND WORDS.
>> THANK YOU, FRANK.
THOSE ARE VERY KIND WORDS.
>> THANK YOU, FRANK.
THOSE ARE VERY KIND WORDS.
>> [ INHALES DEEPLY, SIGHS ]
THOSE ARE VERY KIND WORDS.
>> [ INHALES DEEPLY, SIGHS ]
>> [ INHALES DEEPLY, SIGHS ]
>> I MUST SEE FIONA.
>> I MUST SEE FIONA.
>> FIONA?
>> I MUST SEE FIONA.
>> FIONA?
AS IN “FIONA” FIONA?
>> FIONA?
AS IN “FIONA” FIONA?
>> FIONA?
AS IN “FIONA” FIONA?
>> YES. SHE LIVE HERE.
AS IN “FIONA” FIONA?
>> YES. SHE LIVE HERE.
AS IN “FIONA” FIONA?
>> YES. SHE LIVE HERE.
>> GEEZ, ARTIE.
>> YES. SHE LIVE HERE.
>> GEEZ, ARTIE.
>> YES. SHE LIVE HERE.
>> GEEZ, ARTIE.
>> Hello?
>> GEEZ, ARTIE.
>> Hello?
>> GEEZ, ARTIE.
>> Hello?
>> FIONA, IT’S ME.
>> Hello?
>> FIONA, IT’S ME.
>> Hello?
>> FIONA, IT’S ME.
IT’S ARTURO.
>> FIONA, IT’S ME.
IT’S ARTURO.
>> FIONA, IT’S ME.
IT’S ARTURO.
I JUST WANT TO SAY I’M SORRY
IT’S ARTURO.
I JUST WANT TO SAY I’M SORRY
IT’S ARTURO.
I JUST WANT TO SAY I’M SORRY
FOR TODAY AND FOR EVERYTHING
I JUST WANT TO SAY I’M SORRY
FOR TODAY AND FOR EVERYTHING
I JUST WANT TO SAY I’M SORRY
FOR TODAY AND FOR EVERYTHING
IN THE PAST AND FOR EVERYTHING
FOR TODAY AND FOR EVERYTHING
IN THE PAST AND FOR EVERYTHING
FOR TODAY AND FOR EVERYTHING
IN THE PAST AND FOR EVERYTHING
I EVER DO THAT WAS BAD.
IN THE PAST AND FOR EVERYTHING
I EVER DO THAT WAS BAD.
IN THE PAST AND FOR EVERYTHING
I EVER DO THAT WAS BAD.
>> Fine. You’re sorry.
I EVER DO THAT WAS BAD.
>> Fine. You’re sorry.
I EVER DO THAT WAS BAD.
>> Fine. You’re sorry.
>> I MUST SEE YOU.
>> Fine. You’re sorry.
>> I MUST SEE YOU.
>> Fine. You’re sorry.
>> I MUST SEE YOU.
>> You can’t see me.
>> I MUST SEE YOU.
>> You can’t see me.
>> I MUST SEE YOU.
>> You can’t see me.
>> BUT I AM HERE.
>> You can’t see me.
>> BUT I AM HERE.
>> You can’t see me.
>> BUT I AM HERE.
I’M OUTSIDE YOUR HOUSE.
>> BUT I AM HERE.
I’M OUTSIDE YOUR HOUSE.
>> BUT I AM HERE.
I’M OUTSIDE YOUR HOUSE.
>> YOU’RE — HOW’D YOU KNOW
I’M OUTSIDE YOUR HOUSE.
>> YOU’RE — HOW’D YOU KNOW
I’M OUTSIDE YOUR HOUSE.
>> YOU’RE — HOW’D YOU KNOW
WHERE I LIVE?
>> YOU’RE — HOW’D YOU KNOW
WHERE I LIVE?
>> YOU’RE — HOW’D YOU KNOW
WHERE I LIVE?
>> AGAIN — GOOGLE.
WHERE I LIVE?
>> AGAIN — GOOGLE.
WHERE I LIVE?
>> AGAIN — GOOGLE.
GOOGLE TELL ME.
>> AGAIN — GOOGLE.
GOOGLE TELL ME.
>> AGAIN — GOOGLE.
GOOGLE TELL ME.
I KNOW IT SEEM ILLEGAL,
GOOGLE TELL ME.
I KNOW IT SEEM ILLEGAL,
GOOGLE TELL ME.
I KNOW IT SEEM ILLEGAL,
BUT IT’S NOT.
I KNOW IT SEEM ILLEGAL,
BUT IT’S NOT.
BUT IT’S NOT.
>> [ SIGHS ]
>> GOOD EVENING, FIONA.
>> GOOD EVENING, FIONA.
>> WHERE’D YOU GET THOSE FROM?
>> GOOD EVENING, FIONA.
>> WHERE’D YOU GET THOSE FROM?
>> [ SIGHS ]
>> WHERE’D YOU GET THOSE FROM?
>> [ SIGHS ]
>> WHERE’D YOU GET THOSE FROM?
>> [ SIGHS ]
MAYBE FROM A NEIGHBOR.
>> [ SIGHS ]
MAYBE FROM A NEIGHBOR.
>> [ SIGHS ]
MAYBE FROM A NEIGHBOR.
>> NO, THOSE ARE FROM MY SIDE
MAYBE FROM A NEIGHBOR.
>> NO, THOSE ARE FROM MY SIDE
MAYBE FROM A NEIGHBOR.
>> NO, THOSE ARE FROM MY SIDE
GARDEN.
>> NO, THOSE ARE FROM MY SIDE
GARDEN.
>> NO, THOSE ARE FROM MY SIDE
GARDEN.
LOOK, THE ONLY REASON THAT I’M
GARDEN.
LOOK, THE ONLY REASON THAT I’M
GARDEN.
LOOK, THE ONLY REASON THAT I’M
AGREEING TO THIS IS BECAUSE JOHN
LOOK, THE ONLY REASON THAT I’M
AGREEING TO THIS IS BECAUSE JOHN
LOOK, THE ONLY REASON THAT I’M
AGREEING TO THIS IS BECAUSE JOHN
IS OUT RIGHT NOW, AND I HAVE TO
AGREEING TO THIS IS BECAUSE JOHN
IS OUT RIGHT NOW, AND I HAVE TO
AGREEING TO THIS IS BECAUSE JOHN
IS OUT RIGHT NOW, AND I HAVE TO
RETURN THIS VIDEO BEFORE 11:00.
IS OUT RIGHT NOW, AND I HAVE TO
RETURN THIS VIDEO BEFORE 11:00.
IS OUT RIGHT NOW, AND I HAVE TO
RETURN THIS VIDEO BEFORE 11:00.
[ SIGHS ]
RETURN THIS VIDEO BEFORE 11:00.
[ SIGHS ]
[ SIGHS ]
>> I HAVE CHANGED, YOU KNOW,
>> I HAVE CHANGED, YOU KNOW,
FOR THE BETTER, FIONA.
>> I HAVE CHANGED, YOU KNOW,
FOR THE BETTER, FIONA.
IT’S TRUE.
FOR THE BETTER, FIONA.
IT’S TRUE.
FOR THE BETTER, FIONA.
IT’S TRUE.
>> THAT’S WONDERFUL, ARTURO.
IT’S TRUE.
>> THAT’S WONDERFUL, ARTURO.
IT’S TRUE.
>> THAT’S WONDERFUL, ARTURO.
>> ARE YOU WRITING?
>> THAT’S WONDERFUL, ARTURO.
>> ARE YOU WRITING?
>> THAT’S WONDERFUL, ARTURO.
>> ARE YOU WRITING?
>> NO.
>> ARE YOU WRITING?
>> NO.
>> ARE YOU WRITING?
>> NO.
NO, ACTUALLY NOT SO MUCH NOW.
>> NO.
NO, ACTUALLY NOT SO MUCH NOW.
>> NO.
NO, ACTUALLY NOT SO MUCH NOW.
BUT…
NO, ACTUALLY NOT SO MUCH NOW.
BUT…
NO, ACTUALLY NOT SO MUCH NOW.
BUT…
>> YOU ARE A FANTASTIC WRITER.
BUT…
>> YOU ARE A FANTASTIC WRITER.
BUT…
>> YOU ARE A FANTASTIC WRITER.
TO WRITE, IT…
>> YOU ARE A FANTASTIC WRITER.
TO WRITE, IT…
>> YOU ARE A FANTASTIC WRITER.
TO WRITE, IT…
IT MADE YOU HAPPY, HMM?
TO WRITE, IT…
IT MADE YOU HAPPY, HMM?
TO WRITE, IT…
IT MADE YOU HAPPY, HMM?
>> I’M HAPPY NOW.
IT MADE YOU HAPPY, HMM?
>> I’M HAPPY NOW.
>> I’M HAPPY NOW.
>> FIONA, I WONDER.
>> FIONA, I WONDER.
DO YOU REMEMBER THE TIME WE WALK
>> FIONA, I WONDER.
DO YOU REMEMBER THE TIME WE WALK
ALONG THE SANTA MONICA PIER,
DO YOU REMEMBER THE TIME WE WALK
ALONG THE SANTA MONICA PIER,
DO YOU REMEMBER THE TIME WE WALK
ALONG THE SANTA MONICA PIER,
HMM?
ALONG THE SANTA MONICA PIER,
HMM?
ALONG THE SANTA MONICA PIER,
HMM?
THE SUN WAS SETTING.
HMM?
THE SUN WAS SETTING.
HMM?
THE SUN WAS SETTING.
VERY ROMANTIC, NO?
THE SUN WAS SETTING.
VERY ROMANTIC, NO?
THE SUN WAS SETTING.
VERY ROMANTIC, NO?
>> YEAH.
VERY ROMANTIC, NO?
>> YEAH.
VERY ROMANTIC, NO?
>> YEAH.
THAT WAS THE DAY THAT THAT KID
>> YEAH.
THAT WAS THE DAY THAT THAT KID
>> YEAH.
THAT WAS THE DAY THAT THAT KID
THREW GUM AT YOU.
THAT WAS THE DAY THAT THAT KID
THREW GUM AT YOU.
THAT WAS THE DAY THAT THAT KID
THREW GUM AT YOU.
[ LAUGHS ]
THREW GUM AT YOU.
[ LAUGHS ]
THREW GUM AT YOU.
[ LAUGHS ]
>> OH.
[ LAUGHS ]
>> OH.
[ LAUGHS ]
>> OH.
[ LAUGHS ]
>> OH.
[ LAUGHS ]
>> OH.
[ LAUGHS ]
I HAD FORGOT ABOUT THAT PART.
[ LAUGHS ]
I HAD FORGOT ABOUT THAT PART.
[ LAUGHS ]
I HAD FORGOT ABOUT THAT PART.
THAT LITTLE…BOY.
I HAD FORGOT ABOUT THAT PART.
THAT LITTLE…BOY.
I HAD FORGOT ABOUT THAT PART.
THAT LITTLE…BOY.
>> AND IT GOT STUCK IN YOUR
THAT LITTLE…BOY.
>> AND IT GOT STUCK IN YOUR
THAT LITTLE…BOY.
>> AND IT GOT STUCK IN YOUR
HAIR, AND YOU HAD TO CUT IT OUT.
>> AND IT GOT STUCK IN YOUR
HAIR, AND YOU HAD TO CUT IT OUT.
>> AND IT GOT STUCK IN YOUR
HAIR, AND YOU HAD TO CUT IT OUT.
[ LAUGHS ]
HAIR, AND YOU HAD TO CUT IT OUT.
[ LAUGHS ]
HAIR, AND YOU HAD TO CUT IT OUT.
[ LAUGHS ]
>> [ CHUCKLES ]
[ LAUGHS ]
>> [ CHUCKLES ]
[ LAUGHS ]
>> [ CHUCKLES ]
WELL, UNTIL THAT HAPPENED,
>> [ CHUCKLES ]
WELL, UNTIL THAT HAPPENED,
>> [ CHUCKLES ]
WELL, UNTIL THAT HAPPENED,
IT WAS VERY ROMANTIC, NO?
WELL, UNTIL THAT HAPPENED,
IT WAS VERY ROMANTIC, NO?
WELL, UNTIL THAT HAPPENED,
IT WAS VERY ROMANTIC, NO?
>> I SUPPOSE.
IT WAS VERY ROMANTIC, NO?
>> I SUPPOSE.
>> I SUPPOSE.
>> YEAH.
>> YEAH.
>> FIONA, WHERE THE HELL HAVE
>> YEAH.
>> FIONA, WHERE THE HELL HAVE
YOU BEEN?
>> FIONA, WHERE THE HELL HAVE
YOU BEEN?
>> FIONA, WHERE THE HELL HAVE
YOU BEEN?
>> JOHN.
YOU BEEN?
>> JOHN.
YOU BEEN?
>> JOHN.
>> WHAT THE FUCK IS THIS?
>> JOHN.
>> WHAT THE FUCK IS THIS?
>> JOHN.
>> WHAT THE FUCK IS THIS?
>> IT THIS YOUR HUSBAND?
>> WHAT THE FUCK IS THIS?
>> IT THIS YOUR HUSBAND?
>> WHAT THE FUCK IS THIS?
>> IT THIS YOUR HUSBAND?
>> NO, JOHN, PLEASE LISTEN!
>> IT THIS YOUR HUSBAND?
>> NO, JOHN, PLEASE LISTEN!
>> IT THIS YOUR HUSBAND?
>> NO, JOHN, PLEASE LISTEN!
STOP IT!
>> NO, JOHN, PLEASE LISTEN!
STOP IT!
>> NO, JOHN, PLEASE LISTEN!
STOP IT!
>> YOU STAY AWAY FROM MY WIFE,
STOP IT!
>> YOU STAY AWAY FROM MY WIFE,
STOP IT!
>> YOU STAY AWAY FROM MY WIFE,
YOU PERVERT.
>> YOU STAY AWAY FROM MY WIFE,
YOU PERVERT.
>> YOU STAY AWAY FROM MY WIFE,
YOU PERVERT.
THAT’S A WARNING!
YOU PERVERT.
THAT’S A WARNING!
YOU PERVERT.
THAT’S A WARNING!
>> WHAT KIND OF WARNING IS THAT?
THAT’S A WARNING!
>> WHAT KIND OF WARNING IS THAT?
THAT’S A WARNING!
>> WHAT KIND OF WARNING IS THAT?
YOU HIT ME!
>> WHAT KIND OF WARNING IS THAT?
YOU HIT ME!
>> WHAT KIND OF WARNING IS THAT?
YOU HIT ME!
THAT’S NOT A WARNING!
YOU HIT ME!
THAT’S NOT A WARNING!
YOU HIT ME!
THAT’S NOT A WARNING!
>> YOU STAY AWAY!
THAT’S NOT A WARNING!
>> YOU STAY AWAY!
THAT’S NOT A WARNING!
>> YOU STAY AWAY!
YOU HEAR ME?!
>> YOU STAY AWAY!
YOU HEAR ME?!
>> YOU STAY AWAY!
YOU HEAR ME?!
I MEAN IT!
YOU HEAR ME?!
I MEAN IT!
YOU HEAR ME?!
I MEAN IT!
>> WE’LL TALK ABOUT THIS INSIDE!
I MEAN IT!
>> WE’LL TALK ABOUT THIS INSIDE!
I MEAN IT!
>> WE’LL TALK ABOUT THIS INSIDE!
>> [ BREATHES HEAVILY ]
>> WE’LL TALK ABOUT THIS INSIDE!
>> [ BREATHES HEAVILY ]
>> WE’LL TALK ABOUT THIS INSIDE!
>> [ BREATHES HEAVILY ]
[ DOOR CLOSES ]
>> [ BREATHES HEAVILY ]
[ DOOR CLOSES ]
>> [ BREATHES HEAVILY ]
[ DOOR CLOSES ]
[ CAR DOOR OPENS ]
[ DOOR CLOSES ]
[ CAR DOOR OPENS ]
[ DOOR CLOSES ]
[ CAR DOOR OPENS ]
[ DOOR-AJAR BELL DINGING ]
[ CAR DOOR OPENS ]
[ DOOR-AJAR BELL DINGING ]
[ CAR DOOR OPENS ]
[ DOOR-AJAR BELL DINGING ]
>> ARTIE?
[ DOOR-AJAR BELL DINGING ]
>> ARTIE?
[ DOOR-AJAR BELL DINGING ]
>> ARTIE?
I DON’T THINK THIS IS MARIJUANA.
>> ARTIE?
I DON’T THINK THIS IS MARIJUANA.
I DON’T THINK THIS IS MARIJUANA.
[ RIMSKY-KORSAKOV’S “FLIGHT
[ RIMSKY-KORSAKOV’S “FLIGHT
OF THE BUMBLEBEE” PLAYS ]
OF THE BUMBLEBEE” PLAYS ]
>> OH, HEY.
>> OH, HEY.
[ LAUGHS ]
>> OH, HEY.
[ LAUGHS ]
THERE WE GO.
[ LAUGHS ]
THERE WE GO.
[ LAUGHS ]
THERE WE GO.
I GUESS I’M STARTING TO FEEL
THERE WE GO.
I GUESS I’M STARTING TO FEEL
THERE WE GO.
I GUESS I’M STARTING TO FEEL
A LITTLE SOMETHING NOW.
I GUESS I’M STARTING TO FEEL
A LITTLE SOMETHING NOW.
I GUESS I’M STARTING TO FEEL
A LITTLE SOMETHING NOW.
GEEZ, IT’S ABOUT TIME.
A LITTLE SOMETHING NOW.
GEEZ, IT’S ABOUT TIME.
A LITTLE SOMETHING NOW.
GEEZ, IT’S ABOUT TIME.
>> IT’S REALLY EXCELLENT HERB.
GEEZ, IT’S ABOUT TIME.
>> IT’S REALLY EXCELLENT HERB.
GEEZ, IT’S ABOUT TIME.
>> IT’S REALLY EXCELLENT HERB.
>> YEAH, THAT’S WHAT YOU KEEP
>> IT’S REALLY EXCELLENT HERB.
>> YEAH, THAT’S WHAT YOU KEEP
>> IT’S REALLY EXCELLENT HERB.
>> YEAH, THAT’S WHAT YOU KEEP
TELLING ME.
>> YEAH, THAT’S WHAT YOU KEEP
TELLING ME.
>> YEAH, THAT’S WHAT YOU KEEP
TELLING ME.
>> IT’S JUST A MATTER OF WAITING
TELLING ME.
>> IT’S JUST A MATTER OF WAITING
TELLING ME.
>> IT’S JUST A MATTER OF WAITING
IT OUT.
>> IT’S JUST A MATTER OF WAITING
IT OUT.
>> IT’S JUST A MATTER OF WAITING
IT OUT.
>> HUH?
IT OUT.
>> HUH?
IT OUT.
>> HUH?
>> IT USUALLY TAKES ABOUT
>> HUH?
>> IT USUALLY TAKES ABOUT
>> HUH?
>> IT USUALLY TAKES ABOUT
45 MINUTES FOR IT TO TAKE
>> IT USUALLY TAKES ABOUT
45 MINUTES FOR IT TO TAKE
>> IT USUALLY TAKES ABOUT
45 MINUTES FOR IT TO TAKE
FULL EFFECT.
45 MINUTES FOR IT TO TAKE
FULL EFFECT.
45 MINUTES FOR IT TO TAKE
FULL EFFECT.
JUST REMEMBER, WE LOVE YOU.
FULL EFFECT.
JUST REMEMBER, WE LOVE YOU.
FULL EFFECT.
JUST REMEMBER, WE LOVE YOU.
>> ARTIE, YOU DID NOT SAY
JUST REMEMBER, WE LOVE YOU.
>> ARTIE, YOU DID NOT SAY
JUST REMEMBER, WE LOVE YOU.
>> ARTIE, YOU DID NOT SAY
ANYTHING ABOUT THIS.
>> ARTIE, YOU DID NOT SAY
ANYTHING ABOUT THIS.
>> ARTIE, YOU DID NOT SAY
ANYTHING ABOUT THIS.
>> OH, NO, SEE, ‘CAUSE ARTURO
ANYTHING ABOUT THIS.
>> OH, NO, SEE, ‘CAUSE ARTURO
ANYTHING ABOUT THIS.
>> OH, NO, SEE, ‘CAUSE ARTURO
SMOKED A DIFFERENT STRAIN.
>> OH, NO, SEE, ‘CAUSE ARTURO
SMOKED A DIFFERENT STRAIN.
>> OH, NO, SEE, ‘CAUSE ARTURO
SMOKED A DIFFERENT STRAIN.
THIS ONE’S CALLED
SMOKED A DIFFERENT STRAIN.
THIS ONE’S CALLED
SMOKED A DIFFERENT STRAIN.
THIS ONE’S CALLED
GRANOLA CRUNCH.
THIS ONE’S CALLED
GRANOLA CRUNCH.
THIS ONE’S CALLED
GRANOLA CRUNCH.
YOU’LL SEE.
GRANOLA CRUNCH.
YOU’LL SEE.
GRANOLA CRUNCH.
YOU’LL SEE.
>> I’LL — I’LL SEE?
YOU’LL SEE.
>> I’LL — I’LL SEE?
YOU’LL SEE.
>> I’LL — I’LL SEE?
I — [ CHUCKLES ]
>> I’LL — I’LL SEE?
I — [ CHUCKLES ]
>> I’LL — I’LL SEE?
I — [ CHUCKLES ]
[ “FLIGHT OF THE BUMBLEBEE”
I — [ CHUCKLES ]
[ “FLIGHT OF THE BUMBLEBEE”
I — [ CHUCKLES ]
[ “FLIGHT OF THE BUMBLEBEE”
CONTINUES ]
[ “FLIGHT OF THE BUMBLEBEE”
CONTINUES ]
CONTINUES ]
>> FRANK, YOU STOPPED THE CAR
>> FRANK, YOU STOPPED THE CAR
IN THE MIDDLE OF THE STREET.
>> FRANK, YOU STOPPED THE CAR
IN THE MIDDLE OF THE STREET.
PLEASE DRIVE FORWARD.
IN THE MIDDLE OF THE STREET.
PLEASE DRIVE FORWARD.
IN THE MIDDLE OF THE STREET.
PLEASE DRIVE FORWARD.
WE WILL BE LATE FOR
PLEASE DRIVE FORWARD.
WE WILL BE LATE FOR
PLEASE DRIVE FORWARD.
WE WILL BE LATE FOR
THE SCREENING.
WE WILL BE LATE FOR
THE SCREENING.
WE WILL BE LATE FOR
THE SCREENING.
FRANK?
THE SCREENING.
FRANK?
THE SCREENING.
FRANK?
FRANK.
FRANK?
FRANK.
FRANK?
FRANK.
>> I THINK HE MAY HAVE SMOKED
FRANK.
>> I THINK HE MAY HAVE SMOKED
FRANK.
>> I THINK HE MAY HAVE SMOKED
TOO MUCH.
>> I THINK HE MAY HAVE SMOKED
TOO MUCH.
>> I THINK HE MAY HAVE SMOKED
TOO MUCH.
>> YEAH, NO SHIT, FRIEND.
TOO MUCH.
>> YEAH, NO SHIT, FRIEND.
TOO MUCH.
>> YEAH, NO SHIT, FRIEND.
FRANK.
>> YEAH, NO SHIT, FRIEND.
FRANK.
>> YEAH, NO SHIT, FRIEND.
FRANK.
FRANK?
FRANK.
FRANK?
FRANK.
FRANK?
PLEASE, COME BACK TO THE PLANET
FRANK?
PLEASE, COME BACK TO THE PLANET
FRANK?
PLEASE, COME BACK TO THE PLANET
EARTH.
PLEASE, COME BACK TO THE PLANET
EARTH.
PLEASE, COME BACK TO THE PLANET
EARTH.
FRANK!
EARTH.
FRANK!
EARTH.
FRANK!
[ SIREN CHIRPS ]
FRANK!
[ SIREN CHIRPS ]
FRANK!
[ SIREN CHIRPS ]
AW, F–
[ SIREN CHIRPS ]
AW, F–
[ SIREN CHIRPS ]
AW, F–
AW, GREAT.
AW, F–
AW, GREAT.
AW, F–
AW, GREAT.
THE POLICE.
AW, GREAT.
THE POLICE.
AW, GREAT.
THE POLICE.
NOW WE WILL SURELY MISS
THE POLICE.
NOW WE WILL SURELY MISS
THE POLICE.
NOW WE WILL SURELY MISS
THE SCREENING.
NOW WE WILL SURELY MISS
THE SCREENING.
THE SCREENING.
NO TALKING.
NO TALKING.
I’LL TALK.
NO TALKING.
I’LL TALK.
[ POLICE RADIO CHATTER ]
I’LL TALK.
[ POLICE RADIO CHATTER ]
I’LL TALK.
[ POLICE RADIO CHATTER ]
>> HOW’S EVERYBODY DOING
[ POLICE RADIO CHATTER ]
>> HOW’S EVERYBODY DOING
[ POLICE RADIO CHATTER ]
>> HOW’S EVERYBODY DOING
TONIGHT?
>> HOW’S EVERYBODY DOING
TONIGHT?
>> HOW’S EVERYBODY DOING
TONIGHT?
[ SNIFFING ]
TONIGHT?
[ SNIFFING ]
TONIGHT?
[ SNIFFING ]
YOU BOYS BEEN SMOKING SOME
[ SNIFFING ]
YOU BOYS BEEN SMOKING SOME
[ SNIFFING ]
YOU BOYS BEEN SMOKING SOME
MARIJUANA?
YOU BOYS BEEN SMOKING SOME
MARIJUANA?
YOU BOYS BEEN SMOKING SOME
MARIJUANA?
>> NO, OFFICER.
MARIJUANA?
>> NO, OFFICER.
MARIJUANA?
>> NO, OFFICER.
ABSOLUTELY NOT.
>> NO, OFFICER.
ABSOLUTELY NOT.
>> NO, OFFICER.
ABSOLUTELY NOT.
>> SIR, CAN I PLEASE SEE YOUR
ABSOLUTELY NOT.
>> SIR, CAN I PLEASE SEE YOUR
ABSOLUTELY NOT.
>> SIR, CAN I PLEASE SEE YOUR
LICENSE AND REGISTRATION?
>> SIR, CAN I PLEASE SEE YOUR
LICENSE AND REGISTRATION?
>> SIR, CAN I PLEASE SEE YOUR
LICENSE AND REGISTRATION?
HOLY SHIT!
LICENSE AND REGISTRATION?
HOLY SHIT!
LICENSE AND REGISTRATION?
HOLY SHIT!
[ LAUGHS ]
HOLY SHIT!
[ LAUGHS ]
HOLY SHIT!
[ LAUGHS ]
FRANK E. NORMO!
[ LAUGHS ]
FRANK E. NORMO!
[ LAUGHS ]
FRANK E. NORMO!
MY WIFE AND I — WE FUCK TO YOUR
FRANK E. NORMO!
MY WIFE AND I — WE FUCK TO YOUR
FRANK E. NORMO!
MY WIFE AND I — WE FUCK TO YOUR
SHIT ALL THE TIME, MAN.
MY WIFE AND I — WE FUCK TO YOUR
SHIT ALL THE TIME, MAN.
MY WIFE AND I — WE FUCK TO YOUR
SHIT ALL THE TIME, MAN.
“LET’S GET FUCKED!”
SHIT ALL THE TIME, MAN.
“LET’S GET FUCKED!”
SHIT ALL THE TIME, MAN.
“LET’S GET FUCKED!”
[ LAUGHS ]
“LET’S GET FUCKED!”
[ LAUGHS ]
“LET’S GET FUCKED!”
[ LAUGHS ]
WHAT ARE YOU DOING HERE IN
[ LAUGHS ]
WHAT ARE YOU DOING HERE IN
[ LAUGHS ]
WHAT ARE YOU DOING HERE IN
PORTLAND?
WHAT ARE YOU DOING HERE IN
PORTLAND?
WHAT ARE YOU DOING HERE IN
PORTLAND?
>> UH, HE’S DOING A SHOOT.
PORTLAND?
>> UH, HE’S DOING A SHOOT.
PORTLAND?
>> UH, HE’S DOING A SHOOT.
AND I, ARTURO DOMINGO, AM BEING
>> UH, HE’S DOING A SHOOT.
AND I, ARTURO DOMINGO, AM BEING
>> UH, HE’S DOING A SHOOT.
AND I, ARTURO DOMINGO, AM BEING
HONORED.
AND I, ARTURO DOMINGO, AM BEING
HONORED.
AND I, ARTURO DOMINGO, AM BEING
HONORED.
>> NO SHIT?
HONORED.
>> NO SHIT?
HONORED.
>> NO SHIT?
FRANK’S DOING A SHOW RIGHT HERE
>> NO SHIT?
FRANK’S DOING A SHOW RIGHT HERE
>> NO SHIT?
FRANK’S DOING A SHOW RIGHT HERE
IN THE ROSE CITY?!
FRANK’S DOING A SHOW RIGHT HERE
IN THE ROSE CITY?!
FRANK’S DOING A SHOW RIGHT HERE
IN THE ROSE CITY?!
I GOT THE COMPLETE FIRST SEASON
IN THE ROSE CITY?!
I GOT THE COMPLETE FIRST SEASON
IN THE ROSE CITY?!
I GOT THE COMPLETE FIRST SEASON
ON DVD.
I GOT THE COMPLETE FIRST SEASON
ON DVD.
I GOT THE COMPLETE FIRST SEASON
ON DVD.
I CANNOT FUCKING BELIEVE THIS.
ON DVD.
I CANNOT FUCKING BELIEVE THIS.
ON DVD.
I CANNOT FUCKING BELIEVE THIS.
SALINSKY!
I CANNOT FUCKING BELIEVE THIS.
SALINSKY!
I CANNOT FUCKING BELIEVE THIS.
SALINSKY!
GET YOUR ASS OVER HERE.
SALINSKY!
GET YOUR ASS OVER HERE.
SALINSKY!
GET YOUR ASS OVER HERE.
SO, WHAT’S WRONG WITH HIM?
GET YOUR ASS OVER HERE.
SO, WHAT’S WRONG WITH HIM?
GET YOUR ASS OVER HERE.
SO, WHAT’S WRONG WITH HIM?
DID HE SMOKE SOME BAD GRASS?
SO, WHAT’S WRONG WITH HIM?
DID HE SMOKE SOME BAD GRASS?
SO, WHAT’S WRONG WITH HIM?
DID HE SMOKE SOME BAD GRASS?
>> UH, WELL…
DID HE SMOKE SOME BAD GRASS?
>> UH, WELL…
DID HE SMOKE SOME BAD GRASS?
>> UH, WELL…
>> COME ON, MAN.
>> UH, WELL…
>> COME ON, MAN.
>> UH, WELL…
>> COME ON, MAN.
THIS IS OREGON.
>> COME ON, MAN.
THIS IS OREGON.
>> COME ON, MAN.
THIS IS OREGON.
WE’RE COOL.
THIS IS OREGON.
WE’RE COOL.
THIS IS OREGON.
WE’RE COOL.
>> IT WAS GRANOLA CRUNCH.
WE’RE COOL.
>> IT WAS GRANOLA CRUNCH.
WE’RE COOL.
>> IT WAS GRANOLA CRUNCH.
>> OH, THAT’S A TRICKY STRAIN.
>> IT WAS GRANOLA CRUNCH.
>> OH, THAT’S A TRICKY STRAIN.
>> IT WAS GRANOLA CRUNCH.
>> OH, THAT’S A TRICKY STRAIN.
>> WHAT’S UP, BOSS?
>> OH, THAT’S A TRICKY STRAIN.
>> WHAT’S UP, BOSS?
>> OH, THAT’S A TRICKY STRAIN.
>> WHAT’S UP, BOSS?
>> LOOK WHO WE GOT HERE.
>> WHAT’S UP, BOSS?
>> LOOK WHO WE GOT HERE.
>> WHAT’S UP, BOSS?
>> LOOK WHO WE GOT HERE.
FRANK FUCKING E. NORMO HIMSELF,
>> LOOK WHO WE GOT HERE.
FRANK FUCKING E. NORMO HIMSELF,
>> LOOK WHO WE GOT HERE.
FRANK FUCKING E. NORMO HIMSELF,
MAN.
FRANK FUCKING E. NORMO HIMSELF,
MAN.
FRANK FUCKING E. NORMO HIMSELF,
MAN.
>> AND ARTURO DOMINGO.
MAN.
>> AND ARTURO DOMINGO.
MAN.
>> AND ARTURO DOMINGO.
>> HOLY SHIT!
>> AND ARTURO DOMINGO.
>> HOLY SHIT!
>> AND ARTURO DOMINGO.
>> HOLY SHIT!
FRANK E. NORMO RIGHT HERE IN
>> HOLY SHIT!
FRANK E. NORMO RIGHT HERE IN
>> HOLY SHIT!
FRANK E. NORMO RIGHT HERE IN
THE FLESH.
FRANK E. NORMO RIGHT HERE IN
THE FLESH.
FRANK E. NORMO RIGHT HERE IN
THE FLESH.
WOW.
THE FLESH.
WOW.
THE FLESH.
WOW.
IS HE ALL RIGHT?
WOW.
IS HE ALL RIGHT?
WOW.
IS HE ALL RIGHT?
>> GRANOLA CRUNCH, DUDE.
IS HE ALL RIGHT?
>> GRANOLA CRUNCH, DUDE.
IS HE ALL RIGHT?
>> GRANOLA CRUNCH, DUDE.
>> [ CHUCKLES ]
>> GRANOLA CRUNCH, DUDE.
>> [ CHUCKLES ]
>> GRANOLA CRUNCH, DUDE.
>> [ CHUCKLES ]
THAT SHIT IS FUCKED.
>> [ CHUCKLES ]
THAT SHIT IS FUCKED.
>> [ CHUCKLES ]
THAT SHIT IS FUCKED.
>> [ Chuckling ] YEAH.
THAT SHIT IS FUCKED.
>> [ Chuckling ] YEAH.
THAT SHIT IS FUCKED.
>> [ Chuckling ] YEAH.
>> PARDON ME FOR INTERRUPTING,
>> [ Chuckling ] YEAH.
>> PARDON ME FOR INTERRUPTING,
>> [ Chuckling ] YEAH.
>> PARDON ME FOR INTERRUPTING,
BUT WE HAVE A SCREENING TO
>> PARDON ME FOR INTERRUPTING,
BUT WE HAVE A SCREENING TO
>> PARDON ME FOR INTERRUPTING,
BUT WE HAVE A SCREENING TO
GET TO — “FULL METAL JACKOFF:
BUT WE HAVE A SCREENING TO
GET TO — “FULL METAL JACKOFF:
BUT WE HAVE A SCREENING TO
GET TO — “FULL METAL JACKOFF:
DIRECTOR’S CUT.”
GET TO — “FULL METAL JACKOFF:
DIRECTOR’S CUT.”
GET TO — “FULL METAL JACKOFF:
DIRECTOR’S CUT.”
>> A SCREENING OF
DIRECTOR’S CUT.”
>> A SCREENING OF
DIRECTOR’S CUT.”
>> A SCREENING OF
A FRANK E. NORMO MOVIE?
>> A SCREENING OF
A FRANK E. NORMO MOVIE?
>> A SCREENING OF
A FRANK E. NORMO MOVIE?
>> HE IS IN IT, BUT IT IS MY
A FRANK E. NORMO MOVIE?
>> HE IS IN IT, BUT IT IS MY
A FRANK E. NORMO MOVIE?
>> HE IS IN IT, BUT IT IS MY
FILM.
>> HE IS IN IT, BUT IT IS MY
FILM.
>> HE IS IN IT, BUT IT IS MY
FILM.
>> TONIGHT?
FILM.
>> TONIGHT?
FILM.
>> TONIGHT?
WELL, LET’S GET A MOVE ON.
>> TONIGHT?
WELL, LET’S GET A MOVE ON.
>> TONIGHT?
WELL, LET’S GET A MOVE ON.
WHAT’D YOU SAY YOUR NAME WAS
WELL, LET’S GET A MOVE ON.
WHAT’D YOU SAY YOUR NAME WAS
WELL, LET’S GET A MOVE ON.
WHAT’D YOU SAY YOUR NAME WAS
AGAIN, SIR?
WHAT’D YOU SAY YOUR NAME WAS
AGAIN, SIR?
WHAT’D YOU SAY YOUR NAME WAS
AGAIN, SIR?
>> ARTURO DOMINGO.
AGAIN, SIR?
>> ARTURO DOMINGO.
AGAIN, SIR?
>> ARTURO DOMINGO.
>> ALL RIGHT, MR. “DOMANKO.”
>> ARTURO DOMINGO.
>> ALL RIGHT, MR. “DOMANKO.”
>> ARTURO DOMINGO.
>> ALL RIGHT, MR. “DOMANKO.”
YOU GO AHEAD AND TRADE PLACES
>> ALL RIGHT, MR. “DOMANKO.”
YOU GO AHEAD AND TRADE PLACES
>> ALL RIGHT, MR. “DOMANKO.”
YOU GO AHEAD AND TRADE PLACES
WITH FRANK HERE.
YOU GO AHEAD AND TRADE PLACES
WITH FRANK HERE.
YOU GO AHEAD AND TRADE PLACES
WITH FRANK HERE.
WE’RE GONNA LEAD YOU INTO TOWN.
WITH FRANK HERE.
WE’RE GONNA LEAD YOU INTO TOWN.
WITH FRANK HERE.
WE’RE GONNA LEAD YOU INTO TOWN.
[ SIREN WAILS ]
WE’RE GONNA LEAD YOU INTO TOWN.
[ SIREN WAILS ]
[ SIREN WAILS ]
[ SPORADIC GUNFIRE ]
[ SPORADIC GUNFIRE ]
>> [ Chanting ] I DON’T KNOW,
[ SPORADIC GUNFIRE ]
>> [ Chanting ] I DON’T KNOW,
BUT I’VE BEEN TOLD.
>> [ Chanting ] I DON’T KNOW,
BUT I’VE BEEN TOLD.
>> [ Chanting ] I DON’T KNOW,
BUT I’VE BEEN TOLD.
>> [ Chanting ] I DON’T KNOW,
BUT I’VE BEEN TOLD.
>> [ Chanting ] I DON’T KNOW,
BUT I’VE BEEN TOLD.
>> [ Chanting ] I DON’T KNOW,
BUT I’VE BEEN TOLD.
>> [ Chanting ] I DON’T KNOW,
BUT I’VE BEEN TOLD.
>> [ Chanting ] I DON’T KNOW,
BUT I’VE BEEN TOLD.
>> WE’RE GONNA FIND PUSSY.
BUT I’VE BEEN TOLD.
>> WE’RE GONNA FIND PUSSY.
BUT I’VE BEEN TOLD.
>> WE’RE GONNA FIND PUSSY.
>> WE’RE GONNA FIND PUSSY.
>> WE’RE GONNA FIND PUSSY.
>> WE’RE GONNA FIND PUSSY.
>> WE’RE GONNA FIND PUSSY.
>> WE’RE GONNA FIND PUSSY.
>> SOUND OFF.
>> WE’RE GONNA FIND PUSSY.
>> SOUND OFF.
>> WE’RE GONNA FIND PUSSY.
>> SOUND OFF.
>> ONE, TWO.
>> SOUND OFF.
>> ONE, TWO.
>> SOUND OFF.
>> ONE, TWO.
>> THE MEN WERE TIRED AND WEARY.
>> ONE, TWO.
>> THE MEN WERE TIRED AND WEARY.
>> ONE, TWO.
>> THE MEN WERE TIRED AND WEARY.
>> SOUND OFF.
>> THE MEN WERE TIRED AND WEARY.
>> SOUND OFF.
>> THE MEN WERE TIRED AND WEARY.
>> SOUND OFF.
>> SOUND OFF.
>> SOUND OFF.
>> SOUND OFF.
>> SOUND OFF.
>> SOUND OFF.
>> I WAS LEADING THEM…
>> SOUND OFF.
>> I WAS LEADING THEM…
>> SOUND OFF.
>> I WAS LEADING THEM…
SOMEWHERE.
>> I WAS LEADING THEM…
SOMEWHERE.
>> I WAS LEADING THEM…
SOMEWHERE.
>> THREE, FOUR!
SOMEWHERE.
>> THREE, FOUR!
SOMEWHERE.
>> THREE, FOUR!
>> DON’T WORRY, MEN.
>> THREE, FOUR!
>> DON’T WORRY, MEN.
>> THREE, FOUR!
>> DON’T WORRY, MEN.
I CAN SMELL IT.
>> DON’T WORRY, MEN.
I CAN SMELL IT.
>> DON’T WORRY, MEN.
I CAN SMELL IT.
CAN YOU SMELL IT?
I CAN SMELL IT.
CAN YOU SMELL IT?
I CAN SMELL IT.
CAN YOU SMELL IT?
>> YES, SIR!
CAN YOU SMELL IT?
>> YES, SIR!
CAN YOU SMELL IT?
>> YES, SIR!
>> YES, SIR!
>> YES, SIR!
>> YES, SIR!
>> YES, SIR!
>> YES, SIR!
>> WHOO!
>> YES, SIR!
>> WHOO!
>> YES, SIR!
>> WHOO!
>> TAIL RIGHT AROUND THE CORNER.
>> WHOO!
>> TAIL RIGHT AROUND THE CORNER.
>> WHOO!
>> TAIL RIGHT AROUND THE CORNER.
>> I DIDN’T KNOW WHERE EXACTLY.
>> TAIL RIGHT AROUND THE CORNER.
>> I DIDN’T KNOW WHERE EXACTLY.
>> TAIL RIGHT AROUND THE CORNER.
>> I DIDN’T KNOW WHERE EXACTLY.
>> WE CAN’T KILL ANYBODY, WE’RE
>> I DIDN’T KNOW WHERE EXACTLY.
>> WE CAN’T KILL ANYBODY, WE’RE
>> I DIDN’T KNOW WHERE EXACTLY.
>> WE CAN’T KILL ANYBODY, WE’RE
GONNA GET SOMETHING.
>> WE CAN’T KILL ANYBODY, WE’RE
GONNA GET SOMETHING.
>> WE CAN’T KILL ANYBODY, WE’RE
GONNA GET SOMETHING.
YOU KNOW WHAT I MEAN?
GONNA GET SOMETHING.
YOU KNOW WHAT I MEAN?
GONNA GET SOMETHING.
YOU KNOW WHAT I MEAN?
>> YES, SIR!
YOU KNOW WHAT I MEAN?
>> YES, SIR!
YOU KNOW WHAT I MEAN?
>> YES, SIR!
>> YES, WE’RE ALL GONNA HAVE
>> YES, SIR!
>> YES, WE’RE ALL GONNA HAVE
>> YES, SIR!
>> YES, WE’RE ALL GONNA HAVE
A HANDFUL OF STINKY BY THE TIME
>> YES, WE’RE ALL GONNA HAVE
A HANDFUL OF STINKY BY THE TIME
>> YES, WE’RE ALL GONNA HAVE
A HANDFUL OF STINKY BY THE TIME
THIS DAY’S DONE.
A HANDFUL OF STINKY BY THE TIME
THIS DAY’S DONE.
A HANDFUL OF STINKY BY THE TIME
THIS DAY’S DONE.
>> WHAT A LUCKY GUY I AM, SIR.
THIS DAY’S DONE.
>> WHAT A LUCKY GUY I AM, SIR.
THIS DAY’S DONE.
>> WHAT A LUCKY GUY I AM, SIR.
>> THAT’S RIGHT.
>> WHAT A LUCKY GUY I AM, SIR.
>> THAT’S RIGHT.
>> WHAT A LUCKY GUY I AM, SIR.
>> THAT’S RIGHT.
>> MY COORDINATES WERE OFF.
>> THAT’S RIGHT.
>> MY COORDINATES WERE OFF.
>> THAT’S RIGHT.
>> MY COORDINATES WERE OFF.
WHO KNEW HOW MANY MILES
>> MY COORDINATES WERE OFF.
WHO KNEW HOW MANY MILES
>> MY COORDINATES WERE OFF.
WHO KNEW HOW MANY MILES
TO THE NEXT CIVILIZATION,
WHO KNEW HOW MANY MILES
TO THE NEXT CIVILIZATION,
WHO KNEW HOW MANY MILES
TO THE NEXT CIVILIZATION,
TO THE NEXT SOURCE OF FOOD
TO THE NEXT CIVILIZATION,
TO THE NEXT SOURCE OF FOOD
TO THE NEXT CIVILIZATION,
TO THE NEXT SOURCE OF FOOD
OR WATER, LET ALONE POONTANG.
TO THE NEXT SOURCE OF FOOD
OR WATER, LET ALONE POONTANG.
TO THE NEXT SOURCE OF FOOD
OR WATER, LET ALONE POONTANG.
>> TAIL IS RIGHT AROUND
OR WATER, LET ALONE POONTANG.
>> TAIL IS RIGHT AROUND
OR WATER, LET ALONE POONTANG.
>> TAIL IS RIGHT AROUND
THE CORNER.
>> TAIL IS RIGHT AROUND
THE CORNER.
>> TAIL IS RIGHT AROUND
THE CORNER.
[ GUNSHOT IN DISTANCE ]
THE CORNER.
[ GUNSHOT IN DISTANCE ]
THE CORNER.
[ GUNSHOT IN DISTANCE ]
>> MY MEN WERE HUNGRY.
[ GUNSHOT IN DISTANCE ]
>> MY MEN WERE HUNGRY.
[ GUNSHOT IN DISTANCE ]
>> MY MEN WERE HUNGRY.
WE HADN’T EATEN IN FIVE DAYS.
>> MY MEN WERE HUNGRY.
WE HADN’T EATEN IN FIVE DAYS.
>> MY MEN WERE HUNGRY.
WE HADN’T EATEN IN FIVE DAYS.
>> HOLD UP HERE.
WE HADN’T EATEN IN FIVE DAYS.
>> HOLD UP HERE.
WE HADN’T EATEN IN FIVE DAYS.
>> HOLD UP HERE.
TAKE A KNEE.
>> HOLD UP HERE.
TAKE A KNEE.
>> HOLD UP HERE.
TAKE A KNEE.
>> MORALE WAS LOW.
TAKE A KNEE.
>> MORALE WAS LOW.
TAKE A KNEE.
>> MORALE WAS LOW.
I NEEDED TO STOP AND COLLECT
>> MORALE WAS LOW.
I NEEDED TO STOP AND COLLECT
>> MORALE WAS LOW.
I NEEDED TO STOP AND COLLECT
MY THOUGHTS.
I NEEDED TO STOP AND COLLECT
MY THOUGHTS.
I NEEDED TO STOP AND COLLECT
MY THOUGHTS.
HELL, WE ALL DID.
MY THOUGHTS.
HELL, WE ALL DID.
HELL, WE ALL DID.
>> MAN.
>> MAN.
WE’RE NEVER GONNA FIND ANY
>> MAN.
WE’RE NEVER GONNA FIND ANY
PUSSY.
WE’RE NEVER GONNA FIND ANY
PUSSY.
WE’RE NEVER GONNA FIND ANY
PUSSY.
>> SHUT YOUR PIEHOLE, WILLAMS.
PUSSY.
>> SHUT YOUR PIEHOLE, WILLAMS.
PUSSY.
>> SHUT YOUR PIEHOLE, WILLAMS.
I’M HORNY ENOUGH AS IT IS.
>> SHUT YOUR PIEHOLE, WILLAMS.
I’M HORNY ENOUGH AS IT IS.
I’M HORNY ENOUGH AS IT IS.
>> HEY.
>> HEY.
YOU THINK IT’S QUEER IF TWO GUYS
>> HEY.
YOU THINK IT’S QUEER IF TWO GUYS
JERK EACH OTHER OFF?
YOU THINK IT’S QUEER IF TWO GUYS
JERK EACH OTHER OFF?
YOU THINK IT’S QUEER IF TWO GUYS
JERK EACH OTHER OFF?
>> I KNEW IT WAS ONLY A MATTER
JERK EACH OTHER OFF?
>> I KNEW IT WAS ONLY A MATTER
JERK EACH OTHER OFF?
>> I KNEW IT WAS ONLY A MATTER
OF TIME BEFORE SOMEONE WOULD
>> I KNEW IT WAS ONLY A MATTER
OF TIME BEFORE SOMEONE WOULD
>> I KNEW IT WAS ONLY A MATTER
OF TIME BEFORE SOMEONE WOULD
BRING IT UP.
OF TIME BEFORE SOMEONE WOULD
BRING IT UP.
OF TIME BEFORE SOMEONE WOULD
BRING IT UP.
>> WHAT THE FUCK DID YOU JUST
BRING IT UP.
>> WHAT THE FUCK DID YOU JUST
BRING IT UP.
>> WHAT THE FUCK DID YOU JUST
SAY?
>> WHAT THE FUCK DID YOU JUST
SAY?
>> WHAT THE FUCK DID YOU JUST
SAY?
>> IT’S LIKE…TWO GUYS,
SAY?
>> IT’S LIKE…TWO GUYS,
SAY?
>> IT’S LIKE…TWO GUYS,
THEY’RE FRIENDS.
>> IT’S LIKE…TWO GUYS,
THEY’RE FRIENDS.
>> IT’S LIKE…TWO GUYS,
THEY’RE FRIENDS.
NEITHER OF THEM’S FAGS OR
THEY’RE FRIENDS.
NEITHER OF THEM’S FAGS OR
THEY’RE FRIENDS.
NEITHER OF THEM’S FAGS OR
NOTHING, IT’S JUST, YOU KNOW,
NEITHER OF THEM’S FAGS OR
NOTHING, IT’S JUST, YOU KNOW,
NEITHER OF THEM’S FAGS OR
NOTHING, IT’S JUST, YOU KNOW,
THEY’RE NOT GETTING ANY OR
NOTHING, IT’S JUST, YOU KNOW,
THEY’RE NOT GETTING ANY OR
NOTHING, IT’S JUST, YOU KNOW,
THEY’RE NOT GETTING ANY OR
WHAT HAVE YOU.
THEY’RE NOT GETTING ANY OR
WHAT HAVE YOU.
THEY’RE NOT GETTING ANY OR
WHAT HAVE YOU.
I MEAN, IT’S JUST LIKE LENDING
WHAT HAVE YOU.
I MEAN, IT’S JUST LIKE LENDING
WHAT HAVE YOU.
I MEAN, IT’S JUST LIKE LENDING
A HAND TO A PAL IN NEED.
I MEAN, IT’S JUST LIKE LENDING
A HAND TO A PAL IN NEED.
I MEAN, IT’S JUST LIKE LENDING
A HAND TO A PAL IN NEED.
[ LAUGHTER ]
A HAND TO A PAL IN NEED.
[ LAUGHTER ]
A HAND TO A PAL IN NEED.
[ LAUGHTER ]
LENDING A HAND.
[ LAUGHTER ]
LENDING A HAND.
[ LAUGHTER ]
LENDING A HAND.
>> RIPSTEIN’S PUN HELPED LIGHTEN
LENDING A HAND.
>> RIPSTEIN’S PUN HELPED LIGHTEN
LENDING A HAND.
>> RIPSTEIN’S PUN HELPED LIGHTEN
THE MOOD, BUT THE MEN WERE
>> RIPSTEIN’S PUN HELPED LIGHTEN
THE MOOD, BUT THE MEN WERE
>> RIPSTEIN’S PUN HELPED LIGHTEN
THE MOOD, BUT THE MEN WERE
UNEASY.
THE MOOD, BUT THE MEN WERE
UNEASY.
THE MOOD, BUT THE MEN WERE
UNEASY.
[ LAUGHTER CONTINUES ]
UNEASY.
[ LAUGHTER CONTINUES ]
UNEASY.
[ LAUGHTER CONTINUES ]
>> PIPE DOWN, LADIES.
[ LAUGHTER CONTINUES ]
>> PIPE DOWN, LADIES.
[ LAUGHTER CONTINUES ]
>> PIPE DOWN, LADIES.
SHUT YOUR FILTHY SEWERS.
>> PIPE DOWN, LADIES.
SHUT YOUR FILTHY SEWERS.
>> PIPE DOWN, LADIES.
SHUT YOUR FILTHY SEWERS.
>> BUT EVEN I WAS THINKING
SHUT YOUR FILTHY SEWERS.
>> BUT EVEN I WAS THINKING
SHUT YOUR FILTHY SEWERS.
>> BUT EVEN I WAS THINKING
ABOUT IT.
>> BUT EVEN I WAS THINKING
ABOUT IT.
>> BUT EVEN I WAS THINKING
ABOUT IT.
HELL, I’D BEEN CHECKING OUT
ABOUT IT.
HELL, I’D BEEN CHECKING OUT
ABOUT IT.
HELL, I’D BEEN CHECKING OUT
HANDS FOR DAYS.
HELL, I’D BEEN CHECKING OUT
HANDS FOR DAYS.
HELL, I’D BEEN CHECKING OUT
HANDS FOR DAYS.
McINTYRE’S WERE NICE, BUT
HANDS FOR DAYS.
McINTYRE’S WERE NICE, BUT
HANDS FOR DAYS.
McINTYRE’S WERE NICE, BUT
WILLAMS’ LOOKED EXTRA SOFT…
McINTYRE’S WERE NICE, BUT
WILLAMS’ LOOKED EXTRA SOFT…
McINTYRE’S WERE NICE, BUT
WILLAMS’ LOOKED EXTRA SOFT…
LIKE MY OLD LADY’S BACK HOME.
WILLAMS’ LOOKED EXTRA SOFT…
LIKE MY OLD LADY’S BACK HOME.
LIKE MY OLD LADY’S BACK HOME.
WE SAT THERE FOR WHAT SEEMED
WE SAT THERE FOR WHAT SEEMED
LIKE AN ETERNITY.
WE SAT THERE FOR WHAT SEEMED
LIKE AN ETERNITY.
[ GUNFIRE IN DISTANCE ]
LIKE AN ETERNITY.
[ GUNFIRE IN DISTANCE ]
LIKE AN ETERNITY.
[ GUNFIRE IN DISTANCE ]
AND THEN…
[ GUNFIRE IN DISTANCE ]
AND THEN…
[ GUNFIRE IN DISTANCE ]
AND THEN…
IT JUST HAPPENED.
AND THEN…
IT JUST HAPPENED.
AND THEN…
IT JUST HAPPENED.
>> ♪ DODGING BULLETS ♪
IT JUST HAPPENED.
>> ♪ DODGING BULLETS ♪
IT JUST HAPPENED.
>> ♪ DODGING BULLETS ♪
♪ STOPPING BOMBS ♪
>> ♪ DODGING BULLETS ♪
♪ STOPPING BOMBS ♪
>> ♪ DODGING BULLETS ♪
♪ STOPPING BOMBS ♪
♪ WITH MY BUDDIES IN VIETNAM ♪
♪ STOPPING BOMBS ♪
♪ WITH MY BUDDIES IN VIETNAM ♪
♪ STOPPING BOMBS ♪
♪ WITH MY BUDDIES IN VIETNAM ♪
♪ ME AND MY BUDDIES IN VIETNAM ♪
♪ WITH MY BUDDIES IN VIETNAM ♪
♪ ME AND MY BUDDIES IN VIETNAM ♪
♪ WITH MY BUDDIES IN VIETNAM ♪
♪ ME AND MY BUDDIES IN VIETNAM ♪
♪ STICKING TOGETHER, HAVING
♪ ME AND MY BUDDIES IN VIETNAM ♪
♪ STICKING TOGETHER, HAVING
♪ ME AND MY BUDDIES IN VIETNAM ♪
♪ STICKING TOGETHER, HAVING
LOTS OF FUN ♪
♪ STICKING TOGETHER, HAVING
LOTS OF FUN ♪
♪ STICKING TOGETHER, HAVING
LOTS OF FUN ♪
♪ YES, SOUTHEAST ASIA
LOTS OF FUN ♪
♪ YES, SOUTHEAST ASIA
LOTS OF FUN ♪
♪ YES, SOUTHEAST ASIA
IS A REAL BIG DRAG ♪
♪ YES, SOUTHEAST ASIA
IS A REAL BIG DRAG ♪
♪ YES, SOUTHEAST ASIA
IS A REAL BIG DRAG ♪
♪ BUT I GOT ALL MY FRIENDS HERE
IS A REAL BIG DRAG ♪
♪ BUT I GOT ALL MY FRIENDS HERE
IS A REAL BIG DRAG ♪
♪ BUT I GOT ALL MY FRIENDS HERE
TO MAKE IT OKAY ♪
♪ BUT I GOT ALL MY FRIENDS HERE
TO MAKE IT OKAY ♪
♪ BUT I GOT ALL MY FRIENDS HERE
TO MAKE IT OKAY ♪
♪ OOH-OOH-OOH ♪
TO MAKE IT OKAY ♪
♪ OOH-OOH-OOH ♪
TO MAKE IT OKAY ♪
♪ OOH-OOH-OOH ♪
♪ WHOO-OOH-OOH ♪
♪ OOH-OOH-OOH ♪
♪ WHOO-OOH-OOH ♪
♪ OOH-OOH-OOH ♪
♪ WHOO-OOH-OOH ♪
♪ ME AND MY BUDDIES IN VIETNAM ♪
♪ WHOO-OOH-OOH ♪
♪ ME AND MY BUDDIES IN VIETNAM ♪
♪ WHOO-OOH-OOH ♪
♪ ME AND MY BUDDIES IN VIETNAM ♪
♪ GONNA DEFEAT THE VIETCONG ♪
♪ ME AND MY BUDDIES IN VIETNAM ♪
♪ GONNA DEFEAT THE VIETCONG ♪
♪ ME AND MY BUDDIES IN VIETNAM ♪
♪ GONNA DEFEAT THE VIETCONG ♪
♪ NOW SO MUCH FUN ♪
♪ GONNA DEFEAT THE VIETCONG ♪
♪ NOW SO MUCH FUN ♪
♪ GONNA DEFEAT THE VIETCONG ♪
♪ NOW SO MUCH FUN ♪
♪ WE ALL JUST WANT TO STAY ♪
♪ NOW SO MUCH FUN ♪
♪ WE ALL JUST WANT TO STAY ♪
♪ NOW SO MUCH FUN ♪
♪ WE ALL JUST WANT TO STAY ♪
♪ KILLING COMMIE SCUM FOR
♪ WE ALL JUST WANT TO STAY ♪
♪ KILLING COMMIE SCUM FOR
♪ WE ALL JUST WANT TO STAY ♪
♪ KILLING COMMIE SCUM FOR
THE U.S.A. ♪
♪ KILLING COMMIE SCUM FOR
THE U.S.A. ♪
♪ KILLING COMMIE SCUM FOR
THE U.S.A. ♪
♪ OOH-OOH-OOH ♪
THE U.S.A. ♪
♪ OOH-OOH-OOH ♪
THE U.S.A. ♪
♪ OOH-OOH-OOH ♪
♪ WHOO-OOH-OOH ♪
♪ OOH-OOH-OOH ♪
♪ WHOO-OOH-OOH ♪
♪ OOH-OOH-OOH ♪
♪ WHOO-OOH-OOH ♪
>> [ MOANS ]
♪ WHOO-OOH-OOH ♪
>> [ MOANS ]
♪ WHOO-OOH-OOH ♪
>> [ MOANS ]
[ UP-TEMPO MUSIC PLAYS ]
>> [ MOANS ]
[ UP-TEMPO MUSIC PLAYS ]
[ UP-TEMPO MUSIC PLAYS ]
>> YEAH! OH!
>> ♪ I’M SURE GONNA MISS
>> ♪ I’M SURE GONNA MISS
THESE TIMES ♪
>> ♪ I’M SURE GONNA MISS
THESE TIMES ♪
♪ WITH MY FRIENDS JUST BEING
THESE TIMES ♪
♪ WITH MY FRIENDS JUST BEING
THESE TIMES ♪
♪ WITH MY FRIENDS JUST BEING
GUYS ♪
♪ WITH MY FRIENDS JUST BEING
GUYS ♪
♪ WITH MY FRIENDS JUST BEING
GUYS ♪
>> WHOO!
GUYS ♪
>> WHOO!
GUYS ♪
>> WHOO!
>> ♪ MY SON JOHNNY,
>> WHOO!
>> ♪ MY SON JOHNNY,
>> WHOO!
>> ♪ MY SON JOHNNY,
YES, MY SON ♪
>> ♪ MY SON JOHNNY,
YES, MY SON ♪
>> ♪ MY SON JOHNNY,
YES, MY SON ♪
♪ THESE WERE MY BUDDIES
YES, MY SON ♪
♪ THESE WERE MY BUDDIES
♪ THESE WERE MY BUDDIES
♪ THESE WERE MY BUDDIES
IN VIETNA-A-M ♪
IN VIETNA-A-M ♪
IN VIETNA-A-M ♪
[ CHEERS AND APPLAUSE ]
[ CHEERS AND APPLAUSE ]
[ CHEERS AND APPLAUSE ]
♪ WHOO-OOH-OOH ♪
[ CHEERS AND APPLAUSE ]
♪ WHOO-OOH-OOH ♪
♪ WHOO-OOH-OOH ♪
♪ WHOO-OOH-OOH ♪
♪ WHOO-OOH-OOH ♪
♪ WHOO-OOH-OOH ♪
♪ WHOO-OOH-OOH ♪
♪ WHOO-OOH-OOH ♪
♪ WHOO-OOH-OOH ♪
♪ WHOO-OOH-OOH ♪
♪ WHOO-OOH-OOH ♪
♪ WHOO-OOH-OOH ♪
♪ WHOO-OOH-OOH ♪
♪ WHOO-OOH-OOH ♪
♪ WHOO-OOH-OOH ♪
♪ WHOO-OOH-OOH ♪
♪ WHOO-OOH-OOH ♪
[ CHEERS AND APPLAUSE
♪ WHOO-OOH-OOH ♪
[ CHEERS AND APPLAUSE
♪ WHOO-OOH-OOH ♪
[ CHEERS AND APPLAUSE
CONTINUES ]
[ CHEERS AND APPLAUSE
CONTINUES ]
[ CHEERS AND APPLAUSE
CONTINUES ]
>> WHOO! WHOO!
CONTINUES ]
>> WHOO! WHOO!
>> WHOO! WHOO!
>> THANK YOU. THANK YOU.
>> THANK YOU. THANK YOU.
THANK YOU.
THANK YOU.
[ CHEERS AND APPLAUSE
[ CHEERS AND APPLAUSE
INTENSIFIES ]
[ CHEERS AND APPLAUSE
INTENSIFIES ]
THANK YOU.
INTENSIFIES ]
THANK YOU.
INTENSIFIES ]
THANK YOU.
>> ♪ …BELLE ♪
THANK YOU.
>> ♪ …BELLE ♪
THANK YOU.
>> ♪ …BELLE ♪
♪ AS SEEN RECLINING ON
>> ♪ …BELLE ♪
♪ AS SEEN RECLINING ON
>> ♪ …BELLE ♪
♪ AS SEEN RECLINING ON
AN OCEAN SWELL ♪
♪ AS SEEN RECLINING ON
AN OCEAN SWELL ♪
♪ AS SEEN RECLINING ON
AN OCEAN SWELL ♪
>> THEY LOVED THE FILM, DORIS.
AN OCEAN SWELL ♪
>> THEY LOVED THE FILM, DORIS.
AN OCEAN SWELL ♪
>> THEY LOVED THE FILM, DORIS.
THEY EAT IT UP, I TELL YOU.
>> THEY LOVED THE FILM, DORIS.
THEY EAT IT UP, I TELL YOU.
>> THEY LOVED THE FILM, DORIS.
THEY EAT IT UP, I TELL YOU.
>> Wonderful, Mr. Domingo.
THEY EAT IT UP, I TELL YOU.
>> Wonderful, Mr. Domingo.
THEY EAT IT UP, I TELL YOU.
>> Wonderful, Mr. Domingo.
>> IT GIVE ME CONFIDENCE,
>> Wonderful, Mr. Domingo.
>> IT GIVE ME CONFIDENCE,
>> Wonderful, Mr. Domingo.
>> IT GIVE ME CONFIDENCE,
YOU KNOW, FOR THE FUTURE.
>> IT GIVE ME CONFIDENCE,
YOU KNOW, FOR THE FUTURE.
>> IT GIVE ME CONFIDENCE,
YOU KNOW, FOR THE FUTURE.
>> I’m glad to hear that, sir.
YOU KNOW, FOR THE FUTURE.
>> I’m glad to hear that, sir.
YOU KNOW, FOR THE FUTURE.
>> I’m glad to hear that, sir.
Have you had any thoughts about
>> I’m glad to hear that, sir.
Have you had any thoughts about
>> I’m glad to hear that, sir.
Have you had any thoughts about
the independent film?
Have you had any thoughts about
the independent film?
Have you had any thoughts about
the independent film?
>> WELL, THERE IS NO SCRIPT YET,
the independent film?
>> WELL, THERE IS NO SCRIPT YET,
the independent film?
>> WELL, THERE IS NO SCRIPT YET,
BUT I HAVE A TITLE —
>> WELL, THERE IS NO SCRIPT YET,
BUT I HAVE A TITLE —
>> WELL, THERE IS NO SCRIPT YET,
BUT I HAVE A TITLE —
“ME AND YOU AND EVERYONE
BUT I HAVE A TITLE —
“ME AND YOU AND EVERYONE
BUT I HAVE A TITLE —
“ME AND YOU AND EVERYONE
WE BLOW.”
“ME AND YOU AND EVERYONE
WE BLOW.”
“ME AND YOU AND EVERYONE
WE BLOW.”
>> Oh, I love it.
WE BLOW.”
>> Oh, I love it.
WE BLOW.”
>> Oh, I love it.
>> ♪ FELL ASLEEP AT THE PEALING
>> Oh, I love it.
>> ♪ FELL ASLEEP AT THE PEALING
>> Oh, I love it.
>> ♪ FELL ASLEEP AT THE PEALING
OF THE STEEPLE BELL ♪
>> ♪ FELL ASLEEP AT THE PEALING
OF THE STEEPLE BELL ♪
>> ♪ FELL ASLEEP AT THE PEALING
OF THE STEEPLE BELL ♪
♪ I’M ON TRACK ♪
OF THE STEEPLE BELL ♪
♪ I’M ON TRACK ♪
OF THE STEEPLE BELL ♪
♪ I’M ON TRACK ♪
♪ AND KEEPING, BUT, OH ♪
♪ I’M ON TRACK ♪
♪ AND KEEPING, BUT, OH ♪
♪ I’M ON TRACK ♪
♪ AND KEEPING, BUT, OH ♪
♪ IF I COULD ONLY GET YOU… ♪
♪ AND KEEPING, BUT, OH ♪
♪ IF I COULD ONLY GET YOU… ♪
♪ AND KEEPING, BUT, OH ♪
♪ IF I COULD ONLY GET YOU… ♪
>> REMEMBER ME, ASSHOLE?
♪ IF I COULD ONLY GET YOU… ♪
>> REMEMBER ME, ASSHOLE?
♪ IF I COULD ONLY GET YOU… ♪
>> REMEMBER ME, ASSHOLE?
[ THUDS ]
>> REMEMBER ME, ASSHOLE?
[ THUDS ]
[ THUDS ]
>> ♪ UP WITH THE SUNRISE ♪
>> ♪ UP WITH THE SUNRISE ♪
♪ YOU’LL BE STARING ♪
>> ♪ UP WITH THE SUNRISE ♪
♪ YOU’LL BE STARING ♪
♪ OUT THROUGH THE WINDOW
♪ YOU’LL BE STARING ♪
♪ OUT THROUGH THE WINDOW
♪ YOU’LL BE STARING ♪
♪ OUT THROUGH THE WINDOW
OF THE DAY ♪
♪ OUT THROUGH THE WINDOW
OF THE DAY ♪
♪ OUT THROUGH THE WINDOW
OF THE DAY ♪
♪ I’LL BE ANOTHER… ♪
OF THE DAY ♪
♪ I’LL BE ANOTHER… ♪
OF THE DAY ♪
♪ I’LL BE ANOTHER… ♪
>> FIONA.
♪ I’LL BE ANOTHER… ♪
>> FIONA.
♪ I’LL BE ANOTHER… ♪
>> FIONA.
>> HI.
>> FIONA.
>> HI.
>> FIONA.
>> HI.
>> ♪ …SHADOW CAST… ♪
>> HI.
>> ♪ …SHADOW CAST… ♪
>> HI.
>> ♪ …SHADOW CAST… ♪
>> LOOKS LIKE IT HURTS.
>> ♪ …SHADOW CAST… ♪
>> LOOKS LIKE IT HURTS.
>> ♪ …SHADOW CAST… ♪
>> LOOKS LIKE IT HURTS.
>> ONLY WHEN I BREATHE.
>> LOOKS LIKE IT HURTS.
>> ONLY WHEN I BREATHE.
>> LOOKS LIKE IT HURTS.
>> ONLY WHEN I BREATHE.
>> [ CHUCKLES ]
>> ONLY WHEN I BREATHE.
>> [ CHUCKLES ]
>> ONLY WHEN I BREATHE.
>> [ CHUCKLES ]
HERE, JUST PUT THIS ON.
>> [ CHUCKLES ]
HERE, JUST PUT THIS ON.
>> [ CHUCKLES ]
HERE, JUST PUT THIS ON.
>> ♪ SHINE AGAINST
HERE, JUST PUT THIS ON.
>> ♪ SHINE AGAINST
HERE, JUST PUT THIS ON.
>> ♪ SHINE AGAINST
THE SOLEMN GRATE ♪
>> ♪ SHINE AGAINST
THE SOLEMN GRATE ♪
>> ♪ SHINE AGAINST
THE SOLEMN GRATE ♪
>> LOOK, I’M — I’M SORRY.
THE SOLEMN GRATE ♪
>> LOOK, I’M — I’M SORRY.
THE SOLEMN GRATE ♪
>> LOOK, I’M — I’M SORRY.
FOR MY HUSBAND HURTING YOU.
>> LOOK, I’M — I’M SORRY.
FOR MY HUSBAND HURTING YOU.
>> LOOK, I’M — I’M SORRY.
FOR MY HUSBAND HURTING YOU.
>> I WOULD HAVE DONE THE SAME.
FOR MY HUSBAND HURTING YOU.
>> I WOULD HAVE DONE THE SAME.
FOR MY HUSBAND HURTING YOU.
>> I WOULD HAVE DONE THE SAME.
>> THAT’S PROBABLY TRUE.
>> I WOULD HAVE DONE THE SAME.
>> THAT’S PROBABLY TRUE.
>> I WOULD HAVE DONE THE SAME.
>> THAT’S PROBABLY TRUE.
[ CHUCKLES ]
>> THAT’S PROBABLY TRUE.
[ CHUCKLES ]
>> THAT’S PROBABLY TRUE.
[ CHUCKLES ]
OR WORSE.
[ CHUCKLES ]
OR WORSE.
[ CHUCKLES ]
OR WORSE.
[ LAUGHS ]
OR WORSE.
[ LAUGHS ]
OR WORSE.
[ LAUGHS ]
>> [ CHUCKLES ]
[ LAUGHS ]
>> [ CHUCKLES ]
[ LAUGHS ]
>> [ CHUCKLES ]
>> ♪ SO GOES ANOTHER WINTER
>> [ CHUCKLES ]
>> ♪ SO GOES ANOTHER WINTER
>> [ CHUCKLES ]
>> ♪ SO GOES ANOTHER WINTER
SLOWLY ♪
>> ♪ SO GOES ANOTHER WINTER
SLOWLY ♪
>> ♪ SO GOES ANOTHER WINTER
SLOWLY ♪
♪ HANDS… ♪
SLOWLY ♪
♪ HANDS… ♪
SLOWLY ♪
♪ HANDS… ♪
>> WELL, THEN I — [ SIGHS ]
♪ HANDS… ♪
>> WELL, THEN I — [ SIGHS ]
♪ HANDS… ♪
>> WELL, THEN I — [ SIGHS ]
I JUST WANTED TO MAKE SURE
>> WELL, THEN I — [ SIGHS ]
I JUST WANTED TO MAKE SURE
>> WELL, THEN I — [ SIGHS ]
I JUST WANTED TO MAKE SURE
THAT YOU’RE ALL RIGHT.
I JUST WANTED TO MAKE SURE
THAT YOU’RE ALL RIGHT.
I JUST WANTED TO MAKE SURE
THAT YOU’RE ALL RIGHT.
>> ♪ YOU’LL BE THE FIRST TO… ♪
THAT YOU’RE ALL RIGHT.
>> ♪ YOU’LL BE THE FIRST TO… ♪
THAT YOU’RE ALL RIGHT.
>> ♪ YOU’LL BE THE FIRST TO… ♪
>> HAVE A SAFE TRIP HOME, OKAY?
>> ♪ YOU’LL BE THE FIRST TO… ♪
>> HAVE A SAFE TRIP HOME, OKAY?
>> ♪ YOU’LL BE THE FIRST TO… ♪
>> HAVE A SAFE TRIP HOME, OKAY?
>> ♪ I’LL BE THE LAST TO LET
>> HAVE A SAFE TRIP HOME, OKAY?
>> ♪ I’LL BE THE LAST TO LET
>> HAVE A SAFE TRIP HOME, OKAY?
>> ♪ I’LL BE THE LAST TO LET
YOU GO ♪
>> ♪ I’LL BE THE LAST TO LET
YOU GO ♪
>> ♪ I’LL BE THE LAST TO LET
YOU GO ♪
>> FIONA.
YOU GO ♪
>> FIONA.
YOU GO ♪
>> FIONA.
FIONA, MY LOVE.
>> FIONA.
FIONA, MY LOVE.
>> FIONA.
FIONA, MY LOVE.
>> ♪ BEFORE ME ♪
FIONA, MY LOVE.
>> ♪ BEFORE ME ♪
FIONA, MY LOVE.
>> ♪ BEFORE ME ♪
>> IN MY LIFE, NOT ONE THING
>> ♪ BEFORE ME ♪
>> IN MY LIFE, NOT ONE THING
>> ♪ BEFORE ME ♪
>> IN MY LIFE, NOT ONE THING
HAS GONE RIGHT.
>> IN MY LIFE, NOT ONE THING
HAS GONE RIGHT.
>> IN MY LIFE, NOT ONE THING
HAS GONE RIGHT.
[ Crying ] WHAT I’M TRY–
HAS GONE RIGHT.
[ Crying ] WHAT I’M TRY–
HAS GONE RIGHT.
[ Crying ] WHAT I’M TRY–
WHAT I’M TRYING TO SAY…
[ Crying ] WHAT I’M TRY–
WHAT I’M TRYING TO SAY…
[ Crying ] WHAT I’M TRY–
WHAT I’M TRYING TO SAY…
>> YOU’RE TRYING TO SAY IS THAT
WHAT I’M TRYING TO SAY…
>> YOU’RE TRYING TO SAY IS THAT
WHAT I’M TRYING TO SAY…
>> YOU’RE TRYING TO SAY IS THAT
YOU WANT ME BACK.
>> YOU’RE TRYING TO SAY IS THAT
YOU WANT ME BACK.
>> YOU’RE TRYING TO SAY IS THAT
YOU WANT ME BACK.
>> YES.
YOU WANT ME BACK.
>> YES.
YOU WANT ME BACK.
>> YES.
>> SO I CAN BE PART OF THIS
>> YES.
>> SO I CAN BE PART OF THIS
>> YES.
>> SO I CAN BE PART OF THIS
LOVELY WORLD THAT YOU’VE CREATED
>> SO I CAN BE PART OF THIS
LOVELY WORLD THAT YOU’VE CREATED
>> SO I CAN BE PART OF THIS
LOVELY WORLD THAT YOU’VE CREATED
FOR YOURSELF?
LOVELY WORLD THAT YOU’VE CREATED
FOR YOURSELF?
LOVELY WORLD THAT YOU’VE CREATED
FOR YOURSELF?
I REALLY HOPE THAT YOU FIND
FOR YOURSELF?
I REALLY HOPE THAT YOU FIND
FOR YOURSELF?
I REALLY HOPE THAT YOU FIND
HAPPINESS, ARTURO.
I REALLY HOPE THAT YOU FIND
HAPPINESS, ARTURO.
I REALLY HOPE THAT YOU FIND
HAPPINESS, ARTURO.
I DO.
HAPPINESS, ARTURO.
I DO.
HAPPINESS, ARTURO.
I DO.
BUT IT’S NOT EVER GONNA BE
I DO.
BUT IT’S NOT EVER GONNA BE
I DO.
BUT IT’S NOT EVER GONNA BE
WITH ME.
BUT IT’S NOT EVER GONNA BE
WITH ME.
BUT IT’S NOT EVER GONNA BE
WITH ME.
OKAY?
WITH ME.
OKAY?
WITH ME.
OKAY?
YOU’RE JUST TOO IN LOVE WITH
OKAY?
YOU’RE JUST TOO IN LOVE WITH
OKAY?
YOU’RE JUST TOO IN LOVE WITH
YOUR WORK, AND YOU’VE GOT
YOU’RE JUST TOO IN LOVE WITH
YOUR WORK, AND YOU’VE GOT
YOU’RE JUST TOO IN LOVE WITH
YOUR WORK, AND YOU’VE GOT
A HORRIBLY ADDICTIVE
YOUR WORK, AND YOU’VE GOT
A HORRIBLY ADDICTIVE
YOUR WORK, AND YOU’VE GOT
A HORRIBLY ADDICTIVE
PERSONALITY.
A HORRIBLY ADDICTIVE
PERSONALITY.
A HORRIBLY ADDICTIVE
PERSONALITY.
AND YOU’RE OBNOXIOUSLY JEALOUS.
PERSONALITY.
AND YOU’RE OBNOXIOUSLY JEALOUS.
PERSONALITY.
AND YOU’RE OBNOXIOUSLY JEALOUS.
>> AND THE FLAB.
AND YOU’RE OBNOXIOUSLY JEALOUS.
>> AND THE FLAB.
AND YOU’RE OBNOXIOUSLY JEALOUS.
>> AND THE FLAB.
YOU FORGET ABOUT THE FLAB.
>> AND THE FLAB.
YOU FORGET ABOUT THE FLAB.
>> AND THE FLAB.
YOU FORGET ABOUT THE FLAB.
>> NO, ACTUALLY, I THINK
YOU FORGET ABOUT THE FLAB.
>> NO, ACTUALLY, I THINK
YOU FORGET ABOUT THE FLAB.
>> NO, ACTUALLY, I THINK
THE EXTRA WEIGHT LOOKS GOOD
>> NO, ACTUALLY, I THINK
THE EXTRA WEIGHT LOOKS GOOD
>> NO, ACTUALLY, I THINK
THE EXTRA WEIGHT LOOKS GOOD
ON YOU.
THE EXTRA WEIGHT LOOKS GOOD
ON YOU.
THE EXTRA WEIGHT LOOKS GOOD
ON YOU.
[ CHUCKLES ]
ON YOU.
[ CHUCKLES ]
ON YOU.
[ CHUCKLES ]
[ INHALES DEEPLY ]
[ CHUCKLES ]
[ INHALES DEEPLY ]
[ CHUCKLES ]
[ INHALES DEEPLY ]
[ SIGHS ]
[ INHALES DEEPLY ]
[ SIGHS ]
[ INHALES DEEPLY ]
[ SIGHS ]
TAKE CARE OF YOURSELF,
[ SIGHS ]
TAKE CARE OF YOURSELF,
[ SIGHS ]
TAKE CARE OF YOURSELF,
ARTURO DOMINGO.
TAKE CARE OF YOURSELF,
ARTURO DOMINGO.
TAKE CARE OF YOURSELF,
ARTURO DOMINGO.
>> ♪ WHEN IN DAYLIGHT LEAVES
ARTURO DOMINGO.
>> ♪ WHEN IN DAYLIGHT LEAVES
ARTURO DOMINGO.
>> ♪ WHEN IN DAYLIGHT LEAVES
YOU STARING ♪
>> ♪ WHEN IN DAYLIGHT LEAVES
YOU STARING ♪
>> ♪ WHEN IN DAYLIGHT LEAVES
YOU STARING ♪
♪ OUT IN ANOTHER UNDERTOW ♪
YOU STARING ♪
♪ OUT IN ANOTHER UNDERTOW ♪
YOU STARING ♪
♪ OUT IN ANOTHER UNDERTOW ♪
♪ I’LL BE TIRED CONVERSATION ♪
♪ OUT IN ANOTHER UNDERTOW ♪
♪ I’LL BE TIRED CONVERSATION ♪
♪ OUT IN ANOTHER UNDERTOW ♪
♪ I’LL BE TIRED CONVERSATION ♪
♪ I’LL BE WAITING ♪
♪ I’LL BE TIRED CONVERSATION ♪
♪ I’LL BE WAITING ♪
♪ I’LL BE TIRED CONVERSATION ♪
♪ I’LL BE WAITING ♪
♪ GET HOME ♪
♪ I’LL BE WAITING ♪
♪ GET HOME ♪
♪ I’LL BE WAITING ♪
♪ GET HOME ♪
♪ TELL ME… ♪
♪ GET HOME ♪
♪ TELL ME… ♪
♪ GET HOME ♪
♪ TELL ME… ♪
>> PRETTY GIRL.
♪ TELL ME… ♪
>> PRETTY GIRL.
♪ TELL ME… ♪
>> PRETTY GIRL.
>> ♪ BEFORE… ♪
>> PRETTY GIRL.
>> ♪ BEFORE… ♪
>> PRETTY GIRL.
>> ♪ BEFORE… ♪
>> OH, HI, FRANK.
>> ♪ BEFORE… ♪
>> OH, HI, FRANK.
>> ♪ BEFORE… ♪
>> OH, HI, FRANK.
>> A REAL BEAUTY.
>> OH, HI, FRANK.
>> A REAL BEAUTY.
>> OH, HI, FRANK.
>> A REAL BEAUTY.
>> YES.
>> A REAL BEAUTY.
>> YES.
>> A REAL BEAUTY.
>> YES.
FRANK, I TREATED YOU VERY
>> YES.
FRANK, I TREATED YOU VERY
>> YES.
FRANK, I TREATED YOU VERY
POORLY, AND I’M SORRY.
FRANK, I TREATED YOU VERY
POORLY, AND I’M SORRY.
FRANK, I TREATED YOU VERY
POORLY, AND I’M SORRY.
I TREATED MANY PEOPLE VERY
POORLY, AND I’M SORRY.
I TREATED MANY PEOPLE VERY
POORLY, AND I’M SORRY.
I TREATED MANY PEOPLE VERY
POORLY.
I TREATED MANY PEOPLE VERY
POORLY.
POORLY.
>> I’VE BEEN THINKING ABOUT
>> I’VE BEEN THINKING ABOUT
“GANG BANGS.”
>> I’VE BEEN THINKING ABOUT
“GANG BANGS.”
>> “GANG BANGS OF NEW YORK”?
“GANG BANGS.”
>> “GANG BANGS OF NEW YORK”?
“GANG BANGS.”
>> “GANG BANGS OF NEW YORK”?
>> YEAH.
>> “GANG BANGS OF NEW YORK”?
>> YEAH.
>> “GANG BANGS OF NEW YORK”?
>> YEAH.
>> DORIS, FORGET THE INDIE-FILM
>> YEAH.
>> DORIS, FORGET THE INDIE-FILM
>> YEAH.
>> DORIS, FORGET THE INDIE-FILM
PROJECT.
>> DORIS, FORGET THE INDIE-FILM
PROJECT.
>> DORIS, FORGET THE INDIE-FILM
PROJECT.
FUCK THAT!
PROJECT.
FUCK THAT!
PROJECT.
FUCK THAT!
WE ARE BACK ON BOARD FOR
FUCK THAT!
WE ARE BACK ON BOARD FOR
FUCK THAT!
WE ARE BACK ON BOARD FOR
“GANG BANGS”!
WE ARE BACK ON BOARD FOR
“GANG BANGS”!
WE ARE BACK ON BOARD FOR
“GANG BANGS”!
PLEASE, CONTACT MR. MALONEY
“GANG BANGS”!
PLEASE, CONTACT MR. MALONEY
“GANG BANGS”!
PLEASE, CONTACT MR. MALONEY
AT ONCE AND TELL HIM FRANK
PLEASE, CONTACT MR. MALONEY
AT ONCE AND TELL HIM FRANK
PLEASE, CONTACT MR. MALONEY
AT ONCE AND TELL HIM FRANK
WILL DO THE PICTURE!
AT ONCE AND TELL HIM FRANK
WILL DO THE PICTURE!
AT ONCE AND TELL HIM FRANK
WILL DO THE PICTURE!
>> Frank E. Normo?
WILL DO THE PICTURE!
>> Frank E. Normo?
WILL DO THE PICTURE!
>> Frank E. Normo?
>> YES, OUR FRANK.
>> Frank E. Normo?
>> YES, OUR FRANK.
>> Frank E. Normo?
>> YES, OUR FRANK.
THIS WILL BE THE MOST EPIC-SCALE
>> YES, OUR FRANK.
THIS WILL BE THE MOST EPIC-SCALE
>> YES, OUR FRANK.
THIS WILL BE THE MOST EPIC-SCALE
MOVIE EVER ATTEMPTED IN
THIS WILL BE THE MOST EPIC-SCALE
MOVIE EVER ATTEMPTED IN
THIS WILL BE THE MOST EPIC-SCALE
MOVIE EVER ATTEMPTED IN
HARD-CORE PORNOGRAPHY.
MOVIE EVER ATTEMPTED IN
HARD-CORE PORNOGRAPHY.
MOVIE EVER ATTEMPTED IN
HARD-CORE PORNOGRAPHY.
>> I’m very happy for you,
HARD-CORE PORNOGRAPHY.
>> I’m very happy for you,
HARD-CORE PORNOGRAPHY.
>> I’m very happy for you,
Mr. Domingo.
>> I’m very happy for you,
Mr. Domingo.
>> I’m very happy for you,
Mr. Domingo.
>> THANK YOU, DORIS.
Mr. Domingo.
>> THANK YOU, DORIS.
>> THANK YOU, DORIS.
GOOD, GOOD.
GOOD, GOOD.
AND THEN, WHEN I YELL “CUT,”
GOOD, GOOD.
AND THEN, WHEN I YELL “CUT,”
YOU WILL FREEZE BECAUSE WE ARE
AND THEN, WHEN I YELL “CUT,”
YOU WILL FREEZE BECAUSE WE ARE
AND THEN, WHEN I YELL “CUT,”
YOU WILL FREEZE BECAUSE WE ARE
GOING TO SWITCH WITH THE OTHER
YOU WILL FREEZE BECAUSE WE ARE
GOING TO SWITCH WITH THE OTHER
YOU WILL FREEZE BECAUSE WE ARE
GOING TO SWITCH WITH THE OTHER
ACTRESS.
GOING TO SWITCH WITH THE OTHER
ACTRESS.
GOING TO SWITCH WITH THE OTHER
ACTRESS.
GOOD.
ACTRESS.
GOOD.
ACTRESS.
GOOD.
EVERYONE, YOU WILL BE KISSING,
GOOD.
EVERYONE, YOU WILL BE KISSING,
GOOD.
EVERYONE, YOU WILL BE KISSING,
KISSING LIKE THIS, AND THEN YOU
EVERYONE, YOU WILL BE KISSING,
KISSING LIKE THIS, AND THEN YOU
EVERYONE, YOU WILL BE KISSING,
KISSING LIKE THIS, AND THEN YOU
WILL DROP DOWN TO ENJOY DOWN
KISSING LIKE THIS, AND THEN YOU
WILL DROP DOWN TO ENJOY DOWN
KISSING LIKE THIS, AND THEN YOU
WILL DROP DOWN TO ENJOY DOWN
HERE, AND THEN YOU TWO…
WILL DROP DOWN TO ENJOY DOWN
HERE, AND THEN YOU TWO…
HERE, AND THEN YOU TWO…
[ UP-TEMPO MUSIC PLAYS ]
I THINK THE 24 IS A BETTER
I THINK THE 24 IS A BETTER
CHOICE FOR THE CLOSE SHOT.
I THINK THE 24 IS A BETTER
CHOICE FOR THE CLOSE SHOT.
THE 18 MAKES HIS SCROTUM
CHOICE FOR THE CLOSE SHOT.
THE 18 MAKES HIS SCROTUM
CHOICE FOR THE CLOSE SHOT.
THE 18 MAKES HIS SCROTUM
DISTORTED.
THE 18 MAKES HIS SCROTUM
DISTORTED.
THE 18 MAKES HIS SCROTUM
DISTORTED.
SWITCH IT OUT.
DISTORTED.
SWITCH IT OUT.
DISTORTED.
SWITCH IT OUT.
WE’LL TAKE IT AGAIN.
SWITCH IT OUT.
WE’LL TAKE IT AGAIN.
SWITCH IT OUT.
WE’LL TAKE IT AGAIN.
START THE CUNNILINGUO GOING
WE’LL TAKE IT AGAIN.
START THE CUNNILINGUO GOING
WE’LL TAKE IT AGAIN.
START THE CUNNILINGUO GOING
GENTLY — AH — LIKE I TOLD YOU.
START THE CUNNILINGUO GOING
GENTLY — AH — LIKE I TOLD YOU.
START THE CUNNILINGUO GOING
GENTLY — AH — LIKE I TOLD YOU.
>> AH.
GENTLY — AH — LIKE I TOLD YOU.
>> AH.
GENTLY — AH — LIKE I TOLD YOU.
>> AH.
>> I WANT YOU TO TRY IT AGAIN,
>> AH.
>> I WANT YOU TO TRY IT AGAIN,
>> AH.
>> I WANT YOU TO TRY IT AGAIN,
THIS TIME…GOOD.
>> I WANT YOU TO TRY IT AGAIN,
THIS TIME…GOOD.
THIS TIME…GOOD.
[ UP-TEMPO MUSIC PLAYS ]
>> THIS IS MY FIRST WAR PICTURE,
>> THIS IS MY FIRST WAR PICTURE,
SO I DID A LOT OF RESEARCH,
>> THIS IS MY FIRST WAR PICTURE,
SO I DID A LOT OF RESEARCH,
A LOT OF STUDYING OF THINGS,
SO I DID A LOT OF RESEARCH,
A LOT OF STUDYING OF THINGS,
SO I DID A LOT OF RESEARCH,
A LOT OF STUDYING OF THINGS,
AND SO I LEARNED A LOT ABOUT
A LOT OF STUDYING OF THINGS,
AND SO I LEARNED A LOT ABOUT
A LOT OF STUDYING OF THINGS,
AND SO I LEARNED A LOT ABOUT
THE VIETCONG AND CHARLIE.
AND SO I LEARNED A LOT ABOUT
THE VIETCONG AND CHARLIE.
AND SO I LEARNED A LOT ABOUT
THE VIETCONG AND CHARLIE.
>> I PROMISE YOU, IF I FIND OUT
THE VIETCONG AND CHARLIE.
>> I PROMISE YOU, IF I FIND OUT
THE VIETCONG AND CHARLIE.
>> I PROMISE YOU, IF I FIND OUT
THAT ONE OF YOU BOYS IS
>> I PROMISE YOU, IF I FIND OUT
THAT ONE OF YOU BOYS IS
>> I PROMISE YOU, IF I FIND OUT
THAT ONE OF YOU BOYS IS
MISLEADING US WITH INTENTIONALLY
THAT ONE OF YOU BOYS IS
MISLEADING US WITH INTENTIONALLY
THAT ONE OF YOU BOYS IS
MISLEADING US WITH INTENTIONALLY
INCORRECT COORDINATES, KEEPING
MISLEADING US WITH INTENTIONALLY
INCORRECT COORDINATES, KEEPING
MISLEADING US WITH INTENTIONALLY
INCORRECT COORDINATES, KEEPING
US FROM GETTING SOME ASIAN POON,
INCORRECT COORDINATES, KEEPING
US FROM GETTING SOME ASIAN POON,
INCORRECT COORDINATES, KEEPING
US FROM GETTING SOME ASIAN POON,
I PROMISE YOU THERE WILL BE
US FROM GETTING SOME ASIAN POON,
I PROMISE YOU THERE WILL BE
US FROM GETTING SOME ASIAN POON,
I PROMISE YOU THERE WILL BE
A COURT-MARTIAL.
I PROMISE YOU THERE WILL BE
A COURT-MARTIAL.
A COURT-MARTIAL.
[ UP-TEMPO MUSIC CONTINUES ]
>> YOU’RE NOT HARD.
>> YOU’RE NOT HARD.
>> I’M GETTING HARD.
>> YOU’RE NOT HARD.
>> I’M GETTING HARD.
>> WE CAN’T — OKAY.
>> I’M GETTING HARD.
>> WE CAN’T — OKAY.
>> I’M GETTING HARD.
>> WE CAN’T — OKAY.
>> KEEP GOING.
>> WE CAN’T — OKAY.
>> KEEP GOING.
>> WE CAN’T — OKAY.
>> KEEP GOING.
I CAN HEAR.
>> KEEP GOING.
I CAN HEAR.
>> KEEP GOING.
I CAN HEAR.
[ CHUCKLES ]
I CAN HEAR.
[ CHUCKLES ]
I CAN HEAR.
[ CHUCKLES ]
>> START HERE, OKAY?
[ CHUCKLES ]
>> START HERE, OKAY?
[ CHUCKLES ]
>> START HERE, OKAY?
>> [ MOANING ]
>> START HERE, OKAY?
>> [ MOANING ]
>> START HERE, OKAY?
>> [ MOANING ]
>> OH, YEAH!
>> [ MOANING ]
>> OH, YEAH!
>> [ MOANING ]
>> OH, YEAH!
WHAT YOU DOING?
>> OH, YEAH!
WHAT YOU DOING?
>> OH, YEAH!
WHAT YOU DOING?
THAT’S MY FUCKING SHOE.
WHAT YOU DOING?
THAT’S MY FUCKING SHOE.
WHAT YOU DOING?
THAT’S MY FUCKING SHOE.
>> I DIDN’T…
THAT’S MY FUCKING SHOE.
>> I DIDN’T…
THAT’S MY FUCKING SHOE.
>> I DIDN’T…
OHH, SORRY.
>> I DIDN’T…
OHH, SORRY.
>> I DIDN’T…
OHH, SORRY.
>> YEAH?
OHH, SORRY.
>> YEAH?
OHH, SORRY.
>> YEAH?
[ Chuckles ] OH.
>> YEAH?
[ Chuckles ] OH.
>> YEAH?
[ Chuckles ] OH.
>> I’M SORRY, TOO.
[ Chuckles ] OH.
>> I’M SORRY, TOO.
>> I’M SORRY, TOO.
>> I LOVE THIS WORK, HUH?
[ UP-TEMPO MUSIC CONTINUES ]
[ SLOW-TEMPO GUITAR MUSIC
[ SLOW-TEMPO GUITAR MUSIC
PLAYS ]
PLAYS ]
>> ♪ I’M TIRED AND WEARY ♪
>> ♪ I’M TIRED AND WEARY ♪
♪ HEARTBREAK MIGHT KILL ME ♪
♪ HEARTBREAK MIGHT KILL ME ♪
♪ HEARTBREAK MIGHT KILL ME ♪
♪ I’M STRONG ♪
♪ I’M STRONG ♪
♪ I’M STRONG ♪
♪ BUT WILL I SURVIVE? ♪
♪ BUT WILL I SURVIVE? ♪
♪ BUT WILL I SURVIVE? ♪
♪ LORD, SHOW ME MERCY ♪
♪ LORD, SHOW ME MERCY ♪
♪ LORD, SHOW ME MERCY ♪
♪ I’M HUNGRY, I’M THIRSTY ♪
♪ I’M HUNGRY, I’M THIRSTY ♪
♪ I’M HUNGRY, I’M THIRSTY ♪
♪ I NEED SOMEONE WHO PROVIDES ♪
♪ I NEED SOMEONE WHO PROVIDES ♪
♪ I NEED SOMEONE WHO PROVIDES ♪
♪ SEND ME A LOVER ♪
♪ SEND ME A LOVER ♪
♪ SEND ME A LOVER ♪
♪ A HUSBAND, A FRIEND ♪
♪ A HUSBAND, A FRIEND ♪
♪ A HUSBAND, A FRIEND ♪
♪ AND I’LL GIVE HIM LOVING
♪ AND I’LL GIVE HIM LOVING
♪ AND I’LL GIVE HIM LOVING
AND COMFORT AND HEAD ♪
AND COMFORT AND HEAD ♪
AND COMFORT AND HEAD ♪
♪ SEND ME AN ANGEL
♪ SEND ME AN ANGEL
♪ SEND ME AN ANGEL
FROM THE HEAVENS ABOVE ♪
FROM THE HEAVENS ABOVE ♪
FROM THE HEAVENS ABOVE ♪
♪ GOT TO GET ME SOME GOOD,
♪ GOT TO GET ME SOME GOOD,
♪ GOT TO GET ME SOME GOOD,
GOOD LOVE ♪
GOOD LOVE ♪
GOOD LOVE ♪
[ SLOW-TEMPO MUSIC PLAYS ]
[ SLOW-TEMPO MUSIC PLAYS ]
♪ I NEED A MAN ♪
♪ I NEED A MAN ♪
♪ WHO WILL LAY ME AND PAY ME ♪
♪ WHO WILL LAY ME AND PAY ME ♪
♪ WHO WILL LAY ME AND PAY ME ♪
♪ AND SWEET-TALK ME ♪
♪ AND SWEET-TALK ME ♪
♪ AND SWEET-TALK ME ♪
♪ I NEED A MAN ♪
♪ I NEED A MAN ♪
♪ I NEED A MAN ♪
♪ TO BRING HOME THE BACON ♪
♪ TO BRING HOME THE BACON ♪
♪ TO BRING HOME THE BACON ♪
♪ AND THEN WE’LL KEEP BUSY
♪ AND THEN WE’LL KEEP BUSY
♪ AND THEN WE’LL KEEP BUSY
MAKING LOVE ♪
MAKING LOVE ♪
MAKING LOVE ♪
♪ SWEET LOVE ♪
♪ SWEET LOVE ♪
♪ SWEET LOVE ♪
♪ SWEET, SWEET LOVE ♪
♪ SWEET, SWEET LOVE ♪
♪ SWEET, SWEET LOVE ♪
[ SLOW-TEMPO MUSIC PLAYS ]
[ SLOW-TEMPO MUSIC PLAYS ]

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